
The Art of Dramatic Writing
Its Basis in the Creative Interpretation of Human Motives
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Narrated by:
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Troy W. Hudson
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By:
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Lajos Egri
About this listen
"The Art of Dramatic Writing" by Lajos Egri, a groundbreaking work first published in 1946, stands as a timeless guide for playwrights, screenwriters, and storytellers. At its core is Egri's concept of the "premise," emphasizing the need for a central idea that shapes the entire narrative. This premise serves as the foundation, offering writers a clear direction and audiences a cohesive experience.
Egri's focus on character development is a highlight. He argues that characters must possess well-defined motivations rooted in their psychological makeup. By delving into these psychological aspects, Egri teaches writers how to craft characters with depth, authenticity, and a genuine sense of purpose within the story.
The book explores various storytelling elements, including plot, conflict, and dialogue. Egri's insights into conflict are particularly noteworthy, emphasizing its role as the driving force in a narrative. He guides writers on building and escalating tension to captivate and engage audiences.
Practical and instructive, Egri provides a framework for writers to analyze and enhance their work. Numerous examples from classical and contemporary literature illustrate his principles, making the book a theoretical guide and hands-on manual for improving storytelling skills.
"The Art of Dramatic Writing" has left a lasting impact, influencing generations of writers and remaining a staple in creative writing programs. Its enduring relevance lies in its timeless principles, applicable across genres and mediums. Whether crafting a play, screenplay, or novel, Egri's teachings inspire writers to create impactful and emotionally resonant stories.
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Overall
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No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".
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Abridged and censored- not the full book!
- By Jonathan on 10-02-20
By: Jim Mercurio
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The Science of Storytelling
- By: Will Storr
- Narrated by: James Clamp
- Length: 6 hrs and 51 mins
- Unabridged
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How do master storytellers compel us? There have been many attempts to understand what makes a good story, but few have used a scientific approach. In The Science of Storytelling, Will Storr applies dazzling psychological research and cutting-edge neuroscience to our myths and archetypes to show how we can tell better stories, revealing, among other things, how storytellers - and also our brains - create worlds by being attuned to moments of unexpected change.
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A great portal into human psychology
- By Stephanie Romer on 02-13-21
By: Will Storr
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The Story Grid
- What Good Editors Know
- By: Shawn Coyne
- Narrated by: Dan Portnoy
- Length: 8 hrs and 9 mins
- Unabridged
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The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult).
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good story, but audiobook needs an editor
- By Jeroen de Jong on 12-17-19
By: Shawn Coyne
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Story Genius
- How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel (Before You Waste Three Years Writing 327 Pages That Go Nowhere)
- By: Lisa Cron
- Narrated by: Brittany Pressley
- Length: 9 hrs and 36 mins
- Unabridged
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It's every novelist's greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page-one rewrite. The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot).
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As a fantasy writer, this book was not for me.
- By Wendy on 01-10-21
By: Lisa Cron
Brilliant and essential for understanding literature.
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A little lengthy
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The only book every writer needs!
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Too Far Off the Path of Being Relevant
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