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Narrated by:
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Richard Poe
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By:
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Cormac McCarthy
About this listen
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Critic reviews
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Even a Monkey Knows the Value of a Stick
- By tooonce72 on 01-09-15
By: Tim Johnston
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The Missing
- By: Tim Gautreaux
- Narrated by: Henry Strozier
- Length: 15 hrs and 5 mins
- Unabridged
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In this spellbinder by critically acclaimed author Tim Gautreaux, Sam Simoneaux returns from World War I to rebuild his life. But when a girl is snatched from the New Orleans department store where he's working, he hops aboard a Mississippi steamboat to find her - and dredges up ghosts from his painful past.
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The Missing
- By Michael L. Wintory on 07-11-09
By: Tim Gautreaux
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A Death in Kitchawank, and Other Stories
- By: T. C. Boyle
- Narrated by: T. C. Boyle
- Length: 9 hrs and 3 mins
- Unabridged
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Few authors write with such sheer love of story and language as T. C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. Here are 14 new tales previously unpublished in book form. By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle's stories have mapped a wide range of human emotions. The stories here reflect his maturing themes.
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Mixed Bag
- By AuntGert on 09-22-20
By: T. C. Boyle
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Church of Marvels
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- By: Leslie Parry
- Narrated by: Denice Stradling
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New York, 1895. Sylvan Threadgill, a night soiler cleaning out the privies behind the tenement houses, finds an abandoned newborn baby in the muck. An orphan himself, Sylvan rescues the child, determined to find where she belongs.
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If Dickens needed a NY location for a story..
- By Sandi from Oregon on 05-13-15
By: Leslie Parry
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The Reapers Are the Angels
- By: Alden Bell
- Narrated by: Tai Sammons
- Length: 7 hrs and 25 mins
- Unabridged
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For 25 years, civilization has survived in meager enclaves, guarded against a plague of the dead. Temple wanders this blighted landscape, keeping to herself and keeping her demons inside her heart. She can’t remember a time before the zombies, but she does remember an old man who took her in and the younger brother she cared for until the tragedy that set her off on her personal journey toward redemption.
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Literary Limbo-ing
- By Mel on 04-25-13
By: Alden Bell
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The Shell Collector
- By: Anthony Doerr
- Narrated by: Hakeem Kae Kazim
- Length: 7 hrs and 42 mins
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The exquisitely crafted stories in Anthony Doerr's acclaimed debut collection take listeners from the African coast to the pine forests of Montana to the damp moors of Lapland, charting a vast physical and emotional landscape. Doerr explores the human condition in all its varieties - metamorphosis, grief, fractured relationships, and slowly mending hearts - and conjures nature in both its beautiful abundance and crushing power.
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Narrator not appropriate to the book.
- By Janet on 02-18-17
By: Anthony Doerr
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The Shipping News
- By: Annie Proulx
- Narrated by: Paul Hecht
- Length: 12 hrs and 54 mins
- Unabridged
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At 36, Quoyle, a third-rate newspaperman, is wrenched violently out of his workaday life when his two-timing wife gets her just desserts. He retreats with his two daughters to his ancestral home on the starkly beautiful Newfoundland coast, where a rich cast of local characters all play a part in Quoyle's struggle to reclaim his life. As three generations of his family cobble up new lives, Quoyle confronts his private demons - and the unpredictable forces of nature and society - and begins to see the possibility of love without pain or misery.
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Can't Explain Why I Love This Book
- By Polly on 03-06-12
By: Annie Proulx
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Other Voices, Other Rooms
- By: Truman Capote
- Narrated by: Cody Roberts
- Length: 6 hrs and 29 mins
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At the age of 12, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully's Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face - and heart - of a debauched child; and a fearsome little girl named Idabel who may offer him the closest thing he has ever known to love.
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Capote’s coming of age story
- By Daniel Diffin on 11-08-23
By: Truman Capote
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What listeners say about Suttree
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- Joe Kraus
- 02-01-16
McCarthy Brilliant in a Different Genre
Which character – as performed by Richard Poe – was your favorite?
Poe's narration is staggeringly good.
Any additional comments?
I’ve been thinking a lot lately about the ‘conversation’ between Cormac McCarthy and Don DeLillo, two of the great writers we still have. DeLillo, it seems to me reflects on the ways in which we, as contemporary Americans, find ourselves trapped inside our culture. We understand ourselves as in a bubble of our own collective creation, and our implicit sadness (a sadness that rises to tragedy in Underworld) is that we realize we cannot escape it.
As a result, DeLillo’s work is at its best when the culture – more specifically the art – at its heart is at its best. Mao II is great because Bill Gray (whose work we never read) feels like a great novelist, a great silenced novelist. White Noise fails for me because the “art” at its center – the parody of academia he calls Hitler Studies – is flimsy and forgettable.
I say that because I see McCarthy arriving at a similar frustration from the other end. He dismisses art and culture almost out of hand. Instead, he calls us to remember that, no matter our accomplishments as a culture, we remain “primates” as much at the mercy of the greater heavens as when we huddled in caves 15 millenia ago. He presents his thesis in every sentence he writes. No matter the story, his subject stays the same. He’s like an Old Testament prophet in the clarity of his warning: we are not special in the eyes of creation.
As a consequence, I’m not sure it matters which McCarthy you read. Everything he does has an almost equal excellence. There might as well be a McCarthy Reader, a collection of his greatest sentences and set-scenes. (And it would be a very long collection.)
That’s all prologue to saying that Suttree is just as great as virtually everything else I’ve read by McCarthy (and that’s everything he’s written in the last 30 years). Very little happens in this portrait of a determined loner, a man who’s turned his back on what privilege he has and determines to live by his means, but so what. Very little happens in Seinfeld and very little happens in Flaubert’s Un Coeur Simple. And that was the point of each. If you have a gift for exploring tone and the character of a person who is interesting even at rest, then you have all you need.
There are brilliant scenes here, too. In the opening, Suttree is fishing and he reflects on the idea of St. Peter as a “fisher of men.” Then, not much later, he sees a police barge that has just dredged up a suicide. He sees the body, a hook lodged through its check, and the metaphor becomes real…and staggering. You can’t help asking, “What are we?” What kind of creatures are we if we can die in such a tawdry and undignified way? And the answer is one we simply don’t want to hear.
Another brilliant passage comes when he is looking at an album of old photos with his aunt. He looks at the once beautiful faces of people he knows in their old age, and he gets off a passage (I can’t find the exact words just now) so staggering that it made my jaw drop, asking what sort of a god would choose flesh like ours as the site of a presumed individuality.
It’s blunt, brutal and deeply theological – theological in the oldest sense of the term, in the sense of a lost and dazed creature looking to the sky to make sense of suffering. It’s flat-out awe-inspiring work. To take just one example, “I always figured there was a god,” says an old man who has extracted from Suttree a promise to burn his body after he dies. “I just never did like him much.”
That said, I find myself thinking that part of McCarthy’s project is to explore genre with his powerful voice and focused imagination. He came to fame as a writer of “Westerns,” in Blood Meridian and the Border Trilogy. That’s four novels and 20 years, but it’s also only two projects. Since then he has clearly been playing in other genres; The Road is a post-apocalyptic book, and No Country for Old Men is, by narrative structure, a hardboiled noir thriller.
As such, at least in retrospect, I see Suttree as a kind of Southern-flavored Beat novel. Like On the Road, it has no real structure, and it’s driven by a perpetual hunger for experience. What’s more, that experience sits in opposition to – is subject to the disapproval of – law-abiding and conventional society.
I’m not saying it’s merely a Beat novel; it’s infused with all of McCarthy’s meditations on the primal power of the world and with his exploration of inherited religion to explain it. Still, as I wrap this one up, it seems to me interesting to think of this novel confirming the extent to which McCarthy – with that mythic voice and prophetic focus – needs the structure of genre to tell his take in its entirety.
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3 people found this helpful
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- Zachary
- 12-05-12
A fascinating story, well told
What did you love best about Suttree?
Unlike many of McCarthy's novels, this had moments of wit and humor. It also contains some of the most vivid prose I've ever heard.
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1 person found this helpful
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- Jw
- 02-01-18
A masterpiece
Would you listen to Suttree again? Why?
I have read this book twice, I liked it so much I purchased the audiobook, which I was delighted to find added a whole other dimension to it.
What was one of the most memorable moments of Suttree?
The antics of Gene Harrowgate AKA the country mouse / the city rat.
Any additional comments?
A command performance by Richard Poe, his variety of voices brought characters alive.
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1 person found this helpful
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- Kindle Customer
- 10-30-22
The Great Narration
This audiobook is so well narrated I think it should be used as an example in audio narration classes.
Suttree itself relishes in its own well written narration.
The narration and the dialogue are seamless as if something grafted had no stitches visible to see where the cloth might tear.
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- druss
- 03-27-23
Check Pronunciation
As someone who grew up in Blount County, I can tell you the local pronunciation is “blunt” with a short u, not ow as in cow. The reader never gets it right.
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- William Winterstein
- 03-31-18
3/4 good Americana, 1/4 disjointed nonsense
I'm a sucker for early 1900's American storytelling, which makes this poor rating a surprise. McCarthy drops you into the life of Suttree, which is fine, but he jumps time, structure, and viewpoint. it's very hard to rejoin the story after you've taken a break, which you will need to do (it's 20 hours). The last 25% of this book is chock full of grossly lurid descriptions of women's pubic hair. Why? I don't know.
The narrator is great.
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- michael
- 04-10-16
Long..... Very long
What did you like best about Suttree? What did you like least?
It's kinda gross.... In a lot of places. I mean... Do fish guts and flatulence need pages of description ?
What did you like best about this story?
Not much
What three words best describe Richard Poe’s performance?
Not really remarkable
Was Suttree worth the listening time?
No
Any additional comments?
No country for old men is much better
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- JSM
- 04-28-18
Not sure
Sort of a meandering, not sure what the point was in the sense of the story being told
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- GanjaPlanta
- 03-22-20
Good not great
This book about Tennessee's 'other side of the tracks' is Written like a western. This is a slow moving story about the main character and his misadventures with various miscreants and vagabonds.
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- Hilton
- 04-21-23
A good story written with poetic prose
McCarthy’s ability to tell a good tale with prose that paint great pictures in the mind of his readers, is stunning. This story about poor men living in Tennessee, with hard times and some good ones too, is made so much better with McCarthy’s writing. I recommend it for readers that enjoy great writing.
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