It all begins with a father telling a story to his son on Christmas Eve. But this isn't your typical Christmas story. The father admits to his son that he's taken a life but he won't say whose - not yet. One week earlier, in a hospital late at night, the man met a five-year-old girl with cancer. She's a smart kid - smart enough to know that she won't beat cancer by drawing with crayons all day, but it seems to make the adults happy, so she keeps doing it.

Grandpa and Noah are sitting on a bench in a square that keeps getting smaller every day. The square is strange but also familiar, full of the odds and ends that have made up their lives: Grandpa's work desk, the stuffed dragon that Grandpa once gave to Noah, the sweet-smelling hyacinths that Grandma loved to grow in her garden.

Things My Son Needs to Know About the World collects the personal dispatches from the front lines of one of the most daunting experiences any man can experience: fatherhood. As he conveys his profound awe at experiencing all the “firsts” that fill him with wonder and catch him completely unprepared, Fredrik Backman doesn’t shy away from revealing his own false steps and fatherly flaws, tackling issues both great and small, from masculinity and midlife crises to practical jokes and poop.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an artist herself, knows otherwise and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant town, a group of teenagers find refuge from their difficult home lives by spending their days laughing and telling stories out on a pier.

Elsa is seven years old and different. Her grandmother is 77 years old and crazy, standing-on-the-balcony-firing-paintball-guns-at-men-who-want-to-talk-about-Jesus crazy. She is also Elsa's best and only friend. At night Elsa takes refuge in her grandmother's stories, in the Land of Almost-Awake and the Kingdom of Miamas, where everybody is different and nobody needs to be normal.

Britt-Marie can't stand mess. She eats dinner at precisely the right time and starts her day at six in the morning because only lunatics wake up later than that. And she is not passive-aggressive. Not in the least. It's just that sometimes people interpret her helpful suggestions as criticisms, which is certainly not her intention. But at 63, Britt-Marie has had enough. She finally walks out on her loveless 40-year marriage and finds a job in the only place she can: Borg, a small, derelict town devastated by the financial crisis.

Meet Ove. He’s a curmudgeon—the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. But behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove’s mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul.

Myrna, Leonie, and Chrissy meet every Thursday to sample fine cheeses, to reminisce about their former lives as professors, and lately, to muse about murder. Decades ago, a vicious cabal of male poets contrived—quite publicly and successfully—to undermine the writing career, confidence, and health of their dear friend Fern. Now, after Fern has taken a turn for the worse, her three old friends decide that it’s finally time to strike back—in secret, of course, since Fern is far too gentle to approve of a vendetta.

Susan Lieu has long been searching for answers. About her family’s past and about her own future. Refugees from the Vietnam War, Susan’s family escaped to California in the 1980s after five failed attempts. Upon arrival, Susan’s mother was their savvy, charismatic North Star, setting up two successful nail salons and orchestrating every success—until Susan was eleven. That year, her mother died from a botched tummy tuck. After the funeral, no one was ever allowed to talk about her or what had happened.

It’s Valentine’s Day weekend, and Charlotte and Seth are not looking for romance. Armed with emotional-support bear spray, Charlotte is in self-imposed isolation and on guard from men. Having a stalker can do that to a person’s nerves. Just across the hall and giving off woodsy vibes is Seth, a recently divorced arborist. As in today recently. Heights, he’s fine with. Trust? Not so much.

I've known Death a long time but now Death knows me. When their idyllic childhood is shattered by the sudden death of their parents, siblings Marty, Liz and Jules are sent to a bleak state boarding school. Once there, the orphans' lives change tracks: Marty throws himself into academic life; Liz is drawn to dark forms of escapism; and Jules transforms from a vivacious child to a withdrawn teenager.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting listeners to iconic times and places, creating complex protagonists, and telling a passionate and soaring story about the transformative power of love—this time among the stars.

When his sister tricks him into taking her guru on a trip to their childhood home, Otto Ringling, a confirmed skeptic, is not amused. Six days on the road with an enigmatic holy man who answers every question with a riddle is not what he'd planned. But in an effort to westernize his passenger---and amuse himself---he decides to show the monk some "American fun" along the way.

One unbearable mistake at the edge of the forest. In a moment of crisis, Ellis Abbey leaves her daughter, Viola, unattended - for just a few minutes. But when she returns, Viola is gone. A breaking point in an already fractured marriage, Viola’s abduction causes Ellis to disappear as well - into grief, guilt, and addiction. Convinced she can only do more harm to her family, Ellis leaves her husband and young sons, burying her desperate ache for her children deeper with every step into the mountain wildernesses she treks alone.

It all begins with a father telling a story to his son on Christmas Eve. But this isn't your typical Christmas story. The father admits to his son that he's taken a life but he won't say whose - not yet. One week earlier, in a hospital late at night, the man met a five-year-old girl with cancer. She's a smart kid - smart enough to know that she won't beat cancer by drawing with crayons all day, but it seems to make the adults happy, so she keeps doing it.

Grandpa and Noah are sitting on a bench in a square that keeps getting smaller every day. The square is strange but also familiar, full of the odds and ends that have made up their lives: Grandpa's work desk, the stuffed dragon that Grandpa once gave to Noah, the sweet-smelling hyacinths that Grandma loved to grow in her garden.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an artist herself, knows otherwise and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant town, a group of teenagers find refuge from their difficult home lives by spending their days laughing and telling stories out on a pier.

Things My Son Needs to Know About the World collects the personal dispatches from the front lines of one of the most daunting experiences any man can experience: fatherhood. As he conveys his profound awe at experiencing all the “firsts” that fill him with wonder and catch him completely unprepared, Fredrik Backman doesn’t shy away from revealing his own false steps and fatherly flaws, tackling issues both great and small, from masculinity and midlife crises to practical jokes and poop.

Looking at real estate isn’t usually a life-or-death situation, but an apartment open house becomes just that when a failed bank robber bursts in and takes a group of strangers hostage. The captives include a recently retired couple who relentlessly hunt down fixer-uppers to avoid the painful truth that they can’t fix their own marriage. There’s a wealthy bank director who has been too busy to care about anyone else and a young couple who are about to have their first child but can’t seem to agree on anything.

Elsa is seven years old and different. Her grandmother is 77 years old and crazy, standing-on-the-balcony-firing-paintball-guns-at-men-who-want-to-talk-about-Jesus crazy. She is also Elsa's best and only friend. At night Elsa takes refuge in her grandmother's stories, in the Land of Almost-Awake and the Kingdom of Miamas, where everybody is different and nobody needs to be normal.

Meet Ove. He’s a curmudgeon—the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. But behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove’s mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul.

Lucas will nichts als seine Ruhe in einer Welt, die ihn einfach nicht in Ruhe lässt. Eine Kurzgeschichte vom internationalen Bestsellerautor Fredrik Backman Videospiele, Wein und Pad Thai – das ist der perfekte Abend für Lucas. Andere Menschen? Muss nicht sein. Warum denn, wenn er auch alleine glücklich sein kann? Als der dreiköpfige Vorstand der Bewohnervertretung überraschend an seiner Tür klingelt und eine Inspektion seiner Bratpfanne verlangt, ist Lucas alles andere als begeistert. Doch Abwimmeln ist nicht.

By all accounts, Lucy’s handled her divorce well. She’s finally in the cozy, plant-filled house of her dreams. And although she doesn’t fit in with the other divorcées—all busy looking for their next ex—she’s excited to get down to earth and savor the small joys of life. When Lucy meets Elle, a hip younger woman who shares her same passions, their connection is instant. Taking a chance on kismet, Lucy forges a friendship that fills her days with meaning. She and Elle are inseparable, from sunup to sundown, enjoying the immediate ease and familiarity of each other’s company.

The correspondence between Carrie Allsop and David Mayer reveals, piece by piece, the painful details of a devastating affair between their spouses. With each commiserating scratch of the pen, they confess their fears and bare their souls. They share the bewilderment over how things went so wrong and come to wonder where to go from here. Told entirely through the letters of two comforting strangers and those of two illicit lovers, Evidence of the Affair explores the complex nature of the heart. And ultimately, for one woman, how liberating it can be when it’s broken.

Gail Baines is having a bad day. To start, she loses her job—or quits, depending on whom you ask. Tomorrow her daughter, Debbie, is getting married, and she hasn’t even been invited to the spa day organized by the mother of the groom. Then, Gail’s ex-husband, Max, arrives unannounced on her doorstep, carrying a cat, without a place to stay, and without even a suit. But the true crisis lands when Debbie shares with her parents a secret she has just learned about her husband to be. It will not only throw the wedding into question but also stir up Gail and Max’s past.

Isabel Gibson has all but perfected the art of forgetting. She’s a New Yorker now, with nothing left to tie her to Brinkley’s Island, Maine. Her parents are gone, the family bookstore is all but bankrupt, and her sister, Sophie, will probably never speak to her again. But when a mysterious letter arrives in her mailbox, Isabel feels herself drawn to the past. After years of fighting for her independence, she dreads the thought of going back to the island.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

It’s Valentine’s Day weekend, and Charlotte and Seth are not looking for romance. Armed with emotional-support bear spray, Charlotte is in self-imposed isolation and on guard from men. Having a stalker can do that to a person’s nerves. Just across the hall and giving off woodsy vibes is Seth, a recently divorced arborist. As in today recently. Heights, he’s fine with. Trust? Not so much.

After a string of bad dates and no prospects, Sophia Othonos has finally hit the jackpot: an actual nice guy. When he suggests a romantic getaway, she’s sure they’re about to take the next step toward their future. A rustic cruise to the Galápagos Islands isn’t exactly her idea of a vacation, but Sophia is ready for anything…until her boyfriend has to cancel. Now she’s all alone on a trip that was meant for two. Sophia finds herself at a crossroads about who she is, what she wants, and whether her relationship is really everything she thought.