In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.

From the award-winning, New York Times best-selling author of The Monsters of Templeton, Arcadia, Florida and Matrix, an exhilarating novel about marriage, creativity, art, and perception. Fates and Furies is a literary masterpiece that defies expectation. A dazzling examination of a marriage, it is also a portrait of creative partnership written by one of the best writers of her generation. Every story has two sides. Every relationship has two perspectives.

An obsessive young woman has been waiting half her life - since she was 12 years old - for this moment. She has planned. Researched. Trained. Imagined every scenario. Now, she is almost certain the man who kidnapped and murdered her sister sits in the passenger seat beside her. Carl Louis Feldman is a documentary photographer. The young woman claims to be his long-lost daughter. He doesn’t believe her. He claims no memory of murdering girls across Texas, in a string of places where he shot eerie pictures. She doesn’t believe him.

In the more shadowy corners of the world, frequented by angels and demons and everything in between, Laytham Ballard is a legend. It's said he raised the dead at the age of 10, stole the Philosopher's Stone in Vegas back in 1999, and survived the bloodsucking kiss of the Mosquito Queen. Wise in the hidden ways of the night, he's also a cynical bastard who stopped thinking of himself as the good guy a long time ago.

When a six-year-old girl is abused and left for dead by a pedophile known only as the "Rabbit Man" due to the claw marks left on her body, police follow every lead but reach only dead ends. Hungry for justice, her grieving father abandons wife and child on a harrowing journey deep undercover into Miami's sex-offender colony under the Julia Tuttle Causeway. His purpose is simple: to find the "Rabbit Man" among them and put him in the ground.

Following the success of her breakout poem, "B", Sarah Kay releases her debut collection of poetry featuring work from the first decade of her career. No Matter the Wreckage presents listeners with new and beloved poetry that showcases Kay's talent for celebrating family, love, travel, and unlikely romance between inanimate objects ("The Toothbrush to the Bicycle Tire"). Both fresh and wise, Kay's poetry allows listeners to join her on the journey of discovering herself and the world around her.

At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger.

Beautiful and brutally honest, Mary Lambert's poetry is a beacon to anyone who's ever been knocked down - and picked themselves up again. In verse that deals with sexual assault, mental illness, and body acceptance, Ms. Lambert emerges as an important new voice in poetry, providing strength and resilience even in the darkest of times.

At a club in Missing Mile, N.C., the children of the night gather, dressed in black, look for acceptance. Among them are Ghost, who sees what others do not; Ann, longing for love; and Jason, whose real name is Nothing, newly awakened to an ancient, deathless truth about his father, and himself. Others are coming to Missing Mile tonight. Three beautiful, hip vagabonds - Molochai, Twig, and the seductive Zillah, whose eyes are as green as limes - are on their own lost journey, slaking their ancient thirst for blood, looking for supple young flesh.

Seventeen-year-old Alice and her mother have spent most of Alice’s life on the road, always a step ahead of the uncanny bad luck biting at their heels. But when Alice’s grandmother, the reclusive author of a cult-classic book of pitch-dark fairy tales, dies alone on her estate, the Hazel Wood, Alice learns how bad her luck can really get: Her mother is stolen away - by a figure who claims to come from the Hinterland, the cruel supernatural world where her grandmother's stories are set. Alice's only lead is the message her mother left behind: "Stay away from the Hazel Wood."

Ever since Esther Solar's grandfather was cursed by Death, everyone in her family has been doomed to suffer one great fear in their lifetime. Esther's father is agoraphobic and hasn't left the basement in six years, her twin brother can't be in the dark without a light on, and her mother is terrified of bad luck. The Solars are consumed by their fears and, according to the legend of the curse, destined to die from them. Esther doesn't know what her great fear is yet (nor does she want to), a feat achieved by avoiding pretty much everything.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

From the perspective of those who live in Herot Hall, the suburb is a paradise. Picket fences divide buildings—high and gabled—and the community is entirely self-sustaining. Each house has its own fireplace, each fireplace is fitted with a container of lighter fluid, and outside—in lawns and on playgrounds—wildflowers seed themselves in neat rows. But for those who live surreptitiously along Herot Hall’s periphery, the subdivision is a fortress guarded by an intense network of gates, surveillance cameras, and motion-activated lights.

A host of the smartest young adult authors come together in this collection of scary stories and psychological thrillers curated by Between the Devil and the Deep Blue Sea's April Genevieve Tucholke. Each story draws from a classic tale or two - sometimes of the horror genre, sometimes not - to inspire something new and fresh and terrifying. There are no superficial scares here; these are stories that will make you think even as they keep you on the edge of your seat.

The intoxication from a pint of vodka, the electric buzz from snorting cocaine, the warm embrace from shooting heroin - drinking and drugging provide the height of human experience. It's the promise of heaven on earth, but the hell that follows is a constant hunger, a cold emptiness. The craving to get high is a yearning as intense of any blood-thirsty monster. The stories inside feature the insidious nature of addiction told with compassion yet searing honesty.