Parzival
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Narrated by:
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Leighton Pugh
About this listen
The greatest of all the medieval romances about the Holy Grail, Parzival was written in the early 13th century. The narrative describes the quest of the Arthurian knight Parzival for the Holy Grail. His journey is filled with incident, from tournaments and sieges to chivalrous deeds and displays of true love. The poem influenced several later works, most notably Richard Wagner’s opera of the same name and Umberto Eco’s Baudolino. The text used in this recording is Cyril Edwards’ modern prose translation.
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To the modern eye, King Arthur and the Knights of the Round Table have many similarities to our own contemporary super-heroes. Equipped with magical powers, enchanted swords, super-strength, and countless villains to take on, they protect the weak and innocent and adhere to their own code of honor. Comparing Batman, Superman, and Captain America to Sir Launcelot, Sir Tristram, and Sir Galahad isn't a huge leap of the imagination.
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This is my go-to audio version of Malory
- By Arthurian Tapestry on 03-16-19
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The Legends of King Arthur and His Knights
- By: James Knowles
- Narrated by: Eric Brooks
- Length: 11 hrs and 19 mins
- Unabridged
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King Arthur was a legendary British leader of the late fifth and early sixth century who, according to the medieval histories and romances, led the defense of the Romano-Celtic British against the Saxon invaders in the early sixth century. This book gives an account of the life of this great legend of all times.
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This was painful!
- By T. Rod on 09-05-14
By: James Knowles
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Troilus and Cressida
- Arkangel Shakespeare
- By: William Shakespeare
- Narrated by: Ian Pepperell, Julia Ford
- Length: 3 hrs and 4 mins
- Original Recording
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Troy is besieged by the invading Greeks, but the young Trojan prince Troilus can think only of his love for Cressida. Her uncle Pandarus brings the two together, but after only one night news comes that Cressida must be sent to the enemy camp. There, as Troilus looks on, she yields to the wooing of the Greek Diomedes. The tragic story is undercut by the commentary of Thersites, who provides a cynical chorus.
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Wounds Heal Ill That Men Do Give Themselves
- By Darwin8u on 08-30-17
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The Canterbury Tales: A Retelling
- By: Peter Ackroyd
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- Length: 16 hrs and 55 mins
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Author Peter Ackroyd has won the Somerset Maugham Award, the Whitbread Novel of the Year, and the Guardian Fiction Prize, and was shortlisted for the Booker Prize. Based on Geoffrey Chaucer’s immortal work, this retelling of The Canterbury Tales follows a party of travelers as they tell stories amongst themselves about love and chivalry, saints and legends, travel and adventure. Through allegory, satire, and humor, the tales help pass the time during their journey.
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WOW
- By Mitchell Drimmer on 02-25-15
By: Peter Ackroyd
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The Story of King Arthur and His Knights
- By: Howard Pyle
- Narrated by: David Thorn
- Length: 11 hrs and 30 mins
- Unabridged
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American author Howard Pyle (who also wrote The Merry Adventures of Robin Hood) weaves the tales of chivalrous knights, the magic sword of Excalibur, the magician Merlin the Wise, and the legendary Arthur, later to become King of Britain. Pyle describes bouts of jousting and knightly jealousies played out in grand style.
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An Entertaining Account of Arthur’s Early Days
- By Jefferson on 12-03-11
By: Howard Pyle
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Waverley
- By: Sir Walter Scott
- Narrated by: David Rintoul
- Length: 17 hrs and 9 mins
- Unabridged
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Waverley by Sir Walter Scott is an enthralling tale of love, war and divided loyalties. Taking place during the Jacobite Rebellion of 1745, the novel tells the story of proud English officer Edward Waverley. After being posted to Dundee, Edward eventually befriends chieftain of the Highland Clan Mac-Ivor and falls in love with his beautiful sister Flora. He then renounces his former loyalties in order actively to support Scotland in open rebellion against the Union with England. The book depicts stunning, romantic panoramas of the Highlands.
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Loved it
- By Tad Davis on 04-12-18
By: Sir Walter Scott
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The Decameron
- By: Giovanni Boccaccio
- Narrated by: Simon Russell Beale, Gunnar Cauthery, Alison Pettitt, and others
- Length: 28 hrs and 5 mins
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The Decameron is one of the greatest literary works of the Middle Ages. Ten young people have fled the terrible effects of the Black Death in Florence and, in an idyllic setting, tell a series of brilliant stories, by turns humorous, bawdy, tragic and provocative. This celebration of physical and sexual vitality is Boccaccio's answer to the sublime other-worldliness of Dante's Divine Comedy.
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Not Up to the Usual Naxos Standard
- By John on 11-15-17
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Celtic Mythology
- Captivating Celtic Myths of Celtic Gods, Goddesses, Heroes, and Legendary Creatures
- By: Matt Clayton
- Narrated by: Randy Whitlow
- Length: 3 hrs and 31 mins
- Unabridged
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If you're looking for a collection of Celtic myths that speaks to all ages then keep reading… Giants and fairies, druidical magic, impossible deeds done by heroes: all of these are features of Celtic myths and legends. In this book, you will discover heroic stories about gods and goddesses and epic tales of love and betrayal all filled with spiritualism and even occasional humor. The Celtic myths will be brought to life so all the details are more than merely a bunch of dry facts.
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Narrator didn't even try to pronounce Irish words and names correctly.
- By Niki Shields on 02-01-22
By: Matt Clayton
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What listeners say about Parzival
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Thomas Pangrazio
- 05-01-23
Nicely done!
I am not a scholar, just a huge fan of this beautiful and meaningful story. As stated, in another review, the story is very complicated given all the knights, ladies and lands…it is difficult to follow, and if one has no background to this tale and with only one listen, it will have your head spinning with confusion. In order to really get the most from this story, you should have some type of genealogy, a list of the knights and ladies, and perhaps a map of the lands. And, it needs to be listened to multiple times. The language is very accessible and the reading is easy on the ear.
I am glad that I tried this rendition. As a student of this story, I will try a different translation and reader, and will leave that review as well. Enjoy!
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- John
- 07-17-21
Before Hearing the Story, Read the Introduction
You'll find the entire introduction included in the print sample of Cyril Edwards’ translation on Amazon, and a good thing, too. Beyond tracing the development of the Arthurian tradition and placing Wolfram’s poem within that tradition, he offers a helpful roadmap through this rather tangled Germanic wildwood.
Given the date of authorship (1200-1210?), I expected something akin to Chretien de Troye's romances. But as Edwards observes, the French poet, “is, if you like, Romanesque, clean-lined and restrained, while Wolfram is exuberant and Gothic”. Even Wolfram’s contemporaries thought this one a bit much. Be that as it may, it is also extremely enjoyable.
As always with audiobooks, the narrator has a lot to do with that enjoyment. Leighton Pugh’s performance gets off to a rocky start, due either to a technical issue with the first few minutes of the recording or a hesitancy on Pugh’s part as he settles into the rhythm of Edwards’ prose. After that, everything runs smoothly.
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- Sonny Johnson
- 08-23-24
The Most Visionary of Arthurian Legends
At its worst, the text itself is bogged down by the usual tedium of medieval literature: forgettable battles, uninspired dialogue, litanies of place and personal names etc. But, at its best, the text feels magical - like a hallucinatory revelation sprung from an Arthurian unconscious. To my taste, the wonder of those fleeting, visionary moments makes it worthwhile to traverse the surrounding tedium.
An absolute masterpiece, in spite of everything.
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- Tad Davis
- 11-01-21
This one didn’t work for me
Eschenbach is a tough nut to crack at the best of times. He writes in a digressive, allusive style, and his syntax is reportedly knotty and obscure. Unfortunately Cyril Edwards’ translation is one that tries to capture some of the difficulty of Eschenbach’s style in English — at least so the translator himself says. The result is great for study, especially with the excellent notes and glossaries that fill the Oxford Worlds Classics edition in print. But it makes a poor choice for audio, which includes none of the accompanying reference material. I found it often incomprehensible, and as a last resort pulled out my OWC edition to try to follow along.
Even so, I found it tough going. Leighton Pugh is a wonderful narrator, and I have especially loved his readings of novels by Zola, but somehow he doesn’t click with this material. Ultimately I abandoned the audiobook and returned to my original introduction to the poem, the translation by Helen Mustard and Charles Passage. It’s an older one but feels newer. I don’t think it would work any better in audio, by the way — I think a successful version of Eschenbach in audio would require extensive adaptation and a little abridgement. The names in particular — aiyeee! Arthurian lore is filled with a varied cast, but Eschenbach’s German variations on French versions of British names sometimes results in a phantasmagoria of indecipherable alphabet soup. (At the very least, Naxos — my favorite publisher of classic audio literature in general — should have included the annotated List of People and Places that appears at the end of the OWC edition. This would have helped the unwary first-time listener keep Meljanz and Meljahkanz straight, and be able to tell Cunneware from Cundrie from Condwiramurs.)
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