"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

She was the daughter of a preacher and a gypsy. A strange and elusive child with powers of prophecy, she grew into an even stranger woman. From those around her she inspired love and admiration or furious hatred. Nothing in between. And somehow Jassy could transform even those who loved her into her enemies. Barney Hatton, the dispossessed heir of Mortiboys, loved her but not enough. Lindy, a girl who worked there, loved her too much.

When, at the Pollards Harvest Supper of 1817, Araminta Glover was seduced by Jan Honeywood, the outcome seemed inevitable. Araminta, like so many servant girls, would marry her poor suitor and prepare to raise a large family on nine shillings a week. But 17-year-old Araminta was determined enough to rebel against the pattern of impoverished rural life, and, putting marriage and Jan firmly behind her, she accepted the post of dairymaid in the house of the strange Mrs Stancy.

When William the Conqueror wished to reward his armourer, he made him a grant of land - land worked by freemen and already belonging to a Saxon lord. But the men of the Conquest had no time for the niceties of land tenure and legal possession. Rolf, the armourer, hacked his way through the Saxon defiance and savagely claimed his royal bequest.

Forced to flee Revolutionary France after the brutal guillotining of her beloved father, Isabella de Savigny arrives at Nethergate, the Suffolk house of her cousin, hoping for sympathy and succour. Instead, as a poor relation, she is forced to live the life of a servant and suffer the casual cruelty of lady’s maid Martha Pratt. When she is seduced and abandoned by the son of the house, Isabella is forced to marry Martha’s brother, and her struggle to survive truly begins. However, her misery is lessened when her daughter is born....

When young John Vincent died, the outward respectability of the Cornwall household was undermined. Strangers pried, asked too many questions and pointed accusing fingers at Charlotte - herself eager to escape from the oppressive atmosphere of her father's home.

Pargeting is a highly skilled trade. And Pargeters is the name given to the Suffolk home of John Mercer in honour of Adam Woodley, the craftsman who had decorated it so lovingly. Over two generations, and throughout the turbulent years of the Civil War, Pargeters comes to stand as a symbol of unity for a household divided by conflicting political loyalties and abandoned by its menfolk. And it is the mistress of Pargeters, Sarah Woodley-Mercer, who holds the small household together in this troubled time.

A Wayside Tavern tells the story of a Suffolk drinking place from the end of the Roman occupation of Britain, until the present day. The Roman veteran, crippled and left behind, worshipped Mithras, so the place became known as the One Bull and down through the centuries it became a clearing house for contraband, a miniature Hell Fire Club, a fashionable hotel, a mere pub. Across the yard, was the church of St Cerdic, king and martyr, who fought the Danes and was famous for the miracles performed at his shrine.

The house was built in the Old Queen's time: built for an Elizabethan pirate who was knighted for the plunder he brought home. It survived many eras, many reigns: it saw the passing of Cromwell and the Civil War. It became rich with an Indian Nabob and poor with a 20th century innkeeper. It saw wars, and lovers, and death. Children were born there, both heirs and bastards. It had ghosts and legends and a history that grew stranger with every generation.

“All eyes and hair” a courtier had said disparagingly of her – and certainly the younger daughter of Tom Boleyn lacked the bounteous charms of most ladies of Court. Black-haired, black eyes, she had a wild-sprite quality that was to prove more effective, more dangerous than conventional feminine appeal. The King first noticed her when she was sixteen – and with imperial greed he smashed her youthful love-affair with Harry Percy and began the process of royal seduction.

A body always tells a story - but this child’s was a blank page. Rita reached for the lantern. She trained its light on the child’s face. "Who are you?" she murmured, but the face said as little as the rest of her. It was impossible to tell whether, in life, these blunt and unfinished features had borne the imprint of prettiness, timid watchfulness, or sly mischief. If there had once been curiosity or placidity or impatience here, life had not had time to etch it into permanence. Only a very short time ago, the body and soul of this little girl had still been securely attached.

Shanghai, 1912. Violet Minturn is the privileged daughter of the American madam of the city's most exclusive courtesan house. But when the Ching dynasty is overturned, Violet is separated from her mother in a cruel act of chicanery and forced to become a "virgin courtesan." Half-Chinese and half-American, Violet grapples with her place in the worlds of East and West - until she is able to merge her two halves, empowering her to become a shrewd courtesan who excels in the business of seduction and illusion, though she still struggles to understand who she is.

Mrs. Laetitia Rodd, aged 52, is the widow of an archdeacon who makes her living as a highly discreet private investigator. Her brother, Frederick Tyson, is a criminal barrister living in nearby Highgate with his wife and 10 children. Frederick finds the cases, and Laetitia solves them using her arch intelligence and her immaculate cover as an unsuspecting widow. When a case arises involving the son of the highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire undercover as the family's new governess.

London, 1925: In a world of townhomes and tennis matches, socialites and shooting parties, Miss Nan O’Dea became Archie Christie’s mistress, luring him away from his devoted and well-known wife, Agatha Christie. The question is, why? Why destroy another woman’s marriage, why hatch a plot years in the making, and why murder? How was Nan O’Dea so intricately tied to those 11 mysterious days that Agatha Christie went missing?

gentle romance begins innocently enough in the stalls of a London theatre where Catherine is enjoying her ninth and Christopher his thirty-sixth visit to the same play. He is a magnificent young man with flame-coloured hair. She is the sweetest little thing in a hat. There is just one complication: Christopher is 25, while Catherine is just a little bit older. Flattered by the passionate attentions of youth, Catherine, with marriage and motherhood behind her, is at first circumspect, but finally succumbs to her lover's charms.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

The house was built in the Old Queen's time: built for an Elizabethan pirate who was knighted for the plunder he brought home. It survived many eras, many reigns: it saw the passing of Cromwell and the Civil War. It became rich with an Indian Nabob and poor with a 20th century innkeeper. It saw wars, and lovers, and death. Children were born there, both heirs and bastards. It had ghosts and legends and a history that grew stranger with every generation.

Florrie Buckley is an orphan living on the wind-blasted moors of Cornwall. It's a hard existence, but Florrie is content; she runs wild in the mysterious landscape. She thinks her destiny is set in stone. But when Florrie is 14, she inherits a never-imagined secret. She is related to a wealthy and notorious London family: the Graces.

When a maid in the upper class Ellison household is strangled, Inspector Pitt is called in to investigate. He finds a world ruled by strict manners and social customs, where the inhabitants of the Ellison's neighborhood appear to be more outraged by the thought of scandal than they are by murder. Inspector Pitt finds a most unlikely ally in Charlotte, the Ellison's spirited daughter. But as the murders continue, Charlotte and Pitt find themselves drawn together by more than the investigation.

Chelsea Myles earns her living as an actress with her uncle's theater troupe, performing cheap plays on the streets of London and picking the customers' pockets. Until one night, a robbery goes awry and Chelsea is left holding a purse with enough gold to buy her passage to Australia, and the chance of a fresh start. Once on board the vessel, Chelsea is intrigued by a fellow passenger, Quaid Tanner, who is returning to his vineyard in Australia. As much as Quaid admires the feisty, courageous Chelsea, circumstances seem destined to keep them apart.

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

Charlotte Dean enjoys nothing more than the solitude of her London flat and the monotonous days of her work at a travel bookshop. But when her younger sister unceremoniously bursts into her quiet life one afternoon, Charlotte's world turns topsy-turvy. Beloved author D. E. Stevenson captures the intricacies of post-World War I England with a light, comic touch that perfectly embodies the spirit of the time. Alternatively heartbreaking and witty, The Young Clementina is a touching tale of love, loss and redemption through friendship.

First published in 1900, when Thomas Mann was 25, Buddenbrooks is a minutely imagined chronicle of four generations of a North German mercantile family - a work so true to life that it scandalized the author’s former neighbours in his native Lübeck.

Mrs. Laetitia Rodd, aged 52, is the widow of an archdeacon who makes her living as a highly discreet private investigator. Her brother, Frederick Tyson, is a criminal barrister living in nearby Highgate with his wife and 10 children. Frederick finds the cases, and Laetitia solves them using her arch intelligence and her immaculate cover as an unsuspecting widow. When a case arises involving the son of the highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire undercover as the family's new governess.

Of Human Bondage is one of the greatest novels of modern times, and it is certainly Maugham's greatest achievement. It was published in 1914, when Maugham was at the height of his creative powers. The story concerns Philip Carey, afflicted at birth with a club foot, and his passionate search for truth in a cruel world. We follow his growth to manhood, his educational progress, his first loves, and the wrenching tragedies and disappointments that life has in store for him. In some of the finest prose of the 20th century, Maugham has presented us with the timeless story of one man's search for the meaning of life.

Fairy-tale romances end with a wedding and the fairy tales don't get complicated. In this book, celebrated writer Mr. Fox can't stop himself from killing off the heroines of his novels, and neither can his wife, Daphne. It's not until Mary, his muse, comes to life and transforms him from author into subject that his story begins to unfold differently....

It is 1789, and three young provincials have come to Paris to make their way. Georges-Jacques Danton, an ambitious young lawyer, is energetic, pragmatic, debt-ridden - and hugely but erotically ugly. Maximilien Robespierre, also a lawyer, is slight, diligent, and terrified of violence. His dearest friend, Camille Desmoulins, is a conspirator and pamphleteer of genius. A charming gadfly, erratic and untrustworthy, bisexual and beautiful, Camille is obsessed by one woman and engaged to marry another, her daughter.

Gervase Howard is in her mid-teens when her working-class mother dies and she must go to live with relatives in service to a wealthy, noble family, outside of London. While learning various jobs, she is drawn to the eldest son, Davis. Her fascination with him grows deeper, but more hopeless, since the two are separated not just by class, but also by Davis's love for Roberta. When Davis announces his engagement, he asks Gervase to join them as Roberta's maid. But instead Gervase becomes a companion to Florence Nightingale and accompanies her when the Crimean War breaks out....

Set in stifled, industrial Staffordshire in the late 19th century, against a strong evangelical background, Anna of the Five Towns tells of the courting of hard businessman Ephraim Tellright's daughter by prosperous and accomplished Henry Mynors. As her father's fortune grows, so does Anna understanding. She realises her legacy and responsibility for the possible ruination of her father's tenants, Titus Price and his son, Willie, who also loves her.

A compelling tale of two women separated by a century who discover long-buried secrets in an Australian manor house. In 1891, Tilly Kirkland is reeling with shock and guilt after her tempestuous marriage ends in horrific circumstances. Fleeing to the farthest place she knows, Tilly takes a job on Ember Island in Moreton Bay, Australia, where she becomes the governess to the prison superintendent's precocious young daughter, Nell.