Set in early 1980s Poland against the violent decline of communism, a tender and passionate story of first love between two young men who eventually find themselves on opposite sides of the political divide - a stunningly poetic and heartrending literary debut for fans of Andre Aciman, Garth Greenwell, and Alan Hollinghurst.

Hello Stranger is a book about chance encounters—at a bar, through social media, in a bathhouse—and what a stranger can reveal about who we are and who we could still yet be. A stranger, after all, is a site of endless possibilities. As Manuel Betancourt looks back on his past relationships, he turns to characters and narratives that helped him question notions of what monogamy and coupledom (and relationships and marriage) can and should look like.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

Bruce Vilanch is known as a go-to comedy writer for award shows, sitcoms, and top-heavy variety specials, but he has also been responsible for quite a few of the worst shows ever put on television—legendarily bad productions. It Seemed Like a Bad Idea at the Time is a lifetime reflection of what Vilanch has experienced, learned, forgotten, dismissed, and embraced in decades of working in show business

It's New York City, 1981, and everyone wants to be at the Emerson Club, from Cindy Crawford to Cindy Adams; from Famous Roger, one-time lion of the talk shows, to Sandy Miller, the "downtown" writer with the tattoos and the leather; from Lauren Hutton to the art star who does the thing with the broken plates. Everyone, that is, except Danny. Danny just works there, waiting tables to put himself through architecture school, turning tricks on the side. And when he's not on the clock, he's recording the sexual, aesthetic, and financial transactions that make up his life, in gruesome detail.

The Kingdom of Sand features a nameless narrator who has survived the death of his friends to AIDS and the loss of his parents to old age and tragedy. Now he must witness the slow demise of a friend just a shade older than he is. Semi-anonymous sexual encounters, gallows humor, and classic films are his tools for staving off the dying of the light. In prose that’s in turn mordantly funny and hauntingly elegiac, Andrew Holleran takes the listener from a video porn shop off Route 301 to the memory of parties in Washington, DC.

Now in audio for the first time! Award-winning actor and two-time Tony Award nominee David Pittu narrates one of the most influential books in gay literature. Andrew Holleran's Dancer from the Dance defined gay life in late 1970s New York. Published in 1978, the novel captures the time post-Stonewall and pre-AIDS where sexual freedom was celebrated and the future appeared limitless.

Originally published in 1982 as the first of Edmund White's trilogy of autobiographical novels, A Boy's Own Story became an instant classic for its pioneering portrayal of homosexuality. The audiobook's unnamed narrator, growing up during the 1950s, is beset by aloof parents, a cruel sister, and relentless mocking from his peers, compelling him to seek out works of art and literature as solace-and to uncover new relationships in the struggle to embrace his own sexuality.

In the New York of the 1970s, in the wake of Stonewall and in the midst of economic collapse, you might find the likes of Jasper Johns and William Burroughs at the next cocktail party, and you were as likely to be caught arguing Marx at the New York City Ballet as cruising for sex in the warehouses and parked trucks along the Hudson. This is the New York that Edmund White portrays in City Boy: a place of enormous intrigue and artistic tumult.

In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that homosexuality, which is a crime at the time, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage, there is a third party: John has a lover, a working-class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry.

On an unseasonably warm autumn day, an American teacher enters a public bathroom beneath Sofia’s National Palace of Culture. There he meets Mitko, a charismatic young hustler, and pays him for sex. He returns to Mitko again and again over the next few months, drawn by hunger and loneliness and risk, and finds himself ensnared in a relationship in which lust leads to mutual predation, and tenderness can transform into violence.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and lolloped around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, over two years later, it still ran in from the fields when you called it and slept in your house for hours on end and gave birth to leverets in your study. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality.

Di Canzio follows their story past the end of Maurice to the front lines of battle in World War I and beyond. Forster, who tried to write an epilogue about the future of his characters, was stymied by the radical change that the Great War brought to their world. With the hindsight of a century, di Canzio imagines a future for them and a past for Alec—a young villager possessed of remarkable passion and self-knowledge.

In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had “a rough few years.” She described the sessions in a journal she created for her husband, John Gregory Dunne. For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods.

Meet Randi Burnett—she’s brilliant, she’s beautiful, and she works for the bride. Missing groom? Intoxicated in-laws? Crying ring-bearer? You name it, she wrangles it. Too bad her personal life isn’t thriving like her side gig as a bridesmaid for hire. Recently dumped, Randi throws herself into her biggest challenge yet when she’s hired as a maid of honor and pretend best friend for an ice queen bride. There’s just one problem—the best man is infuriating, overprotective, and anti-marriage.

Kyran Harbor is everything I'm not. Rich. Popular. A superstar football player who's awfully broody for someone who has it all. Basically, he's a preppy jock who hates me. Oh, and he's also my stepbrother. That's right. We're stuck together, sharing a school, a house, a bathroom. Honestly I wouldn't care if he wasn't such an uptight control freak who messes with me just because we're different. I had every intention of avoiding him when we got to college. Until abrupt misfortune forces us both into a compromising position.

A disturbing tale of a young man's uncanny ability to remain both young and beautiful while descending into a life of heartless debauchery, The Picture of Dorian Gray was considered proof of both Wilde's genius and his perversion. Oscar Wilde's scandalous best seller of 1891 was one of the most damning pieces of evidence used against him in the trial that brought about his downfall.

I cross the tracks every day for one reason - to graduate from this school and get into the Ivy League. I'm not ashamed of where I come from, my family, or how everyone at Marymount thinks my skirts are too short and my lipstick is too red. Clay Collins and her friends have always turned up their noses at me. The witch with her beautiful skin, clean shoes, and rich parents who torments me daily and thinks I won't fight back. At least not until I get her alone and find out she's hiding so much more than just what's underneath those pretty clothes.

Best-selling authors Sarina Bowen & Elle Kennedy return with their first Male/Male romance in 3 years. LobsterShorts, 21. Jock. Secretly a science geek. Hot AF. SinnerThree, 21. Finance major. Secretly a male dancer. Hot AF. LobsterShorts: So. Here goes. For her birthday, my girlfriend wants…a threesome. SinnerThree: Then you’ve come to the right hookup app. LobsterShorts: Have you done this sort of thing before? With another guy? SinnerThree: All the time. I’m an equal opportunity player. You? LobsterShorts: [crickets!]

Originally published in 1982 as the first of Edmund White's trilogy of autobiographical novels, A Boy's Own Story became an instant classic for its pioneering portrayal of homosexuality. The audiobook's unnamed narrator, growing up during the 1950s, is beset by aloof parents, a cruel sister, and relentless mocking from his peers, compelling him to seek out works of art and literature as solace-and to uncover new relationships in the struggle to embrace his own sexuality.

Not Your Average Drug Addict Whore follows the threads linking the extraordinary, oftentimes intense, events of a journey to self-realizing. It is a witness to truth, that a life is never broken, it is purely a singular life on its singular journey.

Hello Stranger is a book about chance encounters—at a bar, through social media, in a bathhouse—and what a stranger can reveal about who we are and who we could still yet be. A stranger, after all, is a site of endless possibilities. As Manuel Betancourt looks back on his past relationships, he turns to characters and narratives that helped him question notions of what monogamy and coupledom (and relationships and marriage) can and should look like.

Moving from a Midwestern college to the Stonewall Tavern on the night of the first gay uprising - and populated by eloquent queens, butch poseurs, and a fearfully incompetent shrink - The Beautiful Room is Empty conflates the acts of coming out and coming of age.

Edmund White is one of our most celebrated novelists. He is also a brilliant journalist and cultural commentator on the arts, contributing to publications as varied The New Yorker, Vanity Fair, The New York Times, The Washington Post, House and Garden, and The New York Review of Books. In Sacred Monsters, White collects more than 20 of his most recent writings on artists and authors, including John Cheever, Patti Smith, Henry James, Mary Cassatt, and many others.

Named for the work by Haydn in which the instrumentalists leave the stage one after another until only a single violin remains playing, this is the story of a man who has outlived most of his friends. Having reached the six-month anniversary of his lover's death, he embarks on a journey of remembrance that will recount his struggle to become a writer and his discovery of what it means to be a gay man.

When Seán Hewitt meets Elias, the two fall headlong into a love story. But as Elias struggles with severe mental illness, they soon come face-to-face with crisis. All Down Darkness Wide is a perceptive and unflinching meditation on the burden of living in a world that too often sets happiness and queer life at odds, and a tender and honest portrayal of what it’s like to be caught in the undertow of a loved one’s deep depression. As lives are made and unmade, this memoir asks what love can endure and what it cannot.

In the New York of the 1970s, in the wake of Stonewall and in the midst of economic collapse, you might find the likes of Jasper Johns and William Burroughs at the next cocktail party, and you were as likely to be caught arguing Marx at the New York City Ballet as cruising for sex in the warehouses and parked trucks along the Hudson. This is the New York that Edmund White portrays in City Boy: a place of enormous intrigue and artistic tumult.

Three gay men in pre-Stonewall New York City find their fates thrown together in the police raid of a Village bar. The three men find themselves in a police wagon together, their hidden lives threatened to be revealed to the world. Blackmail, a private investigator, Gus’s disappearance, and Danny’s quest for retribution propel Disorderly Men to its piercing conclusion, as each man meets the boundaries of his own fear, love, and shame. The stakes for each are different, but all of them confront a fundamental question: How much happiness is he allowed to have . . .

It’s London, 2014, and Hal Lancaster, son and heir of Henry, Duke of Lancaster, is in a holding pattern: his mother is dead, his father is dying or remarrying or both, his siblings are fighting, his internship is pointless, and nobody will leave him alone. Everything is as it should be and yet nothing is right. Over the course of a year of partying, drinking, and flirting to dubious consequence, Hal is tested by brutal family legacies, Catholic guilt, and the terrifying possibility of being loved. The House of Lancaster will never be the same.

Along with his groundbreaking essays that redefine politics, language, identity, and friendship in the light of gay experience and desire, this magisterial collection of 25 years of White's nonfiction writings includes dazzling subversive appreciations of cultural icons as diverse as Truman Capote and Cormac McCarthy, Robert Mapplethorpe and the singer formerly known as Prince.

Dave Win, the son of a Burmese man he’s never met and a British dressmaker, is thirteen years old when he gets a scholarship to a top boarding school. With the doors of elite English society cracked open for him, heady new possibilities emerge, even as Dave is exposed to the envy and viciousness of his wealthy classmates.

In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that homosexuality, which is a crime at the time, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage, there is a third party: John has a lover, a working-class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry.

Set in a remote village in the north of England, Open, Heaven unfolds over the course of one year in which two teenage boys meet and transform each other’s lives. James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community he has grown up in. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries.

The Kingdom of Sand features a nameless narrator who has survived the death of his friends to AIDS and the loss of his parents to old age and tragedy. Now he must witness the slow demise of a friend just a shade older than he is. Semi-anonymous sexual encounters, gallows humor, and classic films are his tools for staving off the dying of the light. In prose that’s in turn mordantly funny and hauntingly elegiac, Andrew Holleran takes the listener from a video porn shop off Route 301 to the memory of parties in Washington, DC.