The fiction world of today needs a “Saint” more than it ever did. For years now that scene has been dominated by the “anti-heroes"—those grim gray operators in a sunless sub-culture where global issues are worked out with totally unemotional pragmatism, those hapless uninspired puppets manipulated and expended by ruthlessly dedicated little brothers of Big Brother. It made morbidly fascinating narrative, but it never gave anyone a lift until it climaxed in the hyper-gadgeted parodies of 007 extravaganzas.

Leslie Charteris’ square-jawed, blue-eyed hero loved, fought and stole his way through Europe from the 1930s to the 1970s, endlessly pursuing blondes, baddies and boodle. Adored by women and feared by his foes, he was renowned for both his heroic exploits and his nefarious reputation - and he always left his trademark calling card at the scenes of his crimes: a sketch of a stick figure with a halo.

Vincent Price stars as Simon Templar, an elegant, sophisticated character with a sly sense of humor and impeccable cool. He is criminal in many of his actions, a thief, a liar, a rake, and a rogue - but, he is a criminal with a conscience. Better known as "The Saint," Templar is a freelance troubleshooter who helps people out of desperate situations without so much as spoiling his shoeshine.

The Saint - the hero of 100 thrilling yarns of breathless adventure and mystery. The Robin Hood of modern crime, the 20th century's gayest buccaneer. Vincent Price, Tom Conway and Denis Green, in a rare never-before-available audition recording, star as the suave Simon Templar - poised in the presence of ladies, cool when confronted with danger. Well-known to both the criminals and the common man, his services are frequently sought, his involvement quickly detected, and his cases promptly solved.

Married Eva Griffin has been caught with a prominent congressman, and is ready to pay the editor of a sleazy tabloid hush money to protect the politician. But first Perry Mason tracks down the publisher of the blackmailing tabloid and discovers a shocking secret, which eventually leads to Mason being accused of murder. This is the first Perry Mason mystery and our introduction to secretary Della Street, detective Paul Drake, and the great lawyer himself.

The one thing that could be expected to disturb the peace of life at Blandings is the incursion of imposters. Blandings has imposters like other houses have mice. On this occasion there are two of them--both intent on a dangerous enterprise.

Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life. But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...

It had been a typical New Year's Eve party. But as midnight approaches, Mr. Satterthwaite - a keen observer of human nature - senses that the real drama of the evening is yet to unfold. And so it proves when a mysterious stranger knocks on the door. Who is this Mr. Quin? Mr. Satterthwaite's new friend is an enigma. He seems to appear and disappear almost like a trick of the light. In fact, the only consistent thing about him is that his presence is always an omen - sometimes good, but sometimes deadly....

Spring, 1918. The Great War is at a crucial stage, the Germans are making one last push into France, and the Allies are struggling to hold them back. Battle lines are shifting, and men, and their machines, are being sent up and down the front to shore up defenses. Major Heathcliff Lennox, and his batman Greggs, are told to report to their new HQ. They set off on a sunlit day to fly the distance, but the enemy is never far away, and disaster strikes. They're sent crashing to the ground behind enemy lines, where life, death, and love await.

June 1933. Independent, young Kitty Underhay has been left in charge of her family’s hotel, The Dolphin, on the tranquil English coast. But when several rooms are broken into and searched, including Kitty’s own, she quickly realizes that something out of the ordinary is afoot at the hotel. Soon, rumors are flying in the cozy town that someone is on the hunt for a stolen ruby. A ruby that Kitty’s mother may well have possessed when she herself went missing during the Great War.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.