At the time of his death in 1927, John Bagnell Bury was easily the most honored English historian of his era. Bury, an esteemed Cambridge scholar, wrote what is considered the finest one-volume history of ancient Greece in the English language. His beautifully crafted survey of Greek civilization begins with the description of Bronze Age settlements which appeared on the Greek mainland and on the island of Crete. The story takes us on a strange and exciting series of adventures which result in the development of independent city-states constantly embroiled in division and war.

Against a backdrop of modernisation, extravagant luxury, political intrigue and sexual immorality, Saccard treats close relationships as money-making opportunities and loved ones as mere commodities. As one character puts it: ‘You see, everything is fine, as long as you make money from it.’

Jung's discovery of the 'collective unconscious', a psychic inheritance common to all humankind, transformed the understanding of the self and the way we interpret the world. In On the Nature of the Psyche Jung describes this remarkable theory in his own words, and presents a masterly overview of his theories of the unconscious, and its relation to the conscious mind. Also contained in this collection is On Psychic Energy, where Jung defends his interpretation of the libido, a key factor in the breakdown of his relations with Freud.

In the brutal Prussian winter of 1807, Emperor Napoléon Bonaparte’s Grande Armée suffered massive losses to the Russians in the Battle of Eylau. Many thousands died. Young Colonel Chabert falls heroically, his actions having turned the tide of the battle, but he is buried anonymously on the battlefield in a mass grave. Incredibly, he is alive, but severely injured, and digs himself out. On his eventual return to Paris, he finds his wife, the beautiful and ambitious Rosine, now remarried, and his fortune gone.

Thérèse is a half Algerian orphan, brought up in provincial France by her aunt and married off to her sickly cousin Camille. His ambition takes the three of them to Paris, where they set up home in the dank and dingy backstreets that run down to the Seine. The relentless tedium of life for Thérèse is eventually broken by the presence of Camille’s unscrupulous friend Laurent, sparking a series of increasingly desperate acts.

After an unremarkable interview, Circus agent George Smiley determines the subject of a standard security check—a civil servant in the Foreign Office named Samuel Fennan—poses no threat, nor presents any reason for suspicion of espionage. Hours later, Samuel Fennan is found dead by suicide. Suddenly finding himself under intense scrutiny, Smiley realizes the Circus intends to blame him for Fennan's death. Rather than remain idle, Smiley begins his own investigation into the nature of the man's demise.

MI6's man in Havana is Wormold, a former vacuum-cleaner salesman turned reluctant secret agent out of economic necessity. To keep his job, he files bogus reports based on Charles Lamb's Tales from Shakespeare and dreams up military installations from vacuum-cleaner designs. Then his stories start coming disturbingly true....

This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the audience through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.

On a peaceful Sunday afternoon, Arthur Rowe comes upon a charity fete in the gardens of a Cambridgeshire vicarage where he wins a game of chance. If only this were an ordinary day. Britain is under threat by Germany, and the air raid sirens that bring the bazaar to a halt expose Rowe as no ordinary man. Recently released from a psychiatric prison for the mercy killing of his wife, he is burdened by guilt, and now, in possession of a seemingly innocuous prize, on the run from a nest of Nazi spies who want him dead.

At the beginning of the story the heroine lives an unfulfilled life in rural France, her nature crushed by a domineering and miserly father. Gallant cousin Charles arrives and acts as a catalyst on Eugénie's personality and emotions. Will her love survive the strong self-opinion of the young man and the selfishness of her father or is Eugénie's reward destined to be in heaven?

Elegantly styled, Camus' profoundly disturbing novel of a Parisian lawyer's confessions is a searing study of modern amorality.

To an extraordinary extent we continue to live in the shadow of the classical world. At every level, from languages to calendars to political systems, we are the descendants of a “classical Europe,” using frames of reference created by ancient Mediterranean cultures. As this consistently fresh and surprising new audio book makes clear, however, this was no less true for the inhabitants of those classical civilizations themselves, whose myths, history, and buildings were an elaborate engagement with an already old and revered past - one filled with great leaders and writers....

On a dark, wet evening in Dublin, scientist and mother of four Eilish Stack answers her front door to find the GNSB on her step. Two officers from Ireland’s newly formed secret police are here to interrogate her husband, a trade unionist. Ireland is falling apart. The country is in the grip of a government turning towards tyranny and when her husband disappears, Eilish finds herself caught within the nightmare logic of a society that is quickly unravelling.

The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd.

"Sarrasine" (1830) is a novella by Honoré de Balzac, part of his Comédie Humaine. The stage is set around midnight during a ball, the narrator is sitting at a window. There is an unknown old man around the house, whom the family was oddly devoted to, and who frightened and intrigued the partygoers. When the man sits next to the narrator's guest, Beatrix Rochefide, she touches him, and the narrator rushes her out of the room. The narrator knows who the man is and says he will tell her his story the next evening.