Richard Diamond, Private Detective was one of the great gems of the last decade of commercial network dramatic radio. Tailor made for star Dick Powell, the sleuth is an amalgam of elements of Philip Marlowe with Powell’s own boy singer past. Diamond is a tough detective and while he often faces long odds and takes his beatings, he always rebounds with humor and style.

Dick Powell established himself as a silver screen icon in the 1930s as the apple-cheeked crooning sensation in countless Depression-era musicals. But the 1940s found him playing every tough guy from Philip Marlowe to Richard Rogue...to Richard Diamond, private detective. Powell's portrayal of Diamond and his flawless chemistry with Virginia Gregg as the detective's socialite girlfriend, Helen Asher, brought the series' admiringly clever scripts to life.

Diamond Detective Agency. A pleasant smile, a cheerful rhyme, and we'll keep you from doing time. A quip, a carefree whistle, and a case closed - that's Dick Powell's Richard Diamond. Clients can be scarce, but he's not a bit worried. You see, he's "in partnership with a shill called human nature." And she's really quite reliable. Sooner or later someone will need his services for matters of protection or pay back, blackmail or bombs, modern art or murder.

He walks the streets by night! He solves crimes! He loves the ladies! And, he sings, too! What more you could you want from a radio detective? Hear screen legend Dick Powell star in sixteen rollicking episodes as Richard Diamond, Private Detective. A cut above the usual shamus, Rick is a charmer, has a snappy way with a wisecrack, and isn't afraid to use his fists. Diamond is flirtatious with female clients, but always remains true to his lady love. Helen Asher, his own sweet socialite, is playfully portrayed by Virginia Gregg, whose chemistry with Powell is positively peerless.

It's a rainy night in postwar Seattle. There's a crime to be solved, and an investigator is needed. But it's a dangerous profession! Sometimes the source of a scream is elusive, sometimes a surveillance job goes south, and sometimes someone's got their gun sight set on you! From out of the Pacific Northwest come 24 more adventures produced by Jim French. Phil Harper stars as Harry Nile, with Pat French as his all-knowing assistant Murphy. It's new-time radio drama produced in the classic style.

Imagine radio noir in the grand tradition - the mystery, excitement, and adventure of the medium's Golden Age. Now imagine that this has been combined with all of the technical polish that 21st century audio theatre techniques have to offer. That's The Adventures of Harry Nile. Produced by modern-radio legend Jim French, this collection features cases set in the 1940s. A hard-boiled but gentle-souled private investigator takes to the rain-swept streets of the Pacific Northwest.

Out of the rain and fog of the teeming Pacific Northwest he comes - the tough, methodical, incorruptible private eye Harry Nile. He's the foe of corruption, enemy of gangland, and the best friend you'll ever have when you're up against the wall. Harry gives as good as he gets in this collection of powerful radio adventures, produced, written, and directed by Jim French. Larry Albert takes over the role of Nile from the late Phil Harper, with Pat French back as the detective's assistant Murphy, for 16 cases of back streets and bad news.

Created by Blake Edwards (of Pink Panther fame), Richard Diamond, Private Detective came to NBC radio in 1949 starring film actor and crooner Dick Powell. Powell had recently played Philip Marlowe in the popular RKO film Murder, My Sweet and jumped at the chance to play a suave detective on radio. Richard Diamond was a light-hearted New York-based private eye who enjoyed ribbing the cops and singing songs to his millionairess girlfriend, Helen Asher (played by Virginia Gregg). It’s theme, “Leave it to Love,” was whistled by Powell at the top of each episode.

Agatha Christie's first two Poirot novels, narrated with a general-American accent. The Mysterious Affair at Styles: Someone has poisoned wealthy Emily Inglethorp. But who? And how? Everyone suspects Emily's young husband, Alfred...and Alfred seems to be actually trying to get arrested and charged.... The Murder on the Links: Poirot comes to France in response to a desperate plea for help to find his client already murdered - stabbed in the back and lying in an open grave. Brusque, arrogant Inspector Giraud thinks he knows who did it.

The world-weary private investigator Harry Nile is one step ahead of the mob, but one step behind the bill collectors. That's why he takes pretty much any case he can catch—from robbery to kidnapping to murder. Phil Harper stars as Harry in twenty-one mood-filled mysteries, aided and assisted by Pat French as Murphy, his secretary extraordinaire. This is classic radio noir for a new generation, created and produced by Jim French.

John Moffatt stars as the Belgian detective Hercule Poirot. The ABC Murders: A chilling letter sets the sleuth on the trail of an enigmatic killer. After the Funeral: A wealthy businessman is dead, and his sister thinks it was murder. Death on the Nile: Poirot is in Egypt when a chilling murder takes place. Peril at End House: Whilst on holiday, the sleuth encounters a young woman, a hat and a bullet. The Murder of Roger Ackroyd: Mrs Farrars is found dead, one year after the death of her husband.

From the imaginative radio mind of writer/producer Jim French comes the tough-but-thoughtful private eye who roams the rain-swept streets of the Pacific Coast in search of crime, adventure, and enough dough to keep the office lights on for another month - Harry Nile! It's modern radio drama produced in the classic style, with stories set in the golden age of private-eye drama. Phil Harper stars as Harry in high-powered, hard-luck radio adventures! The 21 episodes featured here include the last show of the character's 1970s run, and the first 20 episodes of his glorious return in 1990.

He’s a smart tough guy…or a tough smart guy. Either way, he’s Pacific Northwestern private eye Harry Nile. From the imagination of Seattle-based writer-producer Jim French come 24 tense, exciting radio thrillers produced in the classic style by modern talent. Phil Harper is back as Nile, with Pat French as Murphy, in these hard-boiled cases for hard luck customers. Get set for radio excitement the way you like it best - with The Adventures of Harry Nile!

From the darkest, foggiest, most rain-swept streets of your imagination come The Great Radio Private Eyes! Detectives, investigators, shamuses all - here's a legion of radio's best-remembered gumshoes taking on all comers in a wide-ranging collection of thrill-packed cases of crime. They're all here! From Bulldog Drummond to Candy Matson, from the urbane world of The Falcon to the grubby dockside world of Pat Novak - get set for classic radio drama at its most compelling!

America's Fabulous Freelance Insurance Investigator faces cases of killing for vengeance and keeping silent for honor... "dead" men who won't stay down for long (or alive for much longer)... beneficiaries that can't be found and beautiful mixed up risk-takers who may be out on their last ledge. He pads his expense account in pursuit of stolen jewels, arsonists, crooked cops, and romance, all while he tries to solve matters of murder.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.