The descendant of adventuring-dead-aristocrats, Clarissa Knightley supplements a modest inheritance by penning gothic novels that cost more than they earn. Upon learning that she has mysteriously inherited a share of an earl's estate, she rashly packs up her household. In remote Gravesyde Priory, she hopes to find a safe haven and family who will welcome her and her young nephew. Instead, she discovers a drunken American army captain, his African servant, and ancient, surly caretakers.

Librarian Sylvia Ashe knows nothing about her past, having grown up without a father and a mother who refused to discuss him. When she stumbles upon a diary that suggests she's descended from magicians, she's skeptical. After all, magicians are special, and she's just an ordinary woman who loves books. She seeks answers from a member of the most prominent family of magicians, but she quickly learns that finding the truth won't be easy, especially when he turns out to be as artless as her, and more compelling and dangerous than books.

Tabitha, Lady Chesterton, the Countess of Pembroke, is newly widowed at only 22 years of age. With no son to inherit the title, it falls to a dashing, distant cousin of her husband's, Jeremy Chesterton, known as Wolf. It quickly becomes apparent that Wolf had consorted with some of London's most dangerous citizens before inheriting the title. Can he leave this world behind, or will shadowy figures from his past follow him into his new aristocratic life in Mayfair? And can Tabitha avoid being caught up in Wolf's dubious activities?

Lady Evangeline Raine prefers animals to people and has no interest in marriage—much to the dismay of her flirty younger sister, Viola. Because their father has one rule: Viola may be courted, only if Effie has a suitor as well. Saddled with debt, Gage Croft, Duke of Vale, is determined to rebuild his estates. When the owner of his vowels offers him a fortune to charm the impervious Lady Evangeline for the season so Lady Viola can be courted, the game is on, even if it means pretending to seduce an unconventional wallflower.

John Fitzhugh Wyckerly has been the spare heir all his life, supporting himself with gambling and charm. The news that he's inherited the bankrupt title of earl of Danecroft shatters his indolent world. Even penniless, he's always paid his debts, but now the estate's creditors are closing in. He can fake his death and run for cover or accept overwhelming responsibility and find a rich wife - one who will also accept his illegitimate terror of a daughter.

The descendant of adventuring-dead-aristocrats, Clarissa Knightley supplements a modest inheritance by penning gothic novels that cost more than they earn. Upon learning that she has mysteriously inherited a share of an earl's estate, she rashly packs up her household. In remote Gravesyde Priory, she hopes to find a safe haven and family who will welcome her and her young nephew. Instead, she discovers a drunken American army captain, his African servant, and ancient, surly caretakers.

Lady Diana Huxley is a Brontë heroine lost in a Jane Austen fever-dream. Haunted, heartbroken, and abruptly sent to live with her newly-married cousin in a palatial country estate, Diana just wants to blend in. Utterly unfamiliar with the customs and culture of Regency Era high society, Diana is more than content to play the role of silent companion to her chatty cousin, Maggie. She certainly didn’t come to New Glenbury to fall in love.

London, 1952. Seven years after the chaotic aftermath of World War II, London has is coming alive again, with jazz clubs and flickering cinema awnings lighting up the night sky. But for widowed Helen ‘Dexie’ Dexter, she’s still a woman in a man’s world. She longs to prove herself as an officer in the London Metropolitan Police, yet she’s stuck intervening in domestics and making tea for her male colleagues. Then Harri Schroder arrives, seconded from Hamburg to the Met.

Rosalind Thorne may not have a grand fortune of her own, but she possesses virtues almost as prized by the haut ton: discretion, and a web of connections that enable her to discover just about anything about anyone. Known as a "most useful woman," Rosalind helps society ladies in need--for a modest fee, of course--and her client roster is steadily increasing.

Valachi, the name of a rival mafia family, was the last word on my mother's dying lips. After years of careful deceit and planning, my moment of revenge has finally arrived. The head of the Valachi family has died, leaving his innocent daughter vulnerable. She is forced to take my hand in an arranged marriage. By the time she learns my true identity, it will be too late. As her new husband, I will have complete control over her. I am the enemy in her bed.