
Story Engineering
Mastering the 6 Core Competencies of Successful Writing
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Narrated by:
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Chris Sorensen
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By:
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Larry Brooks
The vast majority of writers begin the storytelling process with only a partial understanding of where to begin. Some labor their entire lives without ever learning that successful stories are as dependent upon good engineering as they are artistry. But the truth is, unless you are master of the form, function, and criteria of successful storytelling, sitting down and pounding out a first draft without planning is an ineffective way to begin.
Story Engineering starts with the criteria and the architecture of storytelling, the engineering and design of a story - and uses it as the basis for narrative. The greatest potential of any story is found in the way six specific aspects of storytelling combine and empower each other on the page. When rendered artfully, they become a sum in excess of their parts.
You'll learn to wrap your head around the big pictures of storytelling at a professional level through a new approach that shows how to combine these six core competencies, which include four elemental competencies of concept, character, theme, and story structure (plot) and two executional competencies of scene construction and writing voice. The true magic of storytelling happens when these six core competencies work together in perfect harmony. And the best part? Anyone can do it!
©2011 Larry Brooks (P)2020 TantorListeners also enjoyed...




















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Yeah, the narrator sounds like a robot with a bad attitude
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Great for understanding story format
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Life changing read.
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The book itself lays out storytelling basics quite well, albeit way overwritten with too many metaphors and about 100 rants about plotting vs pantsing per chapter. I’d recommend you look up summaries and worksheets from this one instead.
Some nuggets found inside
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What really matters here is the content, which is superb. There is a good amount of time spent defending the concept of story engineering, which I think is necessary in light of the fact that so many pantsers rail against the notion.
If this is you and you're unable or unwilling to entertain the possibility that a calculated, logical blueprint can dramatically improve your writing process and the inevitable chaotic result, go ahead and pass on this. This isn't for you.
For the rest of you, this book will be a guiding light.
I have found it relevatory and invaluable. Be sure to take notes!
Practical and clear, giving writers a concise blueprint for effective*story engineering*.
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Great Information, Annoyingly Read
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worth the credit
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The book and its content is worth the purchase price several times over. I recommend the book itself wholeheartedly. Any would-be story writer would be benefited greatly by receiving this content.
Now, about the narration. Imagine Sheldon from The Big Bang Theory. Now imagine Sheldon's irritating, whiny voice being put through a Microsoft Sam filter. I can already see you cringing, and yes it does sound just as bad as you imagine. It's so bad that I have to turn it off after listening for only 15 to 20 minutes, even though I really want to listen to it. I don't see how I could ever make this into a repeated listening experience, even though that's why I bought it.
Larry Brooks, if you ever see this review I would strongly encourage that you hire a new narrator and have this book reworked. It deserves so much better.
Great book, awful narration!
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as for content, if you studied writing craft before, truly this isn't going to be anything new. The approach is slightly different but not really.
if you are inexperienced, there's great content here. If you have a lot of experience, this could be an okay refresher.
not all typed up to be
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I followed along in the printed text for a while and wondered at how a professional reader could so systematically ignore proper emphasis, sometimes even when text was italicized for such, overiding it with the same whiny tones over and over. Each sentence ended in a drawn out last word as though he were trying to call special attention to how annoying his affectation could be. And this is someone with 160 or more audio book titles to his name?
Book worthwhile, narration an abomination.
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