September. A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River - off season - awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall.

It was the summer of 1965. Ray, Tim, and Jennifer were just three teenage friends hanging out in the campgrounds, drinking a little. But Tim and Jennifer didn't know what their friend Ray had in mind. And if they'd known, they wouldn't have thought he was serious. Then they saw what he did to the two girls at the neighboring campsite - and knew he was dead serious...Ray figured he was in the clear. Tim and Jennifer thought the worst was behind them, that the horrors were all in the past. They were wrong. The worst was yet to come.

Suburbia. Shady, tree-lined streets; well-tended lawns; and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths.

Lydia McCloud meets Arthur Danse at a wedding party in Plymouth, N.H., and she thinks he's a man she could grow to love. Arthur sees things differently. In Lydia, he sees the sort of woman people always want to protect. He decides he's going to show her she wouldn't always be protected. Once their only child, Robert, is born, Arthur's behavior worsens. When the courts become involved, the nightmare really begins. This scathing novel is an indictment of a justice system that makes a mockery of its very name.

Carole and her lover thought they had committed the perfect crime, murdering Carole’s abusive husband and making it look like an accident. Unfortunately there was a witness, someone far more twisted than they are, with plans for a killing spree of his own.

When four old University friends set off into the Scandinavian wilderness of the Arctic Circle, they aim to briefly escape the problems of their lives and reconnect with one another. But when Luke, the only man still single and living a precarious existence, finds he has little left in common with his well-heeled friends, tensions rise. With limited experience between them, a shortcut meant to ease their hike turns into a nightmare scenario that could cost them their lives. Lost, hungry, and surrounded by forest untouched for millennia, Luke figures things couldn't possibly get any worse.

To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his “art” to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his “art” to limits even Compton hadn’t previously imagined.

In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story.

From electrifying horror author Nick Cutter comes a haunting new novel, reminiscent of Cormac McCarthy's Blood Meridian and Stephen King's It, in which a trio of mismatched mercenaries is hired by a young woman for a deceptively simple task: check in on her nephew, who may have been taken against his will to a remote New Mexico backwoods settlement called Little Heaven. Shortly after they arrive, things begin to turn ominous.

Once every year, Scoutmaster Tim Riggs leads a troop of boys into the Canadian wilderness for a weekend camping trip - a tradition as comforting and reliable as a good ghost story around a roaring bonfre. The boys are a tight-knit crew. There’s Kent, one of the most popular kids in school; Ephraim and Max, also well-liked and easygoing; then there’s Newt the nerd and Shelley the odd duck. For the most part, they all get along and are happy to be there - which makes Scoutmaster Tim’s job a little easier.

Celeste Price is an eighth-grade English teacher in suburban Tampa. But Celeste's devotion lies elsewhere. She has a singular sexual obsession: 14-year-old boys. In slaking her sexual thirst, Celeste Price is remorseless and deviously free of hesitation, a monstress driven by pure motivation. She deceives everyone, and cares nothing for anyone or anything but her own pleasure. With crackling, rampantly unadulterated prose, Tampa is a grand, uncompromising, seriocomic examination of want and a scorching literary debut.

Raised in a household so filthy it was stomach-spilling, Vera involuntarily evolved into a neat freak. Upon discovering she and her disabled husband, Daniel, are expecting, she needs fast cash. Her obsession with cleanliness sprouts the concept that her skills can be put to use in a unique way. She takes a stab at the booming door-to-door vacuum sales business of 1988. All is going well until she arrives at the steps of a house that will change her forever. The steps of an evil that resurrects the ghastly memories she so desperately tried to wash away.

Raymond Jaffe feels like he doesn’t belong. Not with his mother’s new family. Not as a weekend guest with his father and his father’s wife. Not at school, where he’s an outcast. After his best friend moves away, Raymond has only two real connections: to the feral cat he’s tamed and to a blind ninety-two-year-old woman in his building who’s introduced herself with a curious question: Have you seen Luis Velez?

When his mom decided it was time for them to leave for good, Thomas knew they better get far away or he'd come and find them. It was Christmas Day, with Mom sweating in a tiny room over a tiny stove, and Dad watching college basketball and drinking with a vengeance. "Thomas, I want you to get your sister and go out to the car, okay?" Mom had promised them that they would be getting a special Christmas present today. Just the two kids. They couldn’t mention it to Dad. This is her present, Thomas thought....

Oliver Fitch has a troubling issue: He lives in a state of constant terror. After purchasing a convenience store in a once civil society, the streets around him have rapidly devolved into utter lawlessness. They're now festering with sinister gutter scum that live only to harass and intimidate him. His pathetic profits are gouged under the threat of violence, and there isn't a damn thing he can do about it. Because in a city with no rules, where the sun never shines, the authorities are no help. In fact, they're an equal part of the problem.

When his mom decided it was time for them to leave for good, Thomas knew they better get far away or he'd come and find them. It was Christmas Day, with Mom sweating in a tiny room over a tiny stove, and Dad watching college basketball and drinking with a vengeance. "Thomas, I want you to get your sister and go out to the car, okay?" Mom had promised them that they would be getting a special Christmas present today. Just the two kids. They couldn’t mention it to Dad. This is her present, Thomas thought....

His name was Kevin but his keepers called him Zoo Boy. He didn't talk. He hid under tables and surrounded himself with a cage of chairs. He hadn't been out of the building in the four years since he'd come in. He was afraid of water and wouldn't take a shower. He was afraid to be naked, to change his clothes. He was nearly 16. Desperate to see change in the boy, the staff of Kevin's adolescent treatment center hired Hayden. As Hayden read to him and encouraged him to read, crawling down into his cage of chairs with him, Kevin talked.

In her best-selling memoir North of Normal, Cea wrote with grace about her unconventional childhood - her early years living in a tipi in Alberta with her pot-smoking, free-loving counterculture family. But her struggles do not end when she leaves her family at the age of 13 to become a model. Honest and daring, Nearly Normal reveals the many ways that Cea's unconventional childhood continues to reverberate through the years.

The Hawthorne family has it all. Great jobs, a beautiful house in one of the most affluent areas of Northern California, and three charming kids whose sunny futures are all but assured. And then comes their eldest daughter's senior year of high school....

In her own words, Stella Sweeney is just "an ordinary woman living an ordinary life with her husband and two teenage kids", working for her sister in their neighborhood beauty salon. Then one day she is struck by a serious illness that lands her in the hospital for months.

A self-anointed spinster at 51, Myra Lipinski is reasonably content with her quiet life, her dog, Frank, and her career as a visiting nurse. But everything changes when Chip Reardon, the golden boy she adored in high school, is assigned as her new patient. Choosing to forgo treatment for an incurable illness, Chip has returned to his New England hometown to spend what time he has left. Now, Myra and Chip find themselves engaged in a poignant redefinition of roles, and a complicated dance of memory, ambivalence, and longing.

Sensitive, big-hearted, and achingly self-conscious, 40-year-old Aaron Englund long ago escaped the confines of his Midwestern hometown, but he still feels like an outcast. After 20 years under the Pygmalion-like direction of his older partner, Walter, Aaron at last decides it is time to stop letting life happen to him and to take control of his own fate.

May We Be Forgiven, a darkly comic novel of 21st-century domestic life, stars Harold Silver, a historian who's always been jealous of his successful brother, George. But when the hot-tempered George is institutionalized for committing a violent act, Harold finds himself comforting his brother's wife and children. What follows is a scathing examination of a family so fractured it may never be whole again.

Marina Keegan's star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash. Even though she was just 22 when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation.

In the winter of 1953, Boy Novak arrives by chance in a small town in Massachusetts, looking, she believes, for beauty - the opposite of the life she' s left behind in New York. She marries a local widower and becomes stepmother to his winsome daughter, Snow Whitman. A wicked stepmother is a creature Boy never imagined she' d become, but elements of the familiar tale of aesthetic obsession begin to play themselves out when the birth of Boy' s daughter, Bird, who is dark-skinned, exposes the Whitmans as light-skinned African Americans passing for white.

Jane Campbell avoids confrontation at all costs. Given the choice, she'll always let her husband, Leon, a best-selling thriller author, fight their battles. She'd prefer to focus on the good things in life: precious days with her two young children, a steady and loving marriage, their mischievously playful cat Bonita, and her fulfilling job as a creative-writing teacher. In Jane's eyes, life is altogether sweeter than any individual bump in the road. But when Leon suffers a brutal attack, Jane has to finally face reality.

Despite her innate ambition and summa cum laude smarts, Kate Pearson has turned into a major slacker. After being dumped by her handsome French "almost fiancé", she abandons her grad school plans and spends her days lolling on the couch, leaving her apartment only when a dog-walking gig demands it. Her friends don't know what to do other than pass tissues and hope for a comeback while her practical sister, Angela, pushes every remedy she can think of, from trapeze class to therapy to job interviews.

Yates movingly portrays a man and a woman from their courtship in the 1950s to their divorce in the '70s, chronicling their heartbreaking attempts to reach their highest ambitions. Michael Davenport dreams of being a poet after returning home from World War II, and at first he and his new wife, Lucy, enjoy their life together. But as the decades pass and the success of others creates a fear of failure in both Michael and Lucy, their once bright future gives way to a life of adultery and isolation.

To all appearances, John Wilder has all the trappings of success, circa 1960: a promising career in advertising, a loving family, a beautiful apartment, even a country home. John's evenings are spent with associates at quiet Manhattan lounges and his weekends with friends at glittering cocktail parties. But something deep within this seemingly perfect life has long since gone wrong.

Vida is only 19, but she knows a lot about dying. Her weak heart has kept her on the edge of death her whole life. It hasn't been much of a life. Thanks to her overprotective mother, Vida's only friend is Esther, an elderly Holocaust survivor who lives upstairs. Vida's heart is finally about to give out unless she can get a donor heart in time. Richard is 36 and blissfully married until he gets the call that his beloved wife has died in a car accident. His world falls to pieces.

September. A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River - off season - awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall.

It was the summer of 1965. Ray, Tim, and Jennifer were just three teenage friends hanging out in the campgrounds, drinking a little. But Tim and Jennifer didn't know what their friend Ray had in mind. And if they'd known, they wouldn't have thought he was serious. Then they saw what he did to the two girls at the neighboring campsite - and knew he was dead serious...Ray figured he was in the clear. Tim and Jennifer thought the worst was behind them, that the horrors were all in the past. They were wrong. The worst was yet to come.

A battle-scarred Vietnam vet has been living alone deep in the woods, but when a group of weekend campers enter the area, his fragile grasp on reality breaks, and he believes he’s back in the jungle...surrounded by an enemy he needs to kill.

Carole and her lover thought they had committed the perfect crime, murdering Carole’s abusive husband and making it look like an accident. Unfortunately there was a witness, someone far more twisted than they are, with plans for a killing spree of his own.

Suburbia. Shady, tree-lined streets; well-tended lawns; and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths.

Lydia McCloud meets Arthur Danse at a wedding party in Plymouth, N.H., and she thinks he's a man she could grow to love. Arthur sees things differently. In Lydia, he sees the sort of woman people always want to protect. He decides he's going to show her she wouldn't always be protected. Once their only child, Robert, is born, Arthur's behavior worsens. When the courts become involved, the nightmare really begins. This scathing novel is an indictment of a justice system that makes a mockery of its very name.

It's the Arizona Territory. The year, 1848. The year the Mexican War ended. Fate and blazing pistols have just thrown together reporter and part-time drunk Marion T. Bell and the very nearly legendary John Charles Hart, mustanger and scout, in the Little Fanny Saloon. Plying the river-trade across the Colorado to the gold fields of California in the north, and war-torn Mexico to the south, the town of Gable's Ferry has sprung up overnight-lacking only a church, a schoolhouse and a jail.

Greece. Ancient land of mystery, legend, and myth. It is here that businessman Jordan Chase visits an historic tomb, only to experience a dark vision of the future. And it is here, amidst the beauty of the landscape, that Lelia, a gorgeous but dangerous woman, befriends a group of tourists...to lure them into a nightmare of pain and terror. She lives to seduce and destroy, to feed off her human prey. Lelia is more than myth, more than superstition. Lelia is deadly.

Ladies' Night is a non-stop rollercoaster ride of sheer nerve rattling terror, previously deemed too violent for mass market publication. In this modern tale of the ages-old battle of the sexes carried to the extreme, Jack Ketchum again provides readers with an excursion into horror as relentless as a John Woo film.

Three low-income families have been given a handsome retainer to join Geraldine Borden for a day at her cliffside estate. All the parents must do to collect the rest of their money is allow their children to test out the revolutionary playground equipment Geraldine has been working on for decades. But there’s a reason the structures in the bowels of her gothic castle have taken so long to develop—they were never meant to see the light of day.