Charlie Reade looks like a regular high school kid, great at baseball and football, a decent student. But he carries a heavy load. His mom was killed in a horrific accident when he was seven, and grief drove his dad to drink. Charlie learned how to take care of himself—and his dad. When Charlie is seventeen, he meets a dog named Radar and her aging master, Howard Bowditch, a recluse in a big house at the top of a big hill, with a locked shed in the backyard. Sometimes strange sounds emerge from that shed.

It's not every afternoon that an enigmatic, comely blonde named Stilton (like the cheese) walks into the scruffy gin joint where Sammy "Two Toes" Tiffin tends bar. It's love at first sight, but before Sammy can make his move, an air force general named Remy arrives with some urgent business. 'Cause when you need something done, Sammy is the guy to go to; he's got the connections on the street.

A star-studded cast of readers present unabridged tales of horror and suspense from Stephen King's classic best-selling short story collection.

When he was 19, James Stark was considered to be one of the greatest natural magicians, a reputation that got him demon-snatched and sent downtown - to Hell - where he survived as a gladiator, a sideshow freak entertaining Satan's fallen angels. That was 11 years ago. Now, the hitman who goes only by Stark has escaped and is back in L.A. Armed with a fortune-telling coin, a black bone knife, and an infernal key, Stark is determined to destroy the magic circle.

A striking red-head, 20-something Jody is attacked and transformed into a vampire while walking home one night in downtown San Francisco. Befriending 19-year-old Tommy, Jody tries to understand her new undead life, but trouble finds her when the cops start suspecting Tommy of being a local bloodsucking serial killer.

Ever since his brother electrocuted him as a boy, Baer Creighton feels an electric tingle when people lie to him. He lives in the woods, stills unrivaled moonshine, and limits human contact to regular buyers, his niece Mae, and her three kids. It’s a good life, sharing humor and philosophy with his sole companion Fred, a back-sassin' pit bull getting on in years, until Fred goes missing then arrives dumped in a ditch, a victim of a local dog-fighting ring. Armed with a Smith & Wesson, audacity, and a moonshiner's know-how, Baer hunts the dog thief.

No one wants to be a victim, but most find the event too hypnotic to ignore. In order to save their traveling carnival from bankruptcy, the Binewskis are creating their own brood of sideshow freaks. Under Al's careful direction, the pregnant Lil ingests radioisotopes, insecticides, and arsenic to make her babies "special".

In the more shadowy corners of the world, frequented by angels and demons and everything in between, Laytham Ballard is a legend. It's said he raised the dead at the age of 10, stole the Philosopher's Stone in Vegas back in 1999, and survived the bloodsucking kiss of the Mosquito Queen. Wise in the hidden ways of the night, he's also a cynical bastard who stopped thinking of himself as the good guy a long time ago.

Kiara and her brother, Marcus, are barely scraping by in a squalid East Oakland apartment complex optimistically called the Regal-Hi. Both have dropped out of high school, their family fractured by death and prison. But while Marcus clings to his dream of rap stardom, Kiara hunts for work to pay their rent—which has more than doubled—and to keep the nine-year-old boy next door, abandoned by his mother, safe and fed.

Miriam Black knows when you will die. Still in her early twenties, she’s foreseen hundreds of car crashes, heart attacks, strokes, suicides, and slow deaths by cancer. But when Miriam hitches a ride with truck driver Louis Darling and shakes his hand, she sees that in thirty days he will be gruesomely murdered while he calls her name. Miriam has given up trying to save people; that only makes their deaths happen. No matter what she does, she can’t save Louis. But if she wants to stay alive, she’ll have to try.

In the Ozarks, what you are is where you are born. If you're born in Venus Holler, you're not much. For Jamalee Merridew, her hair tomato red with rage and ambition, Venus Holler just won't cut it. Jamalee sees her brother, Jason, blessed with drop-dead gorgeous looks and the local object of female obsession, as her ticket out of town. But Jason may just be gay, and in the hills and hollows of the Ozarks, that is the most dangerous and courageous thing a man could be. Enter Sammy Barlach, a loser ex-con passing through a tired nowhere on the way to a fresher nowhere....

Nobody knows the seedy underbelly of Las Vegas like Daniel Faust, a sorcerer for hire and ex-gangster who uses black magic and bullets to solve his clients' problems. When an old man comes seeking vengeance for his murdered granddaughter, what looks like a simple job quickly spirals out of control. Soon Daniel stands in the crossfire between a murderous porn director; a corrupt cop with a quick trigger finger; and his own former employer, a racket boss who isn't entirely human.

You don't mess with Atlanta Burns. Everyone knows that. And that's kinda how she likes it - until the day Atlanta is drawn into a battle against two groups of bullies and saves a pair of new, unexpected friends. But actions have consequences, and when another teen turns up dead - by an apparent suicide - Atlanta knows foul play is involved. And worse: She knows it's her fault. You go poking rattlesnakes, maybe you get bit.

Examining the borders between one nation and another, between one person and another, Urrea reveals his mastery of the short form. This collection includes the Edgar-award winning "Amapola" and his now-classic "Bid Farewell to Her Many Horses," which had the honor of being chosen for NPR's "Selected Shorts" not once but twice.

He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle or if he fits with the people on the other side of the tracks.