
The Beast in Man
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Narrated by:
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Peter Newcombe Joyce
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By:
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Émile Zola
About this listen
Sex, betrayal, murder and corruption form the basis of this sensational novel by one of the leading French authors of the 19th century.
Jacques Lantier is a man with a hereditary homicidal lust. When he sees Roubaud and his wife Severine slit the throat of a wealthy nobleman, it is the catalyst for a string of murders in a convoluted plot full of horror and suspense. Severine starts an affair with Jacques to keep him from informing the authorities, but the couple soon realise that Roubaud has become an obstacle to their happiness.
The malevolent Flore, feeling spurned and betrayed, takes her revenge in catastrophic fashion. If Jacques could cure his illness with just one murder all might be well - but who will be his victim? And can he stop there?
Zola constantly reminds us that underneath the veneer of education and an accepted moral code, the savage beast will always remain. Characteristically, the writer doesn't shy away from the raw sexual element and baser human impulses, confronting us with a truth that, while not always palatable, is always enthralling. It is a brutal study of individuals derailed by primal forces beyond their control which, at the close, leaves us questioning our belief in ourselves as civilised creatures.
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Seriously, that was the ending?
- By alicia in athens on 02-13-25
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He Who Fights with Monsters 2
- A LitRPG Adventure (He Who Fights with Monsters, Book 2)
- By: Shirtaloon, Travis Deverell
- Narrated by: Heath Miller
- Length: 22 hrs and 1 min
- Unabridged
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But Jason Asano is settling into his new life. Now, a contest draws young elites to the city of Greenstone to compete for a grand prize. Jason must gather a band of companions if he is to stand a chance against the best the world has to offer. While the young adventurers are caught up in competition, the city leaders deal with revelations of betrayal as a vast and terrible enemy is revealed. Although Jason seems uninvolved, he has unknowingly crossed the enemy’s path before.
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Contrary to common reviews
- By Karen on 05-21-21
By: Shirtaloon, and others
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The Mystery of Mrs. Christie
- A Novel
- By: Marie Benedict
- Narrated by: Nicola Barber
- Length: 7 hrs and 22 mins
- Unabridged
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In December 1926, Agatha Christie goes missing. Investigators find her empty car on the edge of a deep, gloomy pond, the only clues some tire tracks nearby and a fur coat left in the car - strange for a frigid night. Her World War I veteran husband and her daughter have no knowledge of her whereabouts, and England unleashes an unprecedented manhunt to find the up-and-coming mystery author. Eleven days later, she reappears, just as mysteriously as she disappeared, claiming amnesia and providing no explanations for her time away.
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I don’t think they had iPads in 1926
- By Sydney Castro on 12-29-20
By: Marie Benedict
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The House on the Water
- A Novella
- By: Margot Hunt
- Narrated by: Taylor Schilling
- Length: 2 hrs and 47 mins
- Original Recording
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Every year, Caroline Reed takes a trip with her best friend, Esme Lamont. They’re usually accompanied by their spouses - but this year, everything’s changed. Esme has just gone through a bitter divorce, and Caroline's wondering if her own marriage is reaching its breaking point as she and her husband, John, cope with the discovery that their son has been abusing drugs. Still, the inseparable duo books a weeklong stay at a beach-front home in Shoreham, Florida, inviting Esme’s brother, Nick, and his new husband. After a blissful first night in the vacation home, tragedy strikes.
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Wonderful Story
- By David M. Wilcox on 12-04-20
By: Margot Hunt
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Slayers: A Buffyverse Story
- By: Christopher Golden, Amber Benson
- Narrated by: Amber Benson, Charisma Carpenter, James Charles Leary, and others
- Length: 8 hrs and 2 mins
- Original Recording
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Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.
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A dream come true
- By Anonymous User on 10-12-23
By: Christopher Golden, and others
What listeners say about The Beast in Man
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Tad Davis
- 08-10-18
Furious pace
Zola’s novels, at least the ones I’ve read, seem to be focused on everything that is worst about human beings: greed, violence, promiscuous sex, putrefaction, and squalor. Yet his plots are exciting - if at times melodramatic - and his characters thoroughly developed. So as unpleasant as they may be, they make compelling reading.
The Beast in Man (or, as I believe it could be translated, The Human Beast) is about trains: sort of. It's really about the people who make the trains go, but there are times when the great hulking machines themselves seem alive. A wrecked engine is pronounced "dying" and then "dead." An engine being driven for the first time is having its "virginity taken." The engines are given names by their engineers and caressed like lovers.
Zola has mastered his subject and presents it to us with a wealth of circumstantial and convincing detail; and it takes the form of a novel-sized metaphor, with the fate of the characters hurtling down the tracks like a train with no driver. His description of a train derailment in one chapter - with Peter Joyce’s passionate narration - has a visceral impact light years beyond train wrecks in films like The Fugitive and Under Siege 2. Only when the deafening scream of escaping steam recedes can the screams of the survivors be heard. I don’t often shudder when reading a book, but I shuddered repeatedly while listening to this passage.
The mainspring of the plot is a murder - the murder of a railroad official who'd imposed himself on Severine when she was only 15; the murder is carried out by her husband, a decade of more after the fact. It almost takes place off stage. We know Severine and Roubaud are planning it, but the only glimpse we get of it is a fleeting one - the flash of the knife, a throat being cut - seen through a train window by a third character, Jacques. He thinks it was Roubaud. He thinks a hulking mass he saw in a corner of the window was Severine. But he can't be sure; the train was hurtling by at 80 kilometers an hour.
Zola hides the details of the crime until much later in the book, when Severine confesses her involvement to Jacques, who has become her lover. (Zola's treatment of sex - his willingness to talk about passion and naked bodies - is never more than R-rated but is still shocking to anyone who thinks of 19th century fiction as "Victorian.") The confession scene could be simple exposition, but it isn't: it becomes the chief cause of the climactic action. Severine doesn’t know it, but Jacques himself has long harbored homicidal impulses, and her confession has an unexpected effect: it whets his appetite for making his own fantasies a reality.
Throughout the book, Zola’s writing is powerful and naked, almost tortured. There are so many lost souls here, so many broken people. I’ve read that Zola was a determinist and a fatalist. Unlike the curses laid on families by the ancient gods, the families of Zola suffer from genetic defects. Whole families are infected, from generation to generation, by alcoholism, violence, greed, and lust. You might call it the Bad Seed school of destiny. I haven’t found that so obvious in the books I’ve read, where individuals seem to be cursed by no more than our common fate, that of being human beings with bewildering and contradictory motives, in a hostile universe. Despite the intensity of Jacques’ bloodlust, Zola treats him sympathetically: he struggles against the role fate has assigned him, and his downfall is pitiable.
As I said, Joyce gives a passionate reading. He is by far the brightest star among narrators who mostly record for their own company. The one odd thing about this recording is that there are no chapter breaks. Certainly the audiobook is divided into chapters, but the divisions are arbitrary, coming almost anywhere, sometimes (it seems) even in the middle of a paragraph. What I mean is that Zola’s chapter breaks are never announced. The book is read as if it were a single long narrative. It wasn't a problem as far as the pace is concerned, because the narrative races along like that out-of-control train. It was just a problem sometimes knowing where to stop and take a break. I always did that reluctantly.
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4 people found this helpful
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- abbey goldstein
- 12-16-20
Not for the faint of heart
Stunning, brilliant and deeply disquieting. Wikipedia, in its summary of the life and works of Emile Zola, has a whole section on him as an optimist. Look for that, perhaps, in his other writings, because there's not the least basis for that conclusion based on The Beast in Man. At the end of the book I struggled to find any character with any significant redeeming quality to counteract the inherent evil which permeates virtually all of them. I can think of one, maybe. If I had known how the plot would proceed I probably would not have read the book. It would have been my loss.
The narrator is terrific.
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- M
- 08-28-20
This Zola masterpiece rivals Poe in horror!
I've read 14 of the 20. and enjoyed them all. This one was the best yet. And, wow, the narration was superb.
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