It is Sharon's gift to us that in her richly detailed exposure of her sorrows she can still elegize songbirds, her true kin, and write that heaven comes here in life, not after it.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

Ernt Allbright, a former POW, comes home from the Vietnam war a changed and volatile man. When he loses yet another job, he makes an impulsive decision: He will move his family north, to Alaska, where they will live off the grid in America’s last true frontier.

Zephyr, Alabama, is an idyllic hometown for eleven-year-old Cory Mackenson - a place where monsters swim the river deep and friends are forever. Then, one cold spring morning, Cory and his father witness a car plunge into a lake - and a desperate rescue attempt brings his father face-to-face with a terrible, haunting vision of death. As Cory struggles to understand his father's pain, his eyes are slowly opened to the forces of good and evil that surround him.

Winner of the 1973 National Book Award, Gravity's Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the 20th century as Joyce's Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.

IRL is a sweaty summertime poem composed like a long text message, rooted in the epic tradition of A.R. Ammons, ancient Kumeyaay Bird Songs, and Beyoncé’s visual albums. It follows Teebs, a reservation-born, queer NDN weirdo, trying to figure out his impulses/desires/history in the midst of Brooklyn rooftops, privacy in the age of the Internet, street harassment, suicide, boys boys boys, literature, colonialism, religion, leaving one's 20s, and a love/hate relationship with English.

At 36, Quoyle, a third-rate newspaperman, is wrenched violently out of his workaday life when his two-timing wife gets her just desserts. He retreats with his two daughters to his ancestral home on the starkly beautiful Newfoundland coast, where a rich cast of local characters all play a part in Quoyle's struggle to reclaim his life. As three generations of his family cobble up new lives, Quoyle confronts his private demons - and the unpredictable forces of nature and society - and begins to see the possibility of love without pain or misery.

North Dakota, late summer, 1999. Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence - but when the buck springs away, Landreaux realizes he's hit something else, a blur he saw as he squeezed the trigger. When he staggers closer, he realizes he has killed his neighbor's five-year-old son, Dusty Ravich.

In a forgotten corner of western Kentucky lies a haunted forest referred to locally as "The Deadening", where vampire cults roam wild and time is immaterial. Our protagonist and his accomplice - the one and only Carver Canute - set out down the Old Spur Line in search of the legendary Kudzu House, where an old couple is purported to have been swallowed whole by a hungry vine.

Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendence. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendence.

Charles Frazier puts his remarkable gifts in the service of a lean, taut narrative while losing none of the transcendent prose, virtuosic storytelling, and insight into human nature that have made him one of the most beloved and celebrated authors in the world. Now, with his brilliant portrait of Luce, a young woman who inherits her murdered sister’s troubled twins, Frazier has created his most memorable heroine. Before the children, Luce was content with the reimbursements of the rich Appalachian landscape....

The unsolved murder of a farm family haunts the small, white, off-reservation town of Pluto, North Dakota. The vengeance exacted for this crime and the subsequent distortions of truth transform the lives of Ojibwe living on the nearby reservation and shape the passions of both communities for the next generation.

In a small fictional town on the Oregon coast there are love affairs and almost-love-affairs, mystery and hilarity, bears and tears, brawls and boats, a garrulous logger and a silent doctor, rain and pain, Irish immigrants and Salish stories, mud and laughter. There's a Department of Public Works that gives haircuts and counts insects, a policeman who is addicted to Puccini, a philosophizing crow, beer, and berries.

Living in El Paso, just a mile from the Rio Grande, Octavio is a skinny brown kid on the border, riding his bike out into the desert, growing up among those who live there and those passing through on their way north. Rituals of childhood and rites of passage are remembered as singular, dramatic events, moments of trauma and transformation with life-changing reverberations.

Breece D'J Pancake cut short a promising career when he took his own life at the age 26. Published posthumously, this is a collection of stories that depict the world of Pancake's native rural West Virginia.