
Our Mutual Friend
The Audible Dickens Collection
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Narrated by:
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Meera Syal
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Lucinda Hawksley - introduction
This definitive performance of Our Mutual Friend - Dickens' final completed novel - features expert narration by Meera Syal and an exclusive introduction written and read by Lucinda Hawksley, great-great-great-granddaughter of Charles Dickens. Hawksley is a biographer, author and lecturer, whose wealth of knowledge on Dickens is both research led and personal. She introduces us to the themes in Our Mutual Friend and tells us how they connect to the life of Dickens' himself.
Full of both satire and social analysis, Our Mutual Friend looks at what could happen in Victorian England when a fortune passes to a working-class couple. The audiobook will enchant the listener with its larger-than-life characters, its poignant depiction of social injustice and the singular seed of hope with which Dickens hints at the possibility of a better tomorrow.
About the author
Having experienced the incarceration of his father, Charles Dickens had to abandon his studies at a young age and set to work in a factory so as to support himself. Despite his short-lived education, Dickens went on to write 15 novels, various articles, novellas and short stories. He lectured and led campaigns for children's rights and education and arguably became the ultimate self-made man.
About the narrator
Comedian, writer and actor Meera Syal rose to prominence as one of the creators of comedy sketch show Goodness Gracious Me, and cemented herself as a household name in the UK portraying Sanjeev's grandmother, Ummi, in The Kumars at No. 42.
Multitalented Syal has penned novels, scripts and screenplays, as well as lending her vocals to various songs and albums. Here she uses her voice to tell our Dickensian story with all the mastery you would expect from this talented performer.
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The story is not Dickens' best, but pretty good
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My favorite Dickens novel
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Expertly narrated Dickens masterwork
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Fantastic
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superb narration
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Meera Syal has done The Inimitable proud
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Top notch narration
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Intricate and captivating story and reading!
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As Dickens writes in an afterword, there are two major plot twists in this novel (John Rockville is the heir John Hanford and the Boffins were in on the secret all along), one of which is deliberately telegraphed to the reader very early on and the other of which is completely disguised until the very end of the novel. The final plot twist is worthy of the finale of Dallas.
And along the way, we see Dickens at his most masterful in creating unforgettable characters and dialogue, skewering society, advocating for the poor and writing some of the finest landscape/riverscape descriptions I have ever had the pleasure to read. This is one of those books the reader savors. I found myself worrying that some particularly wonderful passages were not bound to be bound to my memory.
If pressed for what I liked best, I would have to say the characters and the dialogue: Ms. Jenny Wren, the dressmaker of children’s dolls, the Veneerings, Podsnaps and Miss Tiffen, dinner hosts and guests from hell, Betty Hidgins, a poor woman destined to die on the road, Mrs.Wilfer, who wants nothing more than to rise above her station, Mr. Venus the taxidermist and the unparalleled band of villains—Bradley Headstone, the stalking, murderous schoolmaster, the Lammles, the fortune hunters mutually deceived into marriage, Rodger Ridinghood a river rogue, and Fascinating Fledgby, the indolent “gentleman” looking for a scam and hiding his money-lending business behind the Jew, Mr. Riah, and Charley Hexam, a poor boy with brains and ambition.
These characters are all much more interesting with richer lives, stories, dialogue, than the main characters driving the plot. With Dickens, the plot is just the structure around which the best parts of the novel are strung.
This could be the best Dickens I’ve ever read although Great Expectations will always hold a special place for me. I see that it often ranks among Dickens’ most beloved works, the other one that is frequently mentioned being Bleak House. It’s been at least thirty years since I last visited Bleak House and this experience tells me it’s time for a revisit.
The Best of Dickens and the Best of Audible!
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As for the story, I thought it was brilliant. I suspect the not-so-crypto-antisemitism has been responsible for the lack of screen adaptations. Or perhaps Dickens’ take on wealth doesn’t chime so well with some.
Anyway, thank you Meera Syal for your stunning reading of a truly great novel.
Totally committed performance
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