
Swann's Way
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Narrated by:
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Simon Vance
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By:
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Marcel Proust
About this listen
Swann's Way is the first novel of Marcel Proust's seven-volume magnum opus In Search of Lost Time. Following the narrator's opening ruminations about the nature of sleep is one of 20th-century literature’s most famous scenes: the eating of the madeleine soaked in a "decoction of lime-flowers", the associative act from which the remainder of the narrative unfurls.
After elaborate reminiscences about his childhood with relatives in rural Combray and in urban Paris, Proust's narrator recalls a story regarding Charles Swann, a major figure in his Combray childhood, and his escapades in 19th-century privileged Parisian society, revolving around his obsessive love for young socialite Odette de Creacy.
Filled with searing, insightful, and humorous criticisms of French society, this novel showcases Proust's innovative prose style. With narration that alternates between first and third person, Swann's Way unconventionally introduces Proust's recurring themes of memory, love, art, and the human experience - and for nearly a century, audiences have deliciously savored each moment.
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- By: Wilkie Collins
- Narrated by: Josephine Bailey, Simon Prebble
- Length: 25 hrs and 6 mins
- Unabridged
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One of the greatest mystery thrillers ever written, Wilkie Collins's The Woman in White was a phenomenal best seller in the 1860s, achieving even greater success than works by Charles Dickens. Full of surprise, intrigue, and suspense, this vastly entertaining novel continues to enthrall audiences today.
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Gripping novel, excellent production
- By David on 01-18-11
By: Wilkie Collins
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A Confession
- By: Leo Tolstoy
- Narrated by: Simon Vance
- Length: 2 hrs and 25 mins
- Unabridged
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Tolstoy’s autobiographical essay is a dissection of his soul, a study of his life’s movement away from the religious certainties of youth, and a vital piece of reading which contextualizes the great works he is best known for. Marking the point at which his life moved from the worldly to the spiritual, Tolstoy’s philosophical reassessment of the Orthodox faith is a work that holds vital spiritual and intellectual importance to this very day.
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Wow
- By David Murphy on 05-25-16
By: Leo Tolstoy
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The Mysterious Correspondent
- New Stories
- By: Marcel Proust, Charlotte Mandell - translator
- Narrated by: Simon Vance
- Length: 2 hrs and 13 mins
- Unabridged
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Throughout Proust's life, nine of his short stories remained unseen - the writer never spoke of them. Why did he choose not to publish them along with the others? One possible answer is that he was developing his themes in preparation for his masterpiece, In Search of Lost Time; another is that the stories were too audacious - too near to life - for the censorious society of the time. In these stories, published here for the first time, we find an intimate picture of a young author full of darkness and melancholy, longing to reveal his true self to the world.
By: Marcel Proust, and others
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Resurrection
- By: Leo Tolstoy
- Narrated by: Simon Vance
- Length: 16 hrs and 52 mins
- Unabridged
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Tolstoy based Resurrection, the last of his novels, on a true story of a philanderer whose misuse of a beautiful young orphan girl leads to her ruin. Fate brings the two together many years later, and the meeting awakens the man's moral conscience. Anger, intimacy, forgiveness, and grace result.
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Vance is Wonderful!
- By C. Davis on 09-26-09
By: Leo Tolstoy
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War and Peace (AmazonClassics Edition)
- By: Leo Tolstoy, Louise Maude - translator, Aylmer Maude - translator
- Narrated by: Edoardo Ballerini
- Length: 55 hrs and 30 mins
- Unabridged
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In early nineteenth-century Russia, the threat of Napoleon’s invasion looms, and the lives of millions are about to be changed forever. This includes Pierre Bezúkhov, illegitimate son of an aristocrat; Andrew Bolkónski, ambitious military scion; and Natásha Rostóva, compassionate daughter of a nobleman. All of them are unprepared for what lies ahead. Alongside their fellow compatriots - a catalog of enduring literary characters - Pierre, Andrew, and Natásha will be irrevocably torn between fate and free will.
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Tremendous narration
- By steve thomas on 08-14-20
By: Leo Tolstoy, and others
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The Modern Scholar: Giants of French Literature
- Balzac, Flaubert, Proust, and Camus
- By: Prof. Katherine Elkins
- Narrated by: Katherine Elkins
- Length: 8 hrs and 31 mins
- Original Recording
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In this series of lectures, Professor Katherine Elkins details the lives and works of the premier French writers of the last two centuries. With keen insight into her subject material, Professor Elkins discusses the attributes that made classics of such works as Balzac's Human Comedy, Flaubert's Madame Bovary, Proust's In Search of Lost Time, and Camus' The Stranger.
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The Modern Scholar: Giants of French Literature
- By Dudley H. Williams on 11-29-11
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A Portrait of the Artist as a Young Man
- By: James Joyce
- Narrated by: Colin Farrell
- Length: 8 hrs and 17 mins
- Unabridged
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This quintessential coming-of-age novel describes the early life of Stephen Dedalus. It is set in Ireland during the 19th century, which was a time of emerging Irish nationalism and conservative Catholicism. Highly autobiographical in nature, the work is also notable for its being the first one in which Joyce uses innovative “stream of consciousness” writing style. A Portrait... follows Stephen Dedalus from his babyhood into early adulthood.
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Bitterly disappointed
- By James on 01-29-19
By: James Joyce
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Journey to the End of the Night
- By: Louis-Ferdinand Celine
- Narrated by: David Colacci
- Length: 19 hrs and 35 mins
- Unabridged
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Louis-Ferdinand Celine's revulsion and anger at what he considered the idiocy and hypocrisy of society explodes from nearly every minute of this novel. Filled with slang and obscenities and written in raw, colloquial language, Journey to the End of the Night is a literary symphony of violence, cruelty, and obscene nihilism. This book shocked most critics when it was first published in France in 1932, but quickly became a success with the public in Europe, and later in America.
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Miserable Ride with Cynic Supreme
- By W Perry Hall on 03-15-17
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Great Expectations
- By: Charles Dickens
- Narrated by: Simon Vance
- Length: 17 hrs and 51 mins
- Unabridged
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As Pip unravels the truth behind his own "great expectations" in his quest to become a gentleman, the mysteries of the past and the convolutions of fate through a series of thrilling adventures serve to steer him toward maturity and his most important discovery of all - the truth about himself.
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This Dickens guy has promise
- By Ed on 06-30-11
By: Charles Dickens
Like that madeleine...
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Wish this narrator did more of the series…
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I've been putting off Proust all my life, but recently I realized that, having read the entire Song of Ice and Fire series straight through not once but twice, I could no longer use the excuse of length as a reason for avoiding “In Search of Lost Time.” Since one of the available audiobooks is read by Simon Vance — always a safe bet — I decided to dip my toe in.
After hearing so much about the series over the years, I was surprised to see that it doesn't actually start with the narrator biting into a cookie. (It starts with him falling asleep while reading in bed.) The narrator — I think we later learn that he’s named Marcel, so I’ll use that name for convenience — remembers the many nights when a family friend named Swann visited, so that Marcel had to go to bed without being tucked in by his mother. To Marcel, this is a trauma bordering on abuse.
We quickly learn that Marcel has a few issues, to put it mildly. To an unhealthy extent, he's obsessed with his mother, with the writer Bergotte, and with the Duchess of Guermantes, who turns out not to be as beautiful in real life as he'd imagined her to be. He is shocked to find a neighbor’s daughter kissing another woman (town gossip has already linked them romantically), and concludes on very little evidence that she must be a sadist. His idealization of women seems to be paving the way for a colossal upset in the future.
After laying this basic groundwork of character, Marcel drops back 15 years to tell the story of Swann and how he happened to marry a woman who is politely described by her friends, or at least by Marcel, as a “courtesan.” To the extent that the novel has a coherent plot, this tale of “Swann in Love” is at the core. And so we find out, rather late in the game, that the bulk of the novel is not really about Marcel at all.
Swann falls in love with Odette, who is not an especially bright or talented woman but who is exceptionally beautiful and has a body that men lust after — something she has been using for years to her financial benefit. They have an agreeable relationship until he ventures into areas of her life that she's reserved for herself. He discovers rivals.
This should be the end of it, but somehow Swann finds it possible to abase himself and carry on the relationship. Then, predictably, another crisis arises and he decides once and for all that he’s done with Odette.
.... except that under the terms of the framing narrative, Swann has married Odette, and they have a daughter old enough to spark a romantic interest in the adolescent Marcel. It may be that somewhere in the remaining 6 volumes of the novel, we learn how this marriage of false minds came about. But for the time being, it just is. The end result is that my experience of reading Proust is one of frustration and disappointment.
I have friends whose opinion I respect who tell me I’m missing the point. Because of that — and because I’ve often been wrong about such things in the past — I’ll plug away for one or two more volumes. The novel has had such a big influence that I feel like I need to know something about it. I’m only sorry none of the other volumes are narrated by Simon Vance, who I think could make a railroad timetable sound interesting.
Not for me
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Thank you!
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Absolute nonsense
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I feel as though I'm being lied to from the get-go. The rhapsodic worship of Society, Culture, Nature, Astheticism and Swann’s financial and emotional slavery to Odette seem to me to be a collection of voluminous beards. So he can sneak in a little vignette about “vicious” lesbians. Or admire some beefy footmen. Without anyone really noticing. But I did.
The whole Swann-Odette love affair seems to me a fable, dreamt up by a gay man who desperately wants to convince the world that he understands heterosexual passion better than anyone has ever done.
I feel as though I’ve traveled through Proust’s effete and insipid society with Colette, that I’ve experienced his aesthetic and icy snobbery, through the Picture of Dorian Gray and his obsessively exquisite perversity through A Rebours. The metaphors are magnificent, but excessive to the point of madness.
The Metaphors have back stories
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Yet here we have a "new" release in the old Victorian Moncrief mess that has put so many English readers to sleep. Though I paid for book in December, I didn't start listening until recently and feel deceived and ripped off by Audible's lack of description. Of course, shame on me for thinking recent should mean up to date.
Not the newer, far better translation
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