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Opera 101
- A Complete Guide to Learning and Loving Opera
- Narrated by: Fred Plotkin
- Length: 18 hrs and 14 mins
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Publisher's summary
Opera 101 is recognized as the standard text in English for anyone who wants to become an opera lover. It is a clear, friendly, and truly complete handbook for learning how to listen to opera, whether on the radio, on recordings, or live at the opera house. Fred Plotkin, an internationally respected writer and teacher about opera, who for many years was performance manager of the Metropolitan Opera, introduces listeners, whatever their level of musical knowledge, to all the elements that make up opera.
The major part of Opera 101 is devoted to an almost minute-by-minute analysis of 11 key operas, ranging from Verdi's thunderous masterpiece Rigoletto and Puccini's electrifying Tosca to works by Mozart, Donizetti, Rossini, Offenbach, Tchaikovsky, and Wagner, and to the psychological complexities of Richard Strauss's Elektra. Once you have completed Opera 101, you will be prepared to see and hear any opera you encounter, thanks to this book's unprecedented detail and enjoyable method of revealing the riches of opera.
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- Length: 9 hrs and 1 min
- Unabridged
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Ben Greenman, New York Times best-selling author, contributing writer to The New Yorker, and owner of thousands of recordings of Prince and Prince-related songs, knows intimately that there has never been a rock star as vibrant, mercurial, willfully contrary, experimental, or prolific as Prince. Uniting a diverse audience while remaining singularly himself, Prince was a tireless artist, a musical virtuoso and chameleon, and a pop-culture prophet.
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Reads like a indepth career review & analysis
- By herb on 05-18-17
By: Ben Greenman
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Alan Lomax: A Biography
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The remarkable life and times of the man who popularized American folk music and created the science of song. Folklorist, archivist, anthropologist, singer, political activist, talent scout, ethnomusicologist, filmmaker, concert and record producer, Alan Lomax is best remembered as the man who introduced folk music to the masses. Lomax began his career making field recordings of rural music for the Library of Congress and by the late 1930s brought his discoveries to radio, including Woody Guthrie, Pete Seeger, and Burl Ives.
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They Done Good
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Wagnerism
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Alex Ross, renowned New Yorker music critic and author of the international best seller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics - an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.
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Not Just for Wagner Experts!
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By: Alex Ross
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Where the Heart Beats
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Composer John Cage sought the silence of a mind at peace with itself - and found it in Zen Buddhism, a spiritual path that changed both his music and his view of the universe. "Remarkably researched, exquisitely written", Where the Heart Beats weaves together "a great many threads of cultural history" (Maria Popova, Brain Pickings) to illuminate Cage’s struggle to accept himself and his relationship with choreographer Merce Cunningham. Freed to be his own man, Cage originated exciting experiments that set him at the epicenter of a new avant-garde forming in the 1950s.
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Mind Expansion
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When Paris Sizzled
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When Paris Sizzled vividly portrays the City of Light during the fabulous 1920s, les Annees folles, when Parisians emerged from the horrors of war to find that a new world greeted them - one that reverberated with the hard metallic clang of the assembly line, the roar of automobiles, and the beat of jazz. Mary McAuliffe traces a decade that saw seismic change on almost every front, from art and architecture to music, literature, fashion, entertainment, transportation, and, most notably, behavior.
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Informative, but no sizzle
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A Year in the Life of William Shakespeare
- 1599
- By: James Shapiro
- Narrated by: James Shapiro
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- Abridged
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1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.
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Note!--Abridged version
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Natasha's Dance
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Beginning in the 18th century with the building of St. Petersburg - a 'window on the West' - and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself - its character, spiritual essence and destiny. He skillfully interweaves the great works - by Dostoevsky, Stravinsky, and Chagall - with folk embroidery, peasant songs, religious icons and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world.
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A Kaleidescopic panorama of an enigmatic culture.
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The Creation of Anne Boleyn
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Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne’s life and an illuminating look at her afterlife in the popular imagination. Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really look like? Was she the flaxen-haired martyr of Romantic paintings or the raven-haired seductress of twenty-first-century portrayals? (Answer: Neither.) And perhaps the most provocative questions concern Anne’s death more than her life.
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Most Enjoyable Biography--Win!
- By Roswatheist on 03-29-14
By: Susan Bordo
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What listeners say about Opera 101
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Carlos Henrique Souza Vilas Boas
- 12-31-08
unmissable introduction to the world of operas!
This book is a superb introduction for anybody who wants to have a good understanding and a better appreciation of operas. It is complete in all aspects, since it comprehends history of opera, biography of composers, analysis of major works and so forth. Besides, the narrator, who happens to be the author of the book himself, reads it as wonderfully as he wrote it. After listening to this audiobook, you will be promoted from an opera novice to an opera lover and enthusiast. Go ahead! It's a good buy.
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10 people found this helpful
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- Gordon
- 07-02-17
A Worthy Introduction to Opera
if you have ever been curious about Opera, then you will enjoy this audiobook. the first couple of chapters give an excellent overview on the history of Opera and an in-depth look at some of the greats.
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- Troy
- 03-22-13
A Public Service for Beginners
I write that title with a caveat, which I'll explain. This book is geared to the idea that perhaps you know just a little about the world of opera and feel like maybe you're ready to be dangerous and don't know where to start. Mr. Plotkin offers his credentials as to why he's the right man to be your guide to this strange world, which are impressive, and then he leads you through the basics just as he says he will. He's one part tour guide, one part college professor, and he clearly loves opera. And he hopes you will too.
The history of opera is offered at Wikipedia speed, broken down for you in sections so you can see how it evolved into what it's become today. He'll even give you pointers on how to attend a performance and get the most out of it, which that alone is invaluable information. Where it gets dicey is that sometimes he forgets he's talking to a beginner when it comes to the actual operas, but he does bring it back down to beginner level sooner or later. A lot of the times, though, you will be expected to rise to the next level up without warning, and where this subject is concerned, that's not a bad thing if you're truly interested. He covers a handful of operas within this tome and explains why he picked them. His insights are well worth it for anyone who wants to dig deep. The thing is, and he'll tell you this up front, he's working from very specific recordings of these works that you will have to hunt down on your own, either in a library or online. Some of his explanation is specific to those recordings. Don't let that disuade you. If you can't find that recording, try another and compare it to what you learn in this book. The point of this entire thing is to help you make the leap from novice to enthusiast with confidence enough to discover more, and where you go from there is up to you. I've heard it said that for some beginners, it's many years - if ever - before they go from hearing an aria or two to listening to an entire opera with anything close to understanding. This book connects the dots if you're willing to meet the author halfway.
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17 people found this helpful
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- Dr. Debra
- 06-28-17
Comprehensive
Where does Opera 101 rank among all the audiobooks you’ve listened to so far?
It was unique. Something I read for research purposes, and it was like taking a college course.
Any additional comments?
I learned a lot.
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1 person found this helpful
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Overall
- S. K.
- 06-13-09
Essential how to guide for budding opera lovers
If you are serious on fast tracking your opera appreciation experience, study this book, buy or borrow the CDs and in 3-6 months you will be chatting away with the most seasoned opera lovers. But much more importantly, if you follow Fred's experienced advice, you will be entering a new world of deep insight into music and human endeavor of the greatest sophistication and pleasure. Just do it step by step and do not get turned off by the demanding and lecturing style. He is right all the way!
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6 people found this helpful
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- David Welsh
- 11-01-20
Ser paciente
Su contenido es muy extenso. El autor tiene un amplio conocimiento a cerca de Ópera. Pero siento que detalla minuciosamente en exceso que llega un momento de aburrimiento. Si tuve que escucharlo en velocidad 1.5 más rápido por que se hace muy lento
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- L.B.
- 11-04-17
Wanted to love it.
I found Plotkin’s speech impediment most distracting. I can’t believe no other reviewer has mentioned this. I was only on chapter 2 when it began to really annoy me. Wondering why another narrator wasn’t chosen. As an opera neophyte, I learned quite a bit. It would be outstanding if the Audible version could include examples from the operas Plotkin discusses. I would not listen to another book that Mr Plotkin narrates.
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3 people found this helpful
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Overall
- Ravi
- 08-30-05
A tedious introduction
Most people coming to opera for the first time feel a calling of some sought- having been taken to an opera by chance or catching a snippet as part of a movie soundtrack etc. This really isn't the book to inspire a lasting passion for the art. The content dwells on particulars which aren't that interesting (eg. how you applaud/ express disapproval at an opera) and suggests kinds of attendance and audience behaviour (all better learnt by going or watching a video of a live performance). Sections looking at the great opera are basic, not revelationary and well, the actual reading/performance of this book makes the content even less engaging. Not particularly inspiring! Money better spent on a good opera recording or a cheap back row ticket would be much more enjoyable. After all opera isn't that scarry.
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34 people found this helpful