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Strangers on a Train
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Narrated by:
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Bronson Pinchot
About this listen
In Patricia Highsmith's debut novel, we encounter Guy Haines and Charles Anthony Bruno, passengers on the same train. But while Guy is a successful architect in the midst of a divorce, Bruno turns out to be a sadistic psychopath who manipulates Guy into swapping murders with him. As Bruno carries out his twisted plan, Guy is trapped in Highsmith's perilous world - where, under the right circumstances, anybody is capable of murder.
The inspiration for Alfred Hitchcock's classic 1951 film, Strangers on a Train launched Highsmith on a prolific career of noir fiction and proved her mastery of depicting the unsettling forces that tremble beneath the surface of everyday contemporary life.
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- Narrated by: Dion Graham
- Length: 16 hrs and 14 mins
- Unabridged
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Set in Greenwich Village, Harlem, and France, Another Country tells the story of the suicide of jazz-musician Rufus Scott and the friends who search for an understanding of his life and death, discovering uncomfortable truths about themselves along the way. Another Country is a work that is as powerful today as it was 40 years ago - and expertly narrated by Dion Graham.
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Powerful and sad
- By Kenneth on 04-10-09
By: James Baldwin
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Perchance to Dream
- Selected Stories
- By: Charles Beaumont
- Narrated by: J. Paul Boehmer, Gabrielle de Cuir, Harlan Ellison, and others
- Length: 12 hrs and 20 mins
- Unabridged
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The profoundly original and wildly entertaining short stories of a legendary Twilight Zone writer. It is only natural that Charles Beaumont would make a name for himself crafting scripts for The Twilight Zone - for his was an imagination so limitless it must have emerged from some other dimension. Perchance to Dream contains a selection of Beaumont's finest stories, including five that he later adapted for Twilight Zone episodes.
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Contents
- By Ralph Freaster on 06-22-16
By: Charles Beaumont
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The Keep
- The Adversary Cycle, Book 1
- By: F. Paul Wilson
- Narrated by: Ralph Lister
- Length: 15 hrs and 36 mins
- Unabridged
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"Something is murdering my men." Thus reads the message received from a Nazi commander stationed in a small castle high in the remote Transylvanian Alps. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims. When an elite SS extermination squad is dispatched to solve the problem, the men find something that's both powerful and terrifying. Panicked, the Nazis bring in a local expert on folklore - who just happens to be Jewish - to shed some light on the mysterious happenings.
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At long last, The classic horror novel on Audible
- By Shieldslinger on 07-22-20
By: F. Paul Wilson
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Death in Zanzibar
- By: M. M. Kaye
- Narrated by: Bahni Turpin
- Length: 9 hrs and 52 mins
- Unabridged
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Dany Ashton is invited to vacation at her stepfather's house in Zanzibar, but even before her airplane takes off there is a stolen passport, a midnight intruder - and murder. In Zanizbar, the family house is Kivulimi, the mysterious "House of Shade", where Dany and the rest of the guests learn that one of them is a desperate killer. The air of freedom and nonchalance that opened the house party fades into growing terror, as the threat of futher violence flowers in the scented air of Zanzibar.
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Old Favorite Now in Audio
- By Marie on 01-13-13
By: M. M. Kaye
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The Glass Key
- By: Dashiell Hammett
- Narrated by: Stephen R. Thorne
- Length: 6 hrs and 23 mins
- Unabridged
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Paul Madvig was a cheerfully corrupt ward-heeler who aspired to something better: the daughter of Senator Ralph Bancroft Henry, the heiress to a dynasty of political purebreds. Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett’s tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness. A one-time detective and a master of deft understatement, Hammett invented the noir crime novel.
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Pacing Quick & Plot was Goldilocks
- By Darwin8u on 05-16-12
By: Dashiell Hammett
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London Fields
- By: Martin Amis
- Narrated by: Steven Pacey
- Length: 21 hrs and 47 mins
- Unabridged
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The murderee is Nicola Six, a "black hole" of sex and self-loathing who is intent on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts; or the rich, honorable, and dimly romantic Guy Clinch. As Nicola leads her suitors towards the precipice, London--and, indeed, the whole world--seems to shamble after them in a corrosively funny novel of complexity and morality.
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Big chewy novel, excellent narration
- By Sand on 08-21-14
By: Martin Amis
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The Great Gatsby
- By: F. Scott Fitzgerald
- Narrated by: Tim Robbins
- Length: 5 hrs and 3 mins
- Unabridged
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Set against a backdrop of jazz music, bootlegging, and lavish parties, The Great Gatsby is the story of Midwesterner Nick Carraway’s curious introduction to the decadent world of his mysterious, wealthy neighbor Jay Gatsby, whose thirst for riches is matched only by his tragic obsession with the beautiful Daisy Buchanan. This dangerously propulsive tale of glitz and glamour continues to be relevant as listeners long for escapist novels—a chance to flee into Gatsby’s famed mansion and lose oneself in the rush of opulence.
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Alive and Wild! I finished it same day.
- By Brea DeMarquee on 08-27-21
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Welcome to the Monkey House
- By: Kurt Vonnegut
- Narrated by: David Strathairn, Maria Tucci, Bill Irwin, and others
- Length: 11 hrs and 24 mins
- Unabridged
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Welcome to the Monkey House is a collection of Kurt Vonnegut's shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, what these superb stories share is Vonnegut's audacious sense of humor and extraordinary range of creative vision.
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Classic Vonnegut
- By Michael Carrato on 08-17-06
By: Kurt Vonnegut
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Liz Rocher is coming home . . . reluctantly. As a Black woman, Liz doesn’t exactly have fond memories of Johnstown, Pennsylvania, a predominantly white town. But her best friend is getting married, so she braces herself for a weekend of awkward, passive-aggressive reunions. Liz has grown, though; she can handle whatever awaits her. But on the night of the wedding, somewhere between dancing and dessert, the newlyweds’ daughter, Caroline, disappears—and the only thing left behind is a piece of white fabric covered in blood.
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Elizabeth is a demure 23-year-old wiling her life away at a dull museum job, living with her neurotic aunt, and subsisting off her dead mother’s inheritance. When Elizabeth begins to suffer terrible migraines and backaches, her aunt takes her to the doctor, then to a psychiatrist. But slowly, and with Jackson’s characteristic chill, we learn that Elizabeth is not just one girl - but four separate, self-destructive personalities.
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Great audio version
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Leslie Flores has the perfect life - a loving husband, a happy newborn, and a New Mexico home straight out of a magazine. She’s been the perfect daughter, too, taking care of her ailing father in his final days. But Leslie has a dark secret - and it’s an expensive secret to keep. When she discovers she won’t receive a penny of her inheritance unless she finds her estranged sister, Robin, she sets out to track her down. Instead, upon arriving at Robin’s apartment, Leslie discovers her body.
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What listeners say about Strangers on a Train
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- Joe Kraus
- 04-02-17
A Hardboiled Novel of Manners
Any additional comments?
If the term doesn’t already exist, I want to coin this a ‘hardboiled novel of manners’. There’s a genteel novel-of-manners feel to it as we get a lot of attention on the niceties of how properly to entertain someone, how architecture or fashion functions as social statement, and how people generally express themselves through subtle public gestures.
Highsmith’s central insight seems to be that civilization (or what she has her characters call “society” when it comes to the fore in the final pages) is a thin veneer on top of a species with the capacity to be real animals. Bruno says as much in the opening scene when he declares that every man is capable of murder, and that’s borne out. Everyone (except the saintly Anne) is indeed capable of murder. We need laws to keep us from going wild, but it isn’t clear society truly wants that. Most of the characters seem happy to tolerate murder as long as it doesn’t affect them. It just seems understood that people do bad things.
Highsmith uses that hardboiled axiom to explore the famous premise of the novel: two men meet on a train and toy with the idea of having each commit a murder on the other’s behalf. Without motives, each murderer would go unsuspected, yet each would accomplish his goal.
In Hitchcock’s hands, that story became a chance for him to explore his own favored notion of a protagonist who, somehow a little guilty or compromised (whether for listening to a murderous stranger on a train or simply peeping into a neighbor’s window) finds himself a fundamentally innocent man bound up with truly despicable people. Highsmith’s vision is much darker. [SPOILER] Most tellingly, Guy actually goes on to commit the murder that Bruno wants from him. Hitchcock gives his protagonist an out; he eventually pulls himself back from the “deal” he’s entered into. Highsmith’s protagonist gets broken down, however. Under the pressure of Bruno’s obsession, he proceeds to kill Bruno’s father. Later, he begins to echo many of the more Bruno’s more despicable quirks. At the end he determines that anyone can be broken down, that we’re all so fundamentally vicious that the right pressure can turn us all into characters.
There’s a crispness throughout most of this, but I think it falls a bit short in some of its psychological profiling. In the end, I simply don’t find Guy’s breakdown authentic. Compromised as he might be, I don’t accept why he doesn’t go to the police, especially when he has such compelling evidence of Bruno’s guilt. Highsmith writes compellingly, but I think this falls a bit short of the even darker, more efficient Talented Mr. Ripley.
As a final thought, I wondered whether this might in some way be a comment on the then only 6-7 years old Fountainhead. We have here a protagonist who realizes, eventually, that individuals stand apart from a rule-bound society. He feels called to do great things, and he concludes that simple things, like other people’s lives, shouldn’t hold him back.
I have not read The Fountainhead, but is there’s anything to my hunch, this is not a flattering comment. The novel ultimately does not endorse such a vision of the power of the great ego. Rather, we come to find Guy a somewhat small man, a man whose being broken down by another has undermined the real gifts he had. In fact, as I read it, this undermines Ayn Rand altogether. Skeptical as this is of what holds society together, it laments our alone-ness rather than celebrates it.
Highsmith remains the first acknowledged female star of the hardboiled tradition. If all you know of this one is the film, you’re in for a surprise.
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- Scott
- 02-13-16
Amazing!!!
So good! Can you top Hitchcock? YES!!! ... Also, bravo to Cousin Balki for an epic rendition!
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- Kim Tobias
- 08-02-17
Best ever
Bronson Princhot makes this masterpiece novel a most wonderful listen. Can't wait listen to him again soon.
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- Annie M
- 06-21-21
I've always loved this classic
I went through a phase in high school in which I devoured Patricia Highsmith. Strangers on a Train was my first Highsmith and favorite, and over a decade later it's still the case. For me it's completely engaging, and I'm engrossed in the psychological tension between the characters the whole time. I find that her characters aren't likeable, but they're so human that I can't quite dislike them either. There is something eerie and relatable in her dark stories that captivates me. Strangers on a Train is the perfect example.
The narration was good and I thought captured the characters quite well. Another reviewer commented on homophobia in the novel - - I just wanted to quickly clarify that Patricia Highsmith herself is one of the great queer authors of mid-century America. She included a lot of homo-erotic undertones in her work through her own unique lens.
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- David
- 02-10-17
Fantastic
One the best books I've read in the past year. Great pacing and fascinating character portraits.
Very well read too. Great job on the audio.
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- Michael J Gore
- 04-26-21
Unsettling
A well crafted and deeply disturbing book which I almost stopped listening to several times I found the content so dark and filled with despair.
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- moonrae77
- 12-19-20
Wonderfully fiendish
I love the characters in Patricia Highsmiths' novels. She really goes inside their minds and lets the reader in on sone twisted and often funny thinking. I was hesitant to try something out of the Mr. Ripley series but I am glad that I did! Bronson Pinchot does a very good and entertaining narration.
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- JR Odyssey
- 09-30-22
Mixed Feelings
Although the book was written in the 1950s, it definitely fits the modern noir genre. It had some suspenseful moments, but it did drag in several places.
I did find most all of the characters annoying to some degree but in varying ways. Guy's thoughts and actions were often illogical. At first, I considered him naive, but later changed my opinion to illogical and erratic. Bruno is clearly a sociopath with homosexual tendencies. It was harder to discern if Guy had a latent homosexual attraction to Bruno. If Guy didn't, it is hard to figure out why he kept letting him come around. There was a lame explanation that Bruno wore him down and reduced some of his guilt, but that didn't really make sense to me. Anne's interactions with Bruno were also strange and not believable. One minute she detests him then she invites him to be with them.
As others have noted, the ending is abrupt, but I think it worked fine for this story. The Talented Mr. Ripley was more enjoyable and better written but this was one of her first books. Overall, I would probably say this was 3.5 stars but rounded up because the plot was interesting especially since it was written over 70 years ago.
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- Amazon Customer
- 01-27-23
Good entertainment!
The story is smart and imaginative, but the real jewel is Bronson Pinchot's reading of it. He renders perfectly every accent, age, gender and the internal character of each person in the story. He makes even the narrator someone we feel we know. He is excellent!
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- Denise Higgs
- 03-07-23
Narration is the best part of the book
The storyline is interesting, but Bronson Pinchot's narration kept me listening. It was better than the movie.
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