Classical Music 101
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Narrated by:
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Fred Plotkin
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By:
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Fred Plotkin
About this listen
Classical Music 101 is a highly accessible guide to discovering the glories of classical music.
©2002 Fred Plotkin (P)2004 Blackstone AudiobooksListeners also enjoyed...
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Overall
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In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring listeners a deeper appreciation of the most viscerally rewarding of all art forms.
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Started common, ended uncommon
- By Sher from Provo on 06-05-24
By: Aaron Copland
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The Story of Classical Music
- By: Darren Henley
- Narrated by: Marin Alsop
- Length: 4 hrs and 34 mins
- Unabridged
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The lives and music of the great composers of classical music unfold in this entertaining account, introduced by the conductor and musical personality Marin Alsop. In 1200 years, classical music grew from the chanting of medieval monks through the symphonies of Beethoven and the grand operas of Wagner to the huge orchestral sound-world of the 21st century, with its electronics and its film music.
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Interesting, informative, easy
- By Boulderite on 12-31-05
By: Darren Henley
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Classical Music for Dummies, 2nd Edition
- By: David Pogue, Scott Speck
- Narrated by: Paul Heitsch
- Length: 11 hrs and 40 mins
- Unabridged
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Classical Music for Dummies is a friendly, funny, easy-to-understand guide to composers, instruments, orchestras, concerts, recordings, and more. Classical music is widely considered one of the pinnacles of human achievement, and this informative guide will shows you just how beautiful and rewarding it can be. You'll learn how Bach is different from Beethoven, how Mozart is different still, and why not all "classical" music is actually Classical if it's really Baroque or Romantic.
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It's Fine
- By I. Donovan on 03-31-23
By: David Pogue, and others
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The History of Classical Music
- By: Richard Fawkes
- Narrated by: Robert Powell
- Length: 5 hrs and 12 mins
- Unabridged
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From Gregorian Chant to Henryk Gorecki, the first living classical composer to get into the pop album charts, here is the fascinating story of over a thousand years of Western classical music and the composers who have sought to express in music the deepest of human feelings and emotions. Also available: The History of Opera.
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soothing
- By Anne on 10-29-03
By: Richard Fawkes
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The Crime Book
- Big Ideas Simply Explained
- By: DK, Peter James
- Narrated by: Jonathan Keeble
- Length: 13 hrs and 48 mins
- Unabridged
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From Jack the Ripper to the modern-day drug cartels, discover the most notorious crimes and criminals in history. With a foreword written and narrated by best-selling crime author Peter James, The Crime Book explores over 100 crimes and examines the science, psychology and sociology of criminal behavior. Hear the gory details of each crime and how they were solved, with renowned quotes and detailed criminal profiles letting you delve into the criminal mind.
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It covers a huge span of time. But what is covered is shallow rather than in depth.
- By DJ on 12-06-23
By: DK, and others
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Opera 101
- A Complete Guide to Learning and Loving Opera
- By: Fred Plotkin
- Narrated by: Fred Plotkin
- Length: 18 hrs and 14 mins
- Unabridged
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Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you.
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A tedious introduction
- By Ravi on 08-30-05
By: Fred Plotkin
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What to Listen for in Music
- By: Aaron Copland
- Narrated by: Tim Campbell
- Length: 6 hrs and 22 mins
- Unabridged
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In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring listeners a deeper appreciation of the most viscerally rewarding of all art forms.
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Started common, ended uncommon
- By Sher from Provo on 06-05-24
By: Aaron Copland
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The Story of Classical Music
- By: Darren Henley
- Narrated by: Marin Alsop
- Length: 4 hrs and 34 mins
- Unabridged
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The lives and music of the great composers of classical music unfold in this entertaining account, introduced by the conductor and musical personality Marin Alsop. In 1200 years, classical music grew from the chanting of medieval monks through the symphonies of Beethoven and the grand operas of Wagner to the huge orchestral sound-world of the 21st century, with its electronics and its film music.
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Interesting, informative, easy
- By Boulderite on 12-31-05
By: Darren Henley
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Composers
- Their Lives and Works
- By: DK
- Narrated by: Richard Trinder
- Length: 13 hrs and 32 mins
- Unabridged
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Introduced with more than 90 biographical entries that trace the friendships, loves, and rivalries that inspired each musical genius and their work. Profiles offer revealing insights into what drove each individual to create the musical masterpieces - symphonies, concertos, and operatic scores - that changed the direction of classical music and are still celebrated as masterpieces today.
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Exceeded my expectations
- By PavFan on 02-21-22
By: DK
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For the Love of Music
- A Conductor's Guide to the Art of Listening
- By: John Mauceri
- Narrated by: John Mauceri
- Length: 6 hrs and 8 mins
- Unabridged
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With a lifetime of experience, profound knowledge and understanding, and heartwarming appreciation, an internationally celebrated conductor and teacher answers the questions: Why should I listen to classical music? How can I get the most from the listening experience? Unpretentious, graceful, instructive, this is a book for the aficionado, the novice, and anyone looking to have the love of music fired within them.
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Divine Time with a Maestro
- By Meg on 12-18-19
By: John Mauceri
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Great Piano Works Explained
- By: Catherine Kautsky, The Great Courses
- Narrated by: Catherine Kautsky
- Length: 13 hrs and 14 mins
- Original Recording
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The glorious repertoire for solo piano includes many of classical music’s most beloved masterpieces. In these 24 musically rich lectures, you’ll dig deeply into this magnificent tradition, in an in-depth exploration of the art of listening. With Professor Kautsky’s inspired guidance and expert playing, you’ll highlight key works of each composer, and unpack their structure, the musical materials that drive them, and the specific features that affect listeners so strongly, giving you a clear grounding in how to approach and hear this great music.
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Highly recommended!!
- By Meichiko on 10-27-22
By: Catherine Kautsky, and others
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The Modern Scholar: Understanding the Fundamentals of Classical Music
- By: Professor Richard Freedman
- Narrated by: Richard Freedman
- Length: 7 hrs and 3 mins
- Original Recording
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This course is not designed as a chronological survey of musical history and its many stylistic periods or moments, nor an exploration of the lives and output of individual composers. Instead, these lectures focus on the development of listening skills. Through this course you will develop new levels of aural awareness that will allow you to better appreciate the richness, complexity, and excitement at the heart of all great concert music.
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Somewhat dull...
- By DrandomTubas on 03-22-11
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Schubert
- A Musical Wayfarer
- By: Lorraine Byrne Bodley
- Narrated by: Christa Lewis
- Length: 20 hrs and 45 mins
- Unabridged
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Brilliant, short-lived, incredibly prolific—Schubert is one of the most intriguing figures in music history. While his music attracts a wide audience, much of his private life remains shrouded in mystery, and significant portions of his work have been overlooked. In this major new biography, Lorraine Byrne Bodley takes a detailed look into Schubert's life, from his early years at the Stadtkonvikt to the harrowing battle with syphilis that led to his death at the age of thirty-one.
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The Indispensable Composers
- A Personal Guide
- By: Anthony Tommasini
- Narrated by: Mark Bramhall
- Length: 20 hrs and 24 mins
- Unabridged
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In The Indispensable Composers, Tommasini offers his own personal guide to the canon - and what greatness really means in classical music. What does it mean to be canonical now? Who gets to say? And do we have enough perspective on the 20th century to even begin assessing it? To make his case, Tommasini draws on elements of biography, the anxiety of influence, the composer's relationships with colleagues, and shifting attitudes toward a composer's work over time.
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A little disappointed.
- By Sher from Provo on 10-19-19
What listeners say about Classical Music 101
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- Charles
- 07-25-04
Only for true beginners
First of all, to address the main question you probably have: no, there is no music in this work. It's all Mr. Plotkin talking. And I can't say he is particularly good at it, but that's perhaps not an objective observation. His speaking might not bother everyone. At any rate, he doesn't just talk about music, he talks about how to listen to it, some of the performers, some of the pieces of music and their composers, etc., and he speaks like you expect most professors to speak: as if everyone is a complete dummy. But then, to be fair, it is called Classical Music "101", so perhaps I was expecting too much. If you know anything at all about classical music, I do not recommend this item. I suppose there's nothing wrong with it if you are truly new to it though.
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- Troy
- 04-14-14
Invaluable Insight
As with Plotkin's Opera 101 (which I reviewed earlier), this book is an invaluable insight into this subject matter. As with Opera 101, it's clear from the beginning that Plotkin loves classical music, and his objective is to help you to love it too. His book is designed as a launch pad for discovery, not a textbook of facts. Plotkin is an accredited and acknowledged expert in the field, and while it's expected for his audience to keep up with him, he does his best to bring his expertise to a level where general audiences can do just that. Again, as with Opera 101, the author assumes that the audience has had some exposure to the music and wants to catapult beyond the beginner level to a realm of true appreciation. This book covers history, anecdotal tales, musical theory, analysis, and even an overview of the various instruments in the orchestra. For the true novice, there is a section that outlines the expectations of attending a concert performance.
Many other reviews I've seen lamented that the music itself wasn't a part of this audiobook, and while that's a hindrance, such a thing would likely have been a licensing nightmare as many of the performances are not in the public domain. He does outline, however, exactly which performances he's referencing, and suggests that if you can't find them at a library (or perhaps online these days), then other recordings will suffice in most cases.
If there is a true negative to be found in this book, it's the author's own performance. He reads as though he's not reading his own work, and the recording is semi-professional at best. What I mean by that is that every time he takes a breath or smacks his lips, you hear it. There's no post-production to cover up that distraction. Even so, the breadth of his knowledge that's offered here more than makes up for it in my humble opinion, and he does it without talking down to you. If you engage the material, there's no reason this book shouldn't open up a new level of appreciation.
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4 people found this helpful
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- jodie
- 01-03-13
Educational but where's the music?
What made the experience of listening to Classical Music 101 the most enjoyable?
At first the narrators tone seemed boring, but as I relaxed and continued to listen the information was interesting bringing me to the era, the quality, the tonality of the times, picking up bits and pieces, replaying parts I didn't get the first time despite the monotone lecture scenario. Yes, I imagine myself in a lecture classroom however I am able to move around and do activities of daily living that don't require much concentration.
Would you recommend Classical Music 101 to your friends? Why or why not?
It's a beginners lecture audio book without the music which is part of the classwork referred to throughout the chapters. I recommend including at least a pdf which lists all of the pieces referenced by chapter in order to get the full context of the material. Unless you're familiar with the pieces, which I am not, the audio version of this book requires a lot of extra time by having to stop the audio in order to write the referenced musical pieces after which you'll have to search for them on YouTube, spotify, or as recommended in your local library in order to get the full scope of the lesson.
Which scene was your favorite?
I haven't finished listening to it yet. I had to stop to search for a listing of the music referenced and then felt compelled to see the comments.
Did you have an extreme reaction to this book? Did it make you laugh or cry?
There is no music or references in the form of a pdf attached.
Any additional comments?
I suggest at least an easy reference pdf with a list of all of the music in the order it is mentioned in the audio book.
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1 person found this helpful
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Overall
- Christi
- 11-19-04
Very, very thorough
There's a fine line between assuming nothing about a listener's prior knowledge of a subject and treating them like a dummy. Fred Plotkin stayed on the high side of that line, in my opinion. "...allowing the strings to be tightened or loosened. This is called tuning." Yes, I knew that, but Plotkin is assuming nothing about my prior exposure to music, musical instruments or the business end of the industry.
Fred Plotkin's love of music shines through every word of the book, I'll give him that. This is the first time I've ever found a description of a musical instrument in need of a PG rating. ;) His is not necessarily the voice of a professional reader, but he adds a fair about of expression to a heavily academic discussion.
No, the book is not a thrill a minute, but it isn't intended to be. Almost too dry for a popular audience, but not quite dry enough for a textbook. Definitely an education in classical music for the uninitiated, though.
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19 people found this helpful
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Overall
- Kenneth Johnson
- 10-24-07
Musical lecture
I listened to this book about three years ago, at least until my car was broken into and the device stolen! I am sure the thief got a surprise if he was able to figure out how to turn it on.
I share the disappointment with the other listeners about the lack of music on the book. However, this is a book which needs to be "read" very slowly with several trips to the musical library in order to listen to particular pieces recommended by the author. Most of the music is familiar but the discipline of listening to the same piece more than once,looking for one thing or another, can be very enriching.
I recommend this book highly but it cannot be used as a typical Audible book listened to on the go without access to a stereo system in order to actually play the music referred to as you go along.
This book is really a musical lecture and should be viewed in that light.
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26 people found this helpful
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- Michael
- 02-09-12
Get the music to listen to.
What disappointed you about Classical Music 101?
Fred Plotkin knows his stuff, but a little tedious to listen to.
What could Fred Plotkin have done to make this a more enjoyable book for you?
Added some of the recordings of music into the production. Not all of it, but a sample. I had trouble finding some recordings and although I agree 100% with Fred, it makes this book into a course of classical music appreciation rather than a book to listen to on the commute to and from work.
How did the narrator detract from the book?
Fred is a nice guy. Knowledgeable, interesting but a little 'nerdy'. Not the most entertaining reader.
You didn’t love this book... but did it have any redeeming qualities?
Gave me an insight into the development and history of classical music. I think I appreciate all music more now.
Any additional comments?
Not for the faint hearted. A good book, but perhaps better as a reference manuel.
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- TG
- 11-23-15
<br />review
there was no music.!!!!!!!!! !!!! !!! ! ! ! ! ! ! ! !! !
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- Jim
- 02-22-12
Cant take it any more
Fred Plotkin is probably a very knowledgeable music lover. I say probably because I wasn't physically able to listen to his book for more than 4 chapters. He narrates the book himself and he is AWFUL. It sounds like he has a cold. I wanted to like this book. I made a very concerted effort to stop being a weak listener, and just get over whatever was bothering me, but I just couldn't.
There is an adjustment period at the begining of any audiobook, to get used to the narrator. I assume that Mr. Plotkin would just require of me a longer adjustment period. I don't have the patience to go on. I lived and died with every gulp of saliva and mispronounced "n".
Also, there is no actual music in the recordings. This seems like such an easy principle: If you convert a book about an auditory experience to an audiobook, then you should include the subject matter!
A failure on multiple levels!
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3 people found this helpful
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Overall
- Ram
- 09-13-04
Disappointing!!
This book was very disappointing. There is not a note of music in this audio selection. In the beginning of the audiobook, Plotkin promises to treat his audience different and he certainly does.
If you are (a beginner) looking for a place to explain the different pieces and formations of a symphony along with a lucid explanation of different instrument with some quality aural examples, this is NOT the book.
If you are looking for someone to narrate a descritpion of all the instruments in an orchestra (with not a musical note to exeplify any instrument), spit out different chronological timelines of composers (not that the timeline is not invaluable), explain the difference between the words virtuoso and diva and the author's take on the excessive usage of the latter, buy this book....and may be it wont be as disappointing for you then.
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25 people found this helpful
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- Christina
- 11-15-04
can't bear to listen to this narrator
Apparently I didn't read the customer reviews for this book. One of them clearly states that there is nary a note of music in it. This is my first real disappointment in the audio titles I've chosen from Audible.com.
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6 people found this helpful