In the autumn of 1817, the arrival of the Ipswich coach and its occupants – a strange, ill-assorted company – changed the lives of those who lived at the Fleece Inn forever…. Will Oakley, landlord and host, with his two daughters, beautiful Myrtle, and the repellent Harriet, waited to receive his guests. Along with the usual farmers, merchants and the “quality”, there were others who fitted into none of these categories.

Julia Ashley was born to a life of dramatic twists and tragedy. Her future and any possible lasting happiness depended entirely on a "glove marriage" to a man who was no more than a name. The Dutch East Indies, in the 17th century, were the lands of legendary riches; of "nutmeg princes"; of fortunes built on barbaric plantations and slavery. And amid the extravagance, the cruelty, the bizarre customs, perhaps the strangest events of all were the curious weddings that sent girls halfway around the world.

Isabella of Spain was a great woman, a great Queen. Crown of Aloes is presented as a personal chronicle. Within the framework of known fact and detail drawn from hitherto unexploited contemporary Spanish sources, a novelist’s imagination and understanding have provided motives, thoughts, and private conversations, helping to build up the fascinating character Isabella must have been. Her fortunes were varied indeed: she knew acute poverty, faced anxiety and danger with high courage, gave much, suffered much, lived to the full.

When young John Vincent died, the outward respectability of the Cornwall household was undermined. Strangers pried, asked too many questions and pointed accusing fingers at Charlotte - herself eager to escape from the oppressive atmosphere of her father's home.

When Daisy Holt was dismissed from her post as a nursemaid she set off cheerfully into the jungle of mid-Victorian London. When Kitty Hammond, proprietress of the “select establishment” off Leicester Square discovered her she was quick to realise that Daisy has a rare talent and would make a successful entertainer. And there it was that she met the impoverished artist John Skelton. To him Daisy represented the perfect model – the one to inspire his work.