One of the most revered works in English literature, Great Expectations traces the coming of age of a young orphan, Pip, from a boy of shallow aspirations into a man of maturity. From the chilling opening confrontation with an escaped convict to the grand but eerily disheveled estate of bitter old Miss Havisham, all is not what it seems in Dickens’ dark tale of false illusions and thwarted desire.

Between his work on the 2014 Audible Audiobook of the Year, Hamlet, Prince of Denmark: A Novel, and his performance of Classic Love Poems, narrator Richard Armitage ( The Hobbit, Hannibal) has quickly become a listener favorite. Now, in this defining performance of Charles Dickens' classic David Copperfield, Armitage lends his unique voice and interpretation, truly inhabiting each character and bringing real energy to the life of one of Dickens' most famous characters.

Leo Tolstoy's classic story of doomed love is one of the most admired novels in world literature. Generations of readers have been enthralled by his magnificent heroine, the unhappily married Anna Karenina, and her tragic affair with dashing Count Vronsky.

Ever since Colin Firth's Mr Darcy emerged from the lake in the BBC adaptation of Pride and Prejudice, the novels of Jane Austen have become more popular than ever, delighting millions of fans all over the world. Now, Alison Larkin's critically acclaimed narrations of Austen's six completed novels are brought together in this very special 200th anniversary audio edition. "Alison Larkin's narration will captivate listeners from the first sentence" raves AudioFile magazine about the Earphones Award-winning recording of Sense and Sensibility, which starts the collection.

1860: As the clash between the states rolls slowly to a boil, Elizabeth Packard, housewife and mother of six, is facing her own battle. The enemy sits across the table and sleeps in the next room. Her husband of 21 years is plotting against her because he feels increasingly threatened - by Elizabeth’s intellect, independence, and unwillingness to stifle her own thoughts. So Theophilus makes a plan to put his wife back in her place. One summer morning, he has her committed to an insane asylum.

Set during the time of the Napoleonic Wars, this classic gives a satirical picture of a worldly society. The novel revolves around the exploits of the impoverished but beautiful and devious Becky Sharp who craves wealth and a position in society. Calculating and determined to succeed, she charms, deceives and manipulates everyone she meets. A novel of early 19th-century English society, it takes its title from the place designated as the centre of human corruption in John Bunyan's 17th-century allegory.

The Story of My Life is the explosive and exhilarating autobiography by the infamous libertine Giacomo Casanova. Intense and scandalous, Casanova's extraordinary adventures take the listener on an incredible voyage across 18th-century Europe - from France to Russia, Poland to Spain and Turkey to Germany, with Venice at their heart. He falls madly in love, has wild flings and delirious orgies, and encounters some of the most brilliant figures of his time, including Catherine the Great, Louis XV and Benjamin Franklin. He holds a verbal dual with Voltaire and finds himself hauled before the court multiple times.

In this world of bribes, vendettas, and swindling, in which heiresses are gambled and won, Trollope's characters embody all the vices: Lady Carbury is 'false from head to foot'; her son Felix has 'the instincts of a horse, not approaching the higher sympathies of a dog'; and Melmotte - the colossal figure who dominates the book - is a 'horrid, big, rich scoundrel...a bloated swindler...a vile city ruffian'. But as vile as he is, he is considered one of Trollope's greatest creations.

E. M. Forster's first novel is a witty comedy of manners that is tinged with tragedy. It tells the story of Lilia Herriton, who proves to be an embarrassment to her late husband's family as, in the small Tuscan town of Monteriano, she begins a relationship with a much younger Italian man - classless, uncouth, and highly unsuitable. A subtle attack on Edwardian values and a humanely sympathetic portrayal of the clash of two cultures, Where Angels Fear to Tread is also a profound exploration of character and virtue.

Conventional wisdom holds that same-sex marriage is a purely modern innovation, a concept born of an overtly modern lifestyle that was unheard of in 19th-century America. But as Rachel Hope Cleves demonstrates in this eye-opening book, same-sex marriage is hardly new. Born in 1777, Charity Bryant was raised in Massachusetts. A brilliant and strong-willed woman with a clear attraction for her own sex, Charity found herself banished from her family home at age 20.

Propelled into society by his ever-hopeful father, Frank is introduced to a variety of professions in order to make his fortune. Not industrious by nature, however, Frank finds working life a challenge, and by his 25th birthday, he has failed medicine, portrait-painting, caricaturing, and even forgery. Disenchanted with life, he despairs of ever finding something to commit to — until he meets Alicia Dulcifer and her inexplicably wealthy father.

Clever and ambitious, Emma Jung yearned to study the natural sciences at the University of Zurich. But the strict rules of proper Swiss society at the beginning of the 20th century dictated that a woman of Emma's stature - one of the richest heiresses in Switzerland - travel to Paris to "finish" her education, to prepare for marriage to a suitable man. Engaged to the son of one of her father's wealthy business colleagues, Emma's conventional and predictable life was upended when she met Carl Jung.

When Edward de Salis travels to America after the death of his first wife, he is astonished to find himself falling in love with Marguerite, a young woman many years his junior. Full of hope for the future, he returns to his Irish estate, Cashelmara, but in 19th-century Ireland - a country racked by poverty and famine - his family eventually becomes trapped in a sinister spiral of violence that Edward could never have foreseen.

This book is for listeners of true crime podcasts and audiences of both fiction and true-crime nonfiction. It's the true story of first-generation Irish-American nurse Jane Toppan, born as Honora Kelley. Jane Toppan was absolutely a monster, but she did not start out that way. When Jane was a young child, her father abandoned her and her sister to the Boston Female Asylum. From there, Jane was indentured to a wealthy family who changed her name, never adopted her, and wrote her out of the will.

This comprehensive novel consists of three subplots which interlink to form the whole and supply a trio of targets at which Trollope aims his proselytising pen. The first treats on the courtship of a woman by a man whom she does not love and with whom she is not compatible. Mary Lowther will not accept such a marriage of dishonesty. The second deals with the plight of a young woman who has fallen prey to the wiles of an evil seducer and subsequently adopts a life of prostitution.

Anne Lister was extraordinary. Fearless, charismatic, and determined to explore her lesbian sexuality, she forged her own path in a society that had no language to define her. She was a landowner, an industrialist, and a prolific diarist whose output has secured her legacy as one of the most fascinating figures of the 19th century. Gentleman Jack: The Real Anne Lister follows Anne from her crumbling ancestral home in Yorkshire to the glittering courts of Denmark as she resolves to put past heartbreak behind her and find herself a wife.

Polly, Annie, Elizabeth, Catherine, and Mary-Jane are famous for the same thing, though they never met. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women. For more than a century, newspapers have been keen to tell us that "the Ripper" preyed on prostitutes. Not only is this untrue, as historian Hallie Rubenhold has discovered, but it has prevented the real stories of these fascinating women from being told.

The Sinner and the Saint is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story - and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment.

Isak Dinesen earned international fame for Seven Gothic Tales and Out of Africa, and other stories that skillfully combine elements of fable, social conflict, and psychological drama. She was twice nominated for the Nobel Prize. Yet the story of her life - her travels, affairs, and friendships - remains the greatest story of all.

The Bette referred to in this magnificent novel's title is Lisbeth Fischer, an excruciatingly cunning poor relation who both depends upon and nurses a terrible grudge against the family of her beautiful cousin, Adeline. That family is slowly being ruined by the uncontrollable sexual appetites of Adeline's husband, Baron Hulot - appetites that will, in time, give Cousin Bette opportunity to exact her vengeance.

Biographers have consistently credited her father, Bronson Alcott, for Louisa May Alcott's professional success, assuming that this outspoken idealist was the source of her progressive thinking and remarkable independence. But in this riveting dual biography, Eve LaPlante explodes those myths, drawing on unknown and unexplored letters and journals to show that Louisa's "Marmee", Abigail May Alcott, was in fact the intellectual and emotional center of her daughter's world. It was Abigail who urged Louisa to write, who inspired many of her stories, and who gave her the support and courage she needed to pursue her path.

Machado de Assis’ classic novel, the precursor of Latin American fiction, is finally rendered as a stunningly relevant work for 21st-century audiences. In eloquent, contemporary prose, Costa and Patterson breathe new life into the dynamic character of Brás Cubas and reveal the vivid, tempestuous Rio de Janeiro of his time. The recently deceased Cubas narrates his life story, admitting glibly: “I am not so much a writer who has died, as a dead man who has decided to write.”

Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways these men surface in their work. Through these stories of fathers and sons, Tóibín recounts the resistance to English cultural domination, the birth of modern Irish cultural identity, and the extraordinary contributions of these complex and masterful authors.

Heiresses: Surely they are among the luckiest women on earth. Are they not to be envied, with their private jets and Chanel wardrobes and endless funds? Yet all too often those gilded lives have been beset with trauma and despair. Before the 20th century a wife’s inheritance was the property of her husband, making her vulnerable to kidnap, forced marriages, even confinement in an asylum. And in modern times, heiresses fell victim to fortune-hunters who squandered their millions.

Propelled into society by his ever-hopeful father, Frank is introduced to a variety of professions in order to make his fortune. Not industrious by nature, however, Frank finds working life a challenge, and by his 25th birthday, he has failed medicine, portrait-painting, caricaturing, and even forgery. Disenchanted with life, he despairs of ever finding something to commit to — until he meets Alicia Dulcifer and her inexplicably wealthy father.

Charlotte Gordon's new work is a fresh look at the lives of Mary Wollstonecraft and Mary Shelley, who together comprise one of the most illustrious and inspiring mother-daughter pairs in history.

Set during the time of the Napoleonic Wars, this classic gives a satirical picture of a worldly society. The novel revolves around the exploits of the impoverished but beautiful and devious Becky Sharp who craves wealth and a position in society. Calculating and determined to succeed, she charms, deceives and manipulates everyone she meets. A novel of early 19th-century English society, it takes its title from the place designated as the centre of human corruption in John Bunyan's 17th-century allegory.

Lady Ludlow's appalling snobbery, prejudice and bred-in-the-bone conviction as to the superiority of the English aristocracy and their feudal way of life are deliciously tested, and found wanting, in this gently radical tale of the collapse of a social system. Elizabeth Gaskell's My Lady Ludlow is a brilliant picture of the shift in power in a rural northern village, from the velvety feudal Ludlows to the glitter of the new money rattling through the system courtesy of the brazen baker from Birmingham.

When Louis Trevelyan's young wife meets an old family acquaintance, his unreasonable jealousy of their friendship sparks a quarrel that leads to a brutal and tragic estrangement.

In this world of bribes, vendettas, and swindling, in which heiresses are gambled and won, Trollope's characters embody all the vices: Lady Carbury is 'false from head to foot'; her son Felix has 'the instincts of a horse, not approaching the higher sympathies of a dog'; and Melmotte - the colossal figure who dominates the book - is a 'horrid, big, rich scoundrel...a bloated swindler...a vile city ruffian'. But as vile as he is, he is considered one of Trollope's greatest creations.