In the ancient city of Lankhmar, two men forge a friendship in battle. The red-haired barbarian Fafhrd left the snowy reaches of Nehwon looking for a new life, while the Gray Mouser, apprentice magician, fled after finding his master dead. These bawdy brothers-in-arms cement a friendship that leads them through the wilds of Nehwon facing thieves, wizards, princesses, and the depths of their desires and fears.

When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero: a rock-and-roll antihero who would channel all the violent excesses of the '60s into one enduring archetype.

The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.

With Conan the Cimmerian, Robert E. Howard created more than the greatest action hero of the twentieth century---he also launched a genre that came to be known as sword and sorcery. But Conan was not the first archetypal adventurer to spring from Howard's fertile imagination.

Robert E. Howard, renowned creator of Conan the Barbarian, was also a master at conjuring tales of hair-raising horror. In a career spanning only 12 years, Howard wrote more than 100 stories, with his most celebrated work appearing in Weird Tales, the preeminent pulp magazine of the era.

Between the years when the oceans drank Atlantis and the gleaming cities...there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars.... Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand...to tread the jeweled thrones of the earth under his sandalled feet.

From Robert E. Howard's fertile imagination sprang some of fiction's greatest heroes, including Conan the Cimmerian, King Kull, and Solomon Kane. But of all Howard's characters, none embodied his creator's brooding temperament more than Bran Mak Morn, the last king of a doomed race.

This collection contains all of Robert E. Howard's Conan the Cimmerian stories published during his lifetime, contextualized with biographical details of their author.

In his hugely influential and tempestuous career, Robert E. Howard created the genre that came to be known as sword and sorcery - and brought to life one of fantasy's boldest and most enduring figures: Conan the Cimmerian, reaver, slayer, barbarian, king. This volume gathers together three of Howard's longest and most famous Conan stories.

Some feel the Lady, newly risen from centuries in thrall, stands between humankind and evil. Some feel she is evil itself. The hardbitten men of the Black Company take their pay and do what they must, burying their doubts with their dead - until the prophesy: The White Rose has been reborn, somewhere, to embody good once more. There must be a way for the Black Company to find her....

Amber is the one real world, of which all others including our own Earth are but Shadows. Amber burns in Corwin's blood. Exiled on Shadow Earth for centuries, the prince is about to return to Amber to make a mad and desperate rush upon the throne.

For a game, the gods have given the world 12 Swords of Power so that they might be amused as the nations battle for their possession. But Vulcan the Smith has had his own little joke: the Swords can kill the gods themselves. What started out as Divine Jest has become all too serious as the gods fight to recover the Swords, and mortals discover that the mantle of power is more delicious and more terrible than anything they could have imagined.

Time Enough for Love is the capstone and crowning achievement of Heinlein's famous Future History series. Lazarus Long is so in love with life that he simply refuses to die. Born in the early 1900s, he lives through multiple centuries, his love for time ultimately causing him to become his own ancestor. Time Enough for Loveis his lovingly detailed account of his journey through a vast and magnificent timescape of centuries and worlds. Using the voice of Lazarus, Heinlein expounds his own philosophies, including his radical ideas on sexual freedom.

Sequestered in the blackness of the dreaded Tower of High Sorcery in Palanthas, surrounded by nameless creatures of evil, Raistlin Majere weaves a plan to conquer the darkness - to bring it under his control. Crysania, a beautiful and devoted cleric of Paladine, tries to use her faith to lead Raistlin from the darkness. She is blind to his shadowed designs, and he draws her slowly into his neatly woven trap. Made aware of Raistlin’s plan, a distraught Caramon travels back in time to the doomed city of Istar in the days before the Cataclysm.

When Sparrowhawk casts a spell that saves his village from destruction at the hands of the invading Kargs, Ogion, the Mage of Re Albi, encourages the boy to apprentice himself in the art of wizardry. So, at the age of 13, the boy receives his true name - Ged - and gives himself over to the gentle tutelage of the Master Ogion. But impatient with the slowness of his studies and infatuated with glory, Ged embarks for the Island of Roke, where the highest arts of wizardry are taught.

Six volumes together in one collection! Follow the adventures of Corin an Fol as he avenges his family, learns the way of the sword, and battles evil across the world of Ansu. Includes: Gray Wolf, Legends of the Longsword, Wolves and Assassins, The Shattered Crown, The Lost Prince, and The Glass Throne.

Once there were three worlds, each with their own human species. Then, fleeing out of the void came a fourth species, the Charon. Desperate, on the edge of extinction, they changed the balance between the worlds forever. Karan, a sensitive with a troubled heritage, is forced to steal an ancient relic in repayment of a debt. It turns out to be the Mirror of Aachan, a twisted, deceitful thing that remembers everything it has ever seen.

Gideon Gull leads a double life: one as a talented young bard at the Rhapsodic College, the other as a student of the Shadow School, where Taldor's infamous lion blades are trained to be master spies and assassins. When a magical fog starts turning ordinary people into murderous mobs along the border between Taldor and Gideon's home nation of Andoran, it's up to him and a crew of daring performers to solve the mystery before both nations fall to madness and slaughter.

You define life or it defines you. In Shawn Speakman’s case, it was both. Lacking health insurance and diagnosed with Hodgkin’s lymphoma in 2011, Shawn quickly accrued a massive medical debt that he did not have the ability to pay. That’s when New York Times best-selling author Terry Brooks offered to donate a short story that Shawn could sell to help alleviate those bills—and suggested he ask the same of his other writer friends. Unfettered is the result: An anthology built in order to relieve that debt, featuring short stories by some of the best fantasy writers in the genre.

Betrayal cuts deepest when someone you love wields the knife. For Kellik, a once-rising star of Port Gloom's guild of thieves, it also leaves him floating in the bay, bleeding out and without hope or allies. Saved by an urchin and healed by a disgraced saint, Kellick is consumed by a single desire: to find out why his guild master ordered him cut down moments after passing his initiation trial. Burning with injustice, Kellik recruits a number of gorgeous rogues to his side: fallen assassins, dark elf witches, and unnervingly polite necromancers.

Wealthy ne'er-do-well Humphrey Van Weyden is a castaway who is put to work on the schooner Ghost, run by brutal Wolf Larsen. Toughened by life at sea, Humphrey develops the strength to protect another castaway, Maud Brewster, and stand up to the increasingly deranged Larsen. Experience the crashing, relentless power of the sea through this compelling story, made hauntingly immediate by author London's vivid prose.

The unicorn lived in a lilac wood, and she lived all alone...so she ventured out from the safety of the enchanted forest on a quest for others of her kind. Joined along the way by the bumbling magician Schmendrick and the indomitable Molly Grue, the unicorn learns all about the joys and sorrows of life and love before meeting her destiny in the castle of a despondent monarch—and confronting the creature that would drive her kind to extinction....

To many thousands of listeners world-wide, Titus Crow is the psychic sleuth - the cosmic voyager and investigator - of Brian Lumley's Cthulhu Mythos novels, from The Burrowers Beneath to Elysia. But before The Burrowers and Crow's transition, his exploits were chronicled in a series of short stories and novellas uncollected in the USA, except in limited editions.

The Red Swords came with the sunrise and took everything Shawna Llewan held dear. Her family massacred, her home destroyed, she escapes with nothing but her mother’s heirloom and the desire for vengeance. When she’s found by Dormael, a Warlock of the Conclave, she learns that her mother’s keepsake - the very reason her family was killed - holds the power to unleash boundless destruction.

A new update arrives to the ultra-popular online game, Realm of Arkon. With Patch 17, the level of immersion experienced by players in their gaming capsules has made virtual reality indistinguishable from the real world. But every gamer's dream becomes a nightmare for Roman Kozhevnikov after he gets confined to Arkon against his will. And not just to Arkon, but to its deadliest zone - Demon Grounds. Playing - or rather living - as his character Krian, it's not just about survival for Roman.

Born with a deformed hand and an utter lack of the family's blood magic, Isabelle is despised by her cruel father. She is happy to be neglected so she can secretly pursue her illicit passion for math and science. Then, a surprising offer of an arranged royal marriage blows her life wide open and launches her and Jeane-Claude on an adventure that will take them from the Isle des Zephyrs in l'Empire Céleste to the very different Kingdom of Aragoth, where magic deals not with blood but with mirrors.

The race is on to free Lord Stelan from the grip of a wasting curse, and only his old, half-elf mercenary companion Elyana has the wisdom - and swordcraft - to solve the mystery of his tormentor and free her old friend before three days have passed and the illness takes its course.

Melville’s epic tale of one man versus a great white whale will delight Melville devotees as well as those who have yet to sail on this adventure in this mesmerizing new recording read by Jonathan Epstein. The mountain whose whale-like shape first gave Melville the idea of writing Moby Dick rests in the Berkshire Hills, Massachusetts, a short drive away from The Alison Larkin Presents recording studio. At the end of the recording, Larkin interviews Jonathan Epstein and recording engineer Galen Wade about the experience recording the great novel.

Terror stalks the hills, moors and marshes of Bernicia. Livestock and men have been found ripped asunder, their bones gnawed, flesh gorged upon. People cower in their halls in fear of the monster that prowls the night. King Edwin sends his champions, Bassus, Octa and band of trusted thegns, to rid his people of this evil. Bassus leads the warriors into the chill wastes of the Northern winter, and they soon question whether they are the hunters or the prey.

Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work.