The Armies of Those I Love Audiobook By Ken Liu cover art

The Armies of Those I Love

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The Armies of Those I Love

By: Ken Liu
Narrated by: Auliʻi Cravalho
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About this listen

For Franny, the end of everything is just the beginning of her adventure. The world as we know it is no more. Cities are mobile. Electricity is rare. Reading is a relic of the past. After an explosive encounter with a mysterious stranger, Franny, a 14-year-old orphan girl, embarks on an epic quest to find the mysterious pilots who steer the cities, hoping that if she finds them, she will get answers about her family's past - and the world's future.

The Armies of Those I Love is a brilliant vision of the future from Hugo, Locus, and Nebula award-winning author Ken Liu, author of such sci-fi classics as The Grace of Kings and The Paper Menagerie and Other Stories and translator of the global best seller The Three-Body Problem by Cixin Liu.

©2020 Ken Liu (P)2021 Audible Originals, LLC.
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Audible Questionnaire with Auli'i Cravalho

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About the Creator

Ken Liu is an American author of speculative fiction. He has won the Nebula, Hugo, and World Fantasy awards, as well as top genre honors in Japan, Spain, and France, among other places. Ken’s debut novel, The Grace of Kings, is the first volume in a silkpunk epic fantasy series, The Dandelion Dynasty, in which engineers play the role of wizards. His debut collection, The Paper Menagerie and Other Stories, has been published in more than a dozen languages. He also wrote the Star Wars novel The Legends of Luke Skywalker. He has been involved in multiple media adaptations of his work. The most recent projects include “The Message,” under development by 21 Laps and FilmNation Entertainment; “Good Hunting,” adapted as an episode of Netflix’s breakout adult animated series Love, Death + Robots; and AMC’s Pantheon, which Craig Silverstein will executive produce, adapted from an interconnected series of short stories by Liu. Prior to becoming a full-time writer, Liu worked as a software engineer, corporate lawyer, and litigation consultant. Liu frequently speaks at conferences and universities on a variety of topics, including futurism, cryptocurrency, history of technology, bookmaking, the mathematics of origami, and other subjects of his expertise. Liu is also the translator for Liu Cixin’s The Three-Body Problem, Hao Jingfang’s “Folding Beijing,” and Chen Qiufan’s Waste Tide, as well as the editor of Invisible Planets and Broken Stars, anthologies of contemporary Chinese science fiction. He lives with his family near Boston, Massachusetts.

About the Performer

An actress and singer, Auli'i Cravalho was only 14 years old when she was cast as the lead in Walt Disney Animation Studios’s worldwide hit film Moana. Since then, Cravalho has traveled the world promoting Moana and flawlessly sang the Oscar-nominated song How Far I’ll Go live at the Academy Awards. She is known for her role as Lilette Suarez in the NBC drama Rise. She sang The Star-Spangled Banner for the annual National Memorial Day Concert on PBS and is a contributing author in America Ferrera’s book American Like Me. Time magazine named her one of the 30 Most Influential Teens of 2017.

About the Creator - Ken Liu

About the Creator

Ken Liu (http://kenliu.name) is an American author of speculative fiction. A winner of the Nebula, Hugo, and World Fantasy awards for his fiction, he has also won top genre honors abroad in Japan, Spain, and France.
Liu’s most characteristic work is the four-volume epic fantasy series, The Dandelion Dynasty, in which engineers, not wizards, are the heroes of a silkpunk world on the verge of modernity. His debut collection of short fiction, The Paper Menagerie And Other Stories, has been published in more than a dozen languages. A second collection, The Hidden Girl And Other Stories, followed. He also penned the Star Wars novel The Legends of Luke Skywalker.
He’s often involved in media adaptations of his work. Recent projects include The Message, under development by 21 Laps and Film Nation Entertainment; Good Hunting, adapted as an episode in season one of Netflix’s breakout adult animated series Love, Death + Robots, and AMC’s Pantheon, with Craig Silverstein as executive producer, adapted from an interconnected series of Liu’s short stories.
Prior to becoming a full-time writer, Liu worked as a software engineer, corporate lawyer, and litigation consultant. He frequently speaks at conferences and universities on a variety of topics, including futurism, machine-augmented creativity, history of technology, bookmaking, and the mathematics of origami.
Liu lives with his family near Boston, Massachusetts.

What listeners say about The Armies of Those I Love

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  • Overall
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The importance of questions

A haunting story about question and a girl's quest to find answers. It shows how important it is to ask questions even if one doesn't always find the answers.

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  • Overall
    5 out of 5 stars
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    5 out of 5 stars

Riveting Story, Deftly Performed

Deep, thought-provoking, not run of the mill apocalyptic sci-fi. Recommend Highly. I will listen again.

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  • Overall
    4 out of 5 stars
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a very satisfying story

I loved this little story. This post-apocalyptic world is different enough, and presented at a decent pace, and makes one really care about it. Interesting that of all traits it's "selfishness " (defined somewhat loosely) that the System is conditioning out of humans.
This is my first experience with this author as an author rather than a translator, and I am hooked.

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  • Overall
    5 out of 5 stars
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    4 out of 5 stars
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    5 out of 5 stars

A story written like a song

The language of the story is poetic. Almost like a poem. It was a multi layer story and researched well on so many levels. I listened to it twice to catch all of the characters and places that have “Boston” names.
The performance was pleasant to listen to although I thought it could have used a little more drama.

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  • Overall
    5 out of 5 stars
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Poetic and Thought-provoking Sci-Fi

This is a surprisingly poetic and intriguing post-apocalyptic tale -- full of thought-provoking images of a possible human future. I found it interesting, captivating and eminently easy to listen to. Liu and Cravalho have created a gem!

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    4 out of 5 stars

Loved the story, not the ending.

The story is creative. The writing is descriptive. I liked the characters. I thoroughly enjoyed the story until I got to the ending.

I had to overcome obstacles to listen to the story. The author introduced many new words without explaining their meanings. I had to change the speed to 0.75X to be able to follow along. I had to rewind many times to figure out what was being said. I kept having to pause to visualize the descriptions.

I liked the narrator’s voice, and I found her voice appropriate for the story. Her reading wasn't always clear though, and she seemed a little out-of-breath at times. It would have been better if she had read slower.

The ending was abrupt. I understand the reason the author chose to end the story the way he did. I just found the ending to be unsatisfactory.

The book is pricey for its length.

Hopefully, there’s a Book 2 to make up for the abrupt ending.

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very vivid.


The author and performer did a wonderful job of bringing the story to the minds eye. It also brought to life the questions of selfishness, life and waste. Beautiful.

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    5 out of 5 stars
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Phenomenal Imagery!!

Wow! love, love, love! Plot twists, clever, thought provoking! Looking back at our present day from a curious future perspective.

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  • Overall
    3 out of 5 stars
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Too Wordy and Pretentious

It took multiple tries to get into this book. I finally just let it run past the few chapters until a storyline develops. Dystopia without a realistic ending.

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    4 out of 5 stars
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    3 out of 5 stars
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    4 out of 5 stars

technically beautiful, but...

So, from a technical perspective, this is really well written. Language choice is wonderful,illustrations of character were excellent, the mystery element of world building and discovery were well done.

I just did't care about any of the characters.

the art was excellent, the human element was lacking.

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