John Scovil had brought his daughter out west to snap her out of her lethargy, but nothing he did could stir her interest in the wild surroundings. Deciding a staged kidnapping might awaken her spirit, he hires a handsome young rogue to abduct her to the mountains. But they both get more than they bargained for when his pretty daughter's spirit wakes up indeed - with a thirst for action and adventure.

Alfred Larribee is sent by his father to live with his cousin’s family in the West. Larribee proves to be lazy and shiftless…spending most of his time in town…drinking and gambling…even cheating at cards. What changes all this is the appearance of Sky Blue…a magnificent stallion that has never been ridden. Dan Gurry is the owner and hopes to find a cowboy who can ride Sky Blue…but the first one to try is seriously injured. After that no one is willing to volunteer to try again except Larribee.

On a cold, gusty night in Circle City, Alaska, Sammy Day walks into Nagle's Bar. He is only 22, but he has been on his own for 10 years. He has worked cattle from Montana to Chihuahua, but a little "accident" at a poker table in Montana sent him on a forced march to Alaska to avoid a posse. He is down to his last 50 cents.

The attacks of the huge lobo Gray Cloud have caused the remarkable price of $2,500 to be put on his head. And it falls to big Dave Reagan, considered little better than a half-wit in that part of the range, to discover the monster held fast in two of his traps. Something in the fearless animal's eyes keeps young Dave from killing the wolf. Instead Dave releases Gray Cloud, who is unable to walk, and rescues him from a prairie fire that threatens them both. Dave brings Gray Cloud home and chains him in a shed that he uses as a blacksmith shop.

Peter Dunstan is a big rancher who wants to become bigger, to control more land. So when he buys Dr. Henry Morgan's ranchland that has been unsuccessfully converted to farming, it is his intention to return it to open range. The only stipulation the doctor makes is that Dunstan must retain Sandy Sweyn, who has more or less been Dr. Morgan's ward. Though the man is of age, he is generally considered a half-wit, even by the doctor. Still, Sandy has a fabulous gift: He can communicate with animals.

He was still a young man, but he'd used that handful of years effectively, building a bad reputation that spanned the West, his villainy taking different forms everywhere it took roost. Denver knew him as the Doctor; Texans called him Montana; and folks in Idaho called him Texas. On account of his youth, most everywhere else called him the Lonesome Kid.

Harry Destry was a rough-and-tumble fighter who never lost a battle. But after six years in jail for a robbery he didn't commit, he comes back a changed man. The townsfolk believe he's beaten. They think all the fight's gone right out of him. And that's exactly what Destry wants them to think....

Lew's skill with firearms gets him a job as a hunter with a trader heading onto the prairies to barter with the Indians. There he meets young Chuck Morris, and together they take on a Cheyenne attack party. Finding shelter in a Sioux village, they absorb the native culture. Lew comes to know the great Sioux chieftains, becoming blood brothers with Sitting Wolf, while Chuck marries the beautiful maiden Zintcallasappa.

Four tales of love and adventure in the Old West introduce a cast of characters that includes a brave Texas ranger who risks his life against avenging outlaws to rescue the woman he secretly loves; a beautiful seductress who comes between two brothers; a desperate fugitive who seeks sanctuary with a peace-loving people; and a daring young schoolteacher who journeys West to meet the man who has captured her heart. Included are "The Ranger", "Canyon Walls", "Avalanche", and "From Missouri".

Kate Lundy, owner of the Tumbling B, and Conn Dury, her foreman, told Tom the rules: men from the cattle drives are forbidden on the north side of town. People appreciated the money the cowboys spent but thought them too coarse to be near their homes. Enticed to come calling by Linda McDonald, daughter of one of the leading citizens, Tom Lundy broke the law and crossed the line. Later that night, he was dead. Outraged by her brother's murder, Kate vows to destroy the entire town.

Texas. They took the most contrary bunch of frontiersmen, ranchers, farmers, cowpokes, shiftless no-accounts, shootists, rascals, and politicians, jumbled them together, and somehow formed a state. They called it Texas, but for defenseless women and children, it was hell.

Owen Wister’s The Virginian pre-dates the classic novels of Zane Grey and Max Brand and is considered by many to be the original Western. Dedicated to Wister’s friend and fellow outdoorsman Theodore Roosevelt, this timeless tale almost single-handedly established the cowboy archetype in literature. A quiet, noble foreman of a Wyoming cattle ranch in the 1870s, the Virginian falls for pretty schoolteacher Molly Wood. But when a rival suitor challenges his honor, the Virginian struggles to make his beloved Molly understand the harsh justice of the West.

After surviving the brutality of the First World War, Clifton Forrest returns home to find that his childhood home was stolen from his family. With his parents robbed of their property and the area under the firm control of his old acquaintance, Lundeen, Cliff must fight both his enemy and his ailing body to regain the right to a peaceful life on the land he once called home. The Shepherd of Guadaloupe tells of Cliff's heroic journey as he battles Lundeen while juggling his love for his parents and the love of Lundeen's daughter, Virginia.

The story of a Civil War soldier finding his humanity in the face of horrible savagery. Emerging from the Civil War a shamed and broken man, Stephen Latch turns to a life of thievery and murder. Still hoping to uphold the values of the Confederacy, Latch sets his sights on the wealth of resources pouring westward from the northern United States, putting together a band of ruthless misfits to help him stake his claim of the riches of the caravans.

The lifeless bodies of Texas Rangers lay scattered on the floor of Bryant’s Gap. One man, wounded and left for the buzzards, comes back to consciousness and vows to bring the killers to justice. Now known only as the Lone Ranger, this man, his steadfast horse, Silver, and trusted friend, Tonto, set out to bring justice to the men who ambushed him and his fellow rangers.

Harry Destry was a rough-and-tumble fighter who never lost a battle. But after six years in jail for a robbery he didn't commit, he comes back a changed man. The townsfolk believe he's beaten. They think all the fight's gone right out of him. And that's exactly what Destry wants them to think....

Owen Wister’s The Virginian pre-dates the classic novels of Zane Grey and Max Brand and is considered by many to be the original Western. Dedicated to Wister’s friend and fellow outdoorsman Theodore Roosevelt, this timeless tale almost single-handedly established the cowboy archetype in literature. A quiet, noble foreman of a Wyoming cattle ranch in the 1870s, the Virginian falls for pretty schoolteacher Molly Wood. But when a rival suitor challenges his honor, the Virginian struggles to make his beloved Molly understand the harsh justice of the West.

In this romantic and raw adventure set in the untamed wilderness of Wyoming of 1886, an anonymous college graduate ventures out west where he encounters gun fights, lynching, cattle rustlers, high-stake poker games, Indian attacks, and a brave, honest and imposing cowboy known simply as the Virginian. Presented as the archetypal, ideal hero of the "western" genre (which was novelized for the very first time in this same book), the Virginian, a foreman at Shiloh Ranch, carries a strong sense of justice.

Alone again! Just like his orphaned boyhood. Those are Nevada's thoughts as he turns from the only home and happiness he has ever known. But it had all been a lie, at least on his part. He had been hiding his true identity from his best friend, Ben, and the woman he loved, Hettie. They knew him as Nevada, a man they care for and respected, when in truth he was a wandering fugitive gunman, notorious from Nevada clear to Tombstone, Arizona.

Clarence Mulford's classic Western introduces the legendary Hopalong Cassidy and other colorful cohorts from the Bar-20 ranch. While the Hopalong Cassidy of film and TV (portrayed by the silver-haired, avuncular William Boyd) was clean-cut and polished, Mulford's original Cassidy is rough-and-tumble and foul-mouthed, thriving on brawls and gun-fights. Bar-20 depicts Cassidy as he was originally conceived, fierce and free-wheeling, and matches the cowboy hero up against Slim Travennes.

The lifeless bodies of Texas Rangers lay scattered on the floor of Bryant’s Gap. One man, wounded and left for the buzzards, comes back to consciousness and vows to bring the killers to justice. Now known only as the Lone Ranger, this man, his steadfast horse, Silver, and trusted friend, Tonto, set out to bring justice to the men who ambushed him and his fellow rangers.

Deadwood, South Dakota. Miners flock there seeking fortunes, while cardsharps, bandits, and businessmen seek to deprive those who strike gold by means fair and foul. Legendary former lawman Seth Bullock plans to keep the peace by any means necessary—especially when his good friend, President Theodore Roosevelt, is expected in town to celebrate the anniversary of Deadwood's founding.

A Signature Performance: Kenneth Branagh plays this like a campfire ghost story, told by a haunted, slightly insane Marlow.

The warning was inscribed on the entrance of the hidden tomb, forgotten for millennia in the sands of mystic Egypt. Then the archaeologists and grave robbers came in search of the fabled Jewel of Seven Stars, which they found clutched in the hand of the mummy. Few heeded the ancient warning, until all who came in contact with the Jewel began to die in a mysterious and violent way, with the marks of a strangler around their neck.

From one of the greatest modern writers in world literature comes a magnificent story of love, adventure, and rescue played out against the shimmering South Seas. Alone on a tropical island, a Swedish baron and a beautiful violinist discover the long-lost joys of love. But when two treasure hunters arrive on the beach, the lovers know that evil has invaded their romantic paradise—an evil they are powerless to stop.

Grigori Aleksandrovich Pechorin is an enigma: arrogant, cocky, melancholic, brave, cynic, romantic, loner, socialite, soldier, free soul, and yet, victim of the world, he eludes definition and remains a mystery to those who know him. Just who is he? And what does he hope to achieve? Evolving from first person to third person, and then into a diary, A Hero of Our Time takes on a variety of forms to interrogate Pechorin's cryptic character and his unusual philosophy, providing breathtaking descriptions of the Caucasus along the way.

Thomas McNulty, having fled the Great Famine in Ireland and now barely 17 years old, signs up for the US Army in the 1850s and with his brother in arms, John Cole, goes to fight in the Indian Wars - against the Sioux and the Yurok - and, ultimately, in the Civil War. Orphans of terrible hardships themselves, they find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry's latest work is a masterpiece of atmosphere and language.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

H. P. Lovecraft is arguably the most important horror writer of the 20th century. Culled from his 1927 essay "Supernatural Horror in Literature”, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer, including Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle. This chilling collection includes 20 works, each prefaced by Lovecraft's own opinions and insights in each author’s work.

The fiction world of today needs a “Saint” more than it ever did. For years now that scene has been dominated by the “anti-heroes"—those grim gray operators in a sunless sub-culture where global issues are worked out with totally unemotional pragmatism, those hapless uninspired puppets manipulated and expended by ruthlessly dedicated little brothers of Big Brother. It made morbidly fascinating narrative, but it never gave anyone a lift until it climaxed in the hyper-gadgeted parodies of 007 extravaganzas.