It’s the mid-'90s. Grunge and flannel are fading as the Spice Girls and Hot Topic conquer the malls. Cherry gloss glistens on the lips of the youth. Modems hiss as America comes online. And in a fog-drenched cove at the edge of New England, something terrible awakens when a fisherman reels in a gruesome catch: the remains of a young woman. Remains still pulsing with furious life.

With her husband off fighting at World War I’s eastern front, Petra Kurková embraces her fleeting freedom, roaming the city at night with her camera. A born witch, she’s discovered that she can capture the souls of the dead on film. Her supernatural skills don’t go unnoticed by the enigmatic Josef Svoboda. He’s recruiting a team of sorcerers to infiltrate the front lines, where the bloodshed of combat has resurrected foul creatures. Petra’s unique abilities will be needed against the most dangerous enemies of all—those ever present, undead, and unseen.

In a near-future New York City ravaged by climate change and economic inequality, a superstorm hits, leaving behind only those who had nowhere else to go and no way to get out. Among those who remain are 24-year-old Makayla, and Jesse, an 18-year-old, genderqueer anarchist. In the aftermath of the storm, Jesse joins Makayla's group of remainders in an abandoned luxury condo building, carving out a small sanctuary in the midst of a destroyed city. Meanwhile, mysterious, colorful murals begin to appear throughout NYC, bringing hope to the forsaken and left-behind.

Aza Holmes never intended to pursue the disappearance of fugitive billionaire Russell Pickett, but there’s a hundred-thousand-dollar reward at stake and her Best and Most Fearless Friend, Daisy, is eager to investigate. So together, they navigate the short distance and broad divides that separate them from Pickett’s son Davis. Aza is trying. She is trying to be a good daughter, a good friend, a good student, and maybe even a good detective, while also living within the ever-tightening spiral of her own thoughts.

On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They're going to die today. Mateo and Rufus are total strangers, but, for different reasons, they're both looking to make a new friend on their End Day. The good news: There's an app for that. It's called The Last Friend, and through it Rufus and Mateo are about to meet up for one last great adventure - to live a lifetime in a single day.

Ana and Reid needed a lucky break. The horrifically complicated birth of their first child has left Ana paralyzed, bitter, and struggling: with mobility, with her relationship with Reid, with resentment for her baby. That's about to change with the words any New Yorker would love to hear—affordable housing lottery. They've won an apartment in the Deptford, one of Manhattan's most revered buildings. Reid dismisses disturbing events and Ana’s deep unease and paranoia as the price of living in New York—people are odd—but he can't explain the needle-like bite marks on the baby.

Nic Sheff was drunk for the first time at age 11. In the years that followed, he would regularly smoke pot, do cocaine and ecstasy, and develop addictions to crystal meth and heroin. Even so, he felt like he would always be able to quit and put his life together whenever he needed to. It took a violent relapse one summer in California to convince him otherwise.

Meet Roger. Skilled with words, languages come easily to him. He instinctively understands how the world works through the power of story. Meet Dodger, his twin. Numbers are her world, her obsession, her everything. All she understands, she does so through the power of math. Roger and Dodger aren’t exactly human, though they don’t realize it. They aren’t exactly gods, either. Not entirely. Not yet. Meet Reed, skilled in the alchemical arts like his progenitor before him. Reed created Dodger and her brother. He’s not their father. Not quite. But he has a plan.

Life at 15 isn't easy for a girl if she's shy and hates the way she looks. Each day is heaven or hell, depending on who talks to her, or who doesn't. So when she's finally accepted by a group, she doesn't refuse their party games, even if it means taking LSD. Soon she's taking little pills to wake up and others to go to sleep, and the days begin to blur. Based on a 15-year-old's diary, Go Ask Alice is the intimate account of one girl's fatal journey into the world of drug addiction.

That's the question that has haunted 14-year-old Ezekiel Blast all his life. But he's not a thief, he just has a talent for finding things. Not a superpower - a micropower. Because what good is finding lost bicycles and hair scrunchies, especially when you return them to their owners and everyone thinks you must have stolen them in the first place? If only there were some way to use Ezekiel's micropower for good, to turn a curse into a blessing. His friend Beth thinks there must be, and so does a police detective investigating the disappearance of a little girl.

The Earth is being invaded, but no one knows about it. When Jake, Rachel, Tobias, Cassie, and Marco stumble upon a downed alien spaceship and its dying pilot, they're given an incredible power - they can transform into any animal they touch. With it, they become Animorphs, the unlikely champions in a secret war for the planet. And the enemies they're fighting could be anyone...even the people closest to them.

Daniel leads a rich life and considers himself to be a mostly lucky guy - despite the fact that he’s suffered from a debilitating disease since he was a small child, one that has left him unable to speak or to move without a wheelchair. Largely confined to his home, Daniel spends the hours he’s not online communicating with irate air travelers observing his neighborhood from his front porch. One young woman passes by so frequently that spotting her out the window has almost become part of his daily routine. Until the day he’s almost sure he sees her being kidnapped.

Five teenagers from different parts of the country. Three girls. Two guys. Four straight. One gay. Some rich. Some poor. Some from great families. Some with no one at all. All living their lives as best they can, but all searching . . . for freedom, safety, community, family, love. What they don't expect, though, is all that can happen when those powerful little words "I love you" are said for all the wrong reasons.

Two years after his partner, Francesco, died, 28-year-old Kevin Doyle is dusting off his one good suit jacket for yet another funeral, yet another loss in their close-knit group. They had all been young, beautiful, and living the best days of their lives, though they didn't know it. That was before New York City began to feel like a war zone, its horrors somehow invisible, and ignored by the rest of the world. Some people might insist that Francesco is in a better place now, but Kevin definitely isn't.

Isolated by a disfiguring injury since the age of seventeen, Sean Phillips crafts imaginary worlds for strangers to play in. From his small apartment in southern California, he orchestrates fantastic adventures where possibilities, both dark and bright, open in the boundaries between the real and the imagined. As the creator of Trace Italian—a text-based, role-playing game played through the mail—Sean guides players from around the world through his intricately imagined terrain, which they navigate and explore, turn by turn, seeking sanctuary in a ravaged, savage future America.