Sweet Talk
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Narrated by:
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Jessica Almasy
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By:
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Stephanie Vaughn
About this listen
Stephanie Vaughn is a writer’s writer, one whose debut collection of stories, Sweet Talk, was published more than two decades ago to critical acclaim. Fans have come to these stories over the years through word of mouth, posting glowing reviews to their Goodreads pages and on their blogs - unanimously agreeing that this collection is a modern classic that deserves to be in print. Crafted in graceful, honest prose, Vaughn’s stories go straight to the heart of how people live, grow and survive.
©1978, 1979, 1981, 1990 Stephanie Vaughn. First published in the United States of America by Random House, Inc., 1990 (P)2014 Audible, Inc.Listeners also enjoyed...
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- By Ed Hodges on 01-02-16
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Habibi
- By: Naomi Shihab Nye
- Narrated by: Christina Moore
- Length: 5 hrs and 47 mins
- Unabridged
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For 14-year-old Liyana Abboud, life in St. Louis, Missouri is perfect. She loves shopping in the nearby stores and walking down streets where she knows everyone. Even better, she has just had her first kiss. But her father is moving the family to Jerusalem - the land where he was born. Suddenly Liyana finds herself a stranger in a threatening world.
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Very good Performance
- By Muhammad on 04-07-15
By: Naomi Shihab Nye
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Priestdaddy
- A Memoir
- By: Patricia Lockwood
- Narrated by: Patricia Lockwood
- Length: 10 hrs and 12 mins
- Unabridged
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Father Greg Lockwood is unlike any Catholic priest you have ever met - a man who lounges in boxer shorts, who loves action movies, and whose constant jamming on the guitar reverberates "like a whole band dying in a plane crash in 1972". His daughter is an irreverent poet who long ago left the church's country. When an unexpected crisis leads her and her husband to move back into her parents' rectory, their two worlds collide.
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Terrible narration--read, don't listen
- By Penelope on 08-06-17
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The Bell Jar
- By: Sylvia Plath
- Narrated by: Maggie Gyllenhaal
- Length: 7 hrs and 24 mins
- Unabridged
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The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.
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A must-read for every woman
- By Julie W. Capell on 05-06-16
By: Sylvia Plath
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Our Story Begins
- New and Selected Stories
- By: Tobias Wolff
- Narrated by: Anthony Heald
- Length: 13 hrs and 5 mins
- Unabridged
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Wolff here returns with fresh revelations - about biding one's time, or experiencing first love, or burying one's mother - that come to a variety of characters in circumstances at once everyday and extraordinary. A retired Marine enrolls in college while her son trains for Iraq. A lawyer takes a difficult deposition. An American in Rome indulges the Gypsy who's picked his pocket.
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Great
- By chris on 04-11-08
By: Tobias Wolff
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Homesick for Another World
- Stories
- By: Ottessa Moshfegh
- Narrated by: Alyssa Bresnahan, Richard Poe
- Length: 8 hrs and 25 mins
- Unabridged
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There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.
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Funny, Dynamic Writing
- By Sofia Macht on 06-13-18
By: Ottessa Moshfegh
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The Great Failure
- A Bartender, a Monk, and My Unlikely Path to Truth
- By: Natalie Goldberg
- Narrated by: Natalie Goldberg
- Length: 6 hrs and 46 mins
- Original Recording
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"The Great Failure is a boundless embrace, leaving nothing out. I wanted to learn the truth, to become whole. If I could touch the dark nature in someone else, I could know it in myself." So begins Natalie Goldberg in this candid exploration of her life. Here, Goldberg makes sense of primary relationships between father and daughter, teacher and student, and exemplifies the accomplishment available when creating daily writing practices.
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If you have been let down by anyone. Listen
- By Mia on 04-19-18
By: Natalie Goldberg
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She's Come Undone
- By: Wally Lamb
- Narrated by: Linda Stephens
- Length: 18 hrs and 22 mins
- Unabridged
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Meet Dolores Price. She's 13, wise-mouthed but wounded, having bid her childhood goodbye. Beached like a whale in front of her bedroom TV, she spends the next few years nourishing herself with the Mallomars, potato chips, and Pepsi her anxious mother supplies. When she finally rolls into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before really going belly-up.
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Really disappointing narrator!
- By Jessica Williams on 01-21-12
By: Wally Lamb
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Without a Map
- A Memoir
- By: Meredith Hall
- Narrated by: Kathe Mazur
- Length: 9 hrs and 41 mins
- Unabridged
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Meredith Hall's moving but unsentimental memoir begins in 1965, when she becomes pregnant at sixteen. Shunned by her insular New Hampshire community, she is then kicked out of the house by her mother. Her father and stepmother reluctantly take her in, hiding her before they finally banish her altogether. After giving her baby up for adoption, Hall wanders recklessly through the Middle East, where she survives by selling her possessions and finally her blood.
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Not Your Average "16 and Pregnant"
- By Susie on 12-11-12
By: Meredith Hall
What listeners say about Sweet Talk
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Gunnar Schonning
- 02-10-19
Great writer and book but narrator is too much
The reader was fine and then, not so much. To have a reader BE an obvious TYPE is a mistake. It's one thing to be able to do believable voices (women of men and men of women and ethnicity and so on) and another to read the entire story in the voice of a character that someone supposes best represents the narrator. The reader is too cute. A wonderful actress and does dialogue beautifully but the narrator of novels and collections like this really first rate collection, needs to be more objective in tone. The stories suffer from a patina of glibness that they don't deserve. It's kind of like colorizing The Maltese Falcon or Gunga Din or Citizen Cane. Sometimes it is nice and works (Dorothy opening the bedroom door onto Oz), most times it is disturbing and overemphasizes things that need no emphasis or vice versa. This is true of other readers on other great books made into audios. Stage readings can be great, too but usually they are cheesy.'
Stephanie Vaughn is a truly great writer and the stories are terrific.
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