A serial rapist is kidnapping teenage girls. But he’s not interested in just any teenage girls - only virgins. He hunts them by following their status updates and check-ins on social media. Once captured, they’re locked away in his sound-proof basement until they’re groomed and ready. He throws them away like pieces of trash after he’s stolen their innocence. Nobody escapes alive. Until Ella. She risks it all to escape, setting herself and the other girls free. Only the girl who's been captive the longest gets out with her. And soon Ella discovers her nightmare's far from over.

To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his “art” to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his “art” to limits even Compton hadn’t previously imagined.

When Dr. Louis Creed takes a new job and moves his family to the idyllic, rural town of Ludlow, Maine, this new beginning seems too good to be true. Yet despite Ludlow's tranquility, there's an undercurrent of danger that lingers...like the graveyard in the woods near the Creeds' home, where generations of children have buried their beloved pets.

Suburbia. Shady, tree-lined streets; well-tended lawns; and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths.

It was the summer of 1965. Ray, Tim, and Jennifer were just three teenage friends hanging out in the campgrounds, drinking a little. But Tim and Jennifer didn't know what their friend Ray had in mind. And if they'd known, they wouldn't have thought he was serious. Then they saw what he did to the two girls at the neighboring campsite - and knew he was dead serious...Ray figured he was in the clear. Tim and Jennifer thought the worst was behind them, that the horrors were all in the past. They were wrong. The worst was yet to come.

Deep in the heart of Appalachia stands a crooked farmhouse miles from any road. The Morrows keep to themselves, and it's served them well so far. When girls go missing off the side of the highway, the cops don't knock on their door. Which is a good thing, seeing what's buried in the Morrows' backyard. But 19-year-old Michael Morrow isn't like the rest of his family. He doesn't take pleasure in the screams that echo through the trees.

Suffer the Children presents a terrifying tale of apocalyptic fiction, as listeners are introduced to Herod's Syndrome, a devastating illness that suddenly and swiftly kills all young children across the globe. Soon, they return from the grave, and ask for blood. And with blood, they stop being dead. They continue to remain the children they once were, but only for a short time, as they need more blood to live. The average human body holds 10 pints of blood, so the inevitable question for parents everywhere becomes: How far would you go to bring your child back?

Welcome to Derry, Maine. It’s a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real. They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But the promise they made 28 years ago calls them reunite in the same place where, as teenagers, they battled an evil creature that preyed on the city’s children.

After the loss of a child along with a slew of agonizing misfortunes, Nick and Jess decide to end their lives. Unable to cope with the misery that fills their days, they commit one last act together and die in loving relief. But when Nick wakes up, he soon realizes that death isn't the gentle darkness he expected. Panicked and horrified, he struggles to understand the twisted abominations and hellish world he's now trapped in.

Rape. Murder. Brain-eating. Never before has a work of fiction dared to delve so deeply into the realms of perversion, sexual dementia, and bad taste. Who is he? What is he? An inbred homicidal pervert? A supernatural psychopath? Who or whatever he is, he's on a roll now, raging out of the Virginia backwoods and leaving in his wake a trail of blood, guts, and disgust far beyond the limits of your reckoning.

Kim White is a very popular cheerleader. She’s pretty, healthy, and comes from a well-off family. She has everything a girl of 16 is supposed to want. And she’s sick to death of it. In search of something to pull her out of her suicidal thoughts, she begrudgingly decides to lose her virginity, having heard it’s a life-changing event.

Writer Ben Mears has returned to his hometown of Jerusalem's Lot with the hope that moving into a delapidated mansion, long the subject of town lore, might help him get a handle on his life and provide inspiration for a new book. But when two young boys venture into the woods and only one comes out alive, Mears begins to realize that there may be something sinister at work.

On an entirely normal, beautiful fall day in Chester's Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener's hand is severed as "the dome" comes down on it, people running errands in the neighboring town are divided from their families, and cars explode on impact. No one can fathom what this barrier is, where it came from, and when - or if - it will go away.

Even four years after the sudden death of his wife, best selling novelist Mike Noonan can't stop grieving, nor can he return to his writing. He moves into his isolated house by the lake, which becomes the site of ghostly visitations, ever-escalating nightmares, and the sudden recovery of his writing ability. What are the forces that have been unleashed here - and what do they want of Mike Noonan?

Writer Bobbi Anderson becomes obsessed with digging up something she's found buried in the woods near her home. With the help of her friend, Jim Gardener, she uncovers an alien spaceship. Though exposure to the Tommyknockers, who piloted the alien ship, has harmful effects on residents' health, the people of Haven develop a talent for creating innovative devices under their increasingly malignant influence.

Suburbia. Shady, tree-lined streets; well-tended lawns; and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths.

Carole and her lover thought they had committed the perfect crime, murdering Carole’s abusive husband and making it look like an accident. Unfortunately there was a witness, someone far more twisted than they are, with plans for a killing spree of his own.

When Roger Huntington comes home from college for the summer and is met by his best friend, Tooth, he knows they're going to have a good time. A summer full of beer, comic books, movies, laughs, and maybe even girls. The sun is high and the sky is clear as Roger and Tooth set out to shoot beer cans at Bobcat Mountain. Just two friends catching up on lost time, two friends thinking about their futures. . . two friends suddenly thrust into the middle of a nightmare.

These people will give anything for the idols they worship, be they rock stars, actors or authors. Or even serial killers. Lori is just such a fanatic. Her obsession is with Edmund Cox, a man of sadistic cruelty who butchered more than 20 women. She’s gone so far as to forge a relationship with him, visiting him in prison and sending him letters on a regular basis. She will do anything to get close to him, so when he gives her a task, she eagerly accepts it. She has no idea of the horror that awaits her.

The box is Jack Ketchum's 1994 Bram Stoker Award-winning story. It has been anthologized, reprinted, and now it is available for the first time in digital. This is a live recording of the author, narrating his award-winning story, in the way only Jack Ketchum can....

Angel knows all about pain. His mother died in this room. He's researched its history. Today he's come back to end it, no matter the cost, once and for all. Shyla, a plus-sized escort, thinks the stories Angel tells her can't be true. Secrets so vile, you won't want to let them inside you. But the Lonely Motel doesn't forget. It doesn't forgive. And it always claims its victim.

After the loss of a child along with a slew of agonizing misfortunes, Nick and Jess decide to end their lives. Unable to cope with the misery that fills their days, they commit one last act together and die in loving relief. But when Nick wakes up, he soon realizes that death isn't the gentle darkness he expected. Panicked and horrified, he struggles to understand the twisted abominations and hellish world he's now trapped in.

It was the summer of 1965. Ray, Tim, and Jennifer were just three teenage friends hanging out in the campgrounds, drinking a little. But Tim and Jennifer didn't know what their friend Ray had in mind. And if they'd known, they wouldn't have thought he was serious. Then they saw what he did to the two girls at the neighboring campsite - and knew he was dead serious...Ray figured he was in the clear. Tim and Jennifer thought the worst was behind them, that the horrors were all in the past. They were wrong. The worst was yet to come.

Sometimes, it’s best to mind your own business. Felix Eastwood is your average guy, except for the fact that he can see the spirits of the dead. Lilith Lavelle is a fraudulent psychic, plying her trade on social media. When Felix stumbles across an advertisement for Lilith Lavelle’s Psychic Cleansing Services, he hires her under the pretense that his family is being haunted, hoping to expose her as a scam artist. By trying to play the hero, Felix puts his family in grave danger.

Will Burgess is used to hard knocks. Abandoned by his father, son of a drug-addicted mother, and charged with raising his six-year-old sister, Will has far more to worry about than most high school freshmen. To make matters worse, Mia Samuels, the girl of Will’s dreams, is dating his worst enemy, the most sadistic upperclassman at Shadeland High. Will’s troubles, however, are just beginning. Because one of the nation’s most notorious criminals - the Moonlight Killer - has escaped from prison and is headed straight toward Will’s hometown.

Fueled by online trends, a shift in the American zeitgeist has led to the instatement of the Lazarus Act, legalizing the 'recreational use' of human corpses. Ellis Mercer, recently bereaved, embarks on a secret mission to America's first 'necrotel' to recover his wife's remains, before her corpse and his memory of her are desecrated by the motel’s twisted membership.

Austin Fletcher, a disturbed young Vietnam War vet, is willed a small house deep in the woods of northern Maine. He comes to own it by the generosity of a brother-in-arms - a fellow soldier and confidante, Maynard Whittier, killed in action by a wayward mortar shell. The rugged landscape of Maine is an intoxicating blend of claustrophobic interiors and endless frozen wastelands.

The house sits stoic and slightly askew off the coast of Raven's Head. Its off-kilter windows are both charming and disorienting, its walls of overstuffed bookshelves both comforting and claustrophobic. When Leo and Lark Parrish arrive at their vacation home with their parents, their mother's idea of a quintessential Maine getaway seems like both a blessing and a curse.

Welcome to Babylon, a typical sleepy Alabama small town, where years earlier the Larkin family suffered a terrible tragedy. Now they are about to endure another: 14-year-old Margaret Larkin will be robbed of her innocence and her life by a killer who is beyond the reach of the law. But something strange is happening in Babylon: traffic lights flash an eerie blue, a ghostly hand slithers from the drain of a kitchen sink, graves erupt from the local cemetery in an implacable march of terror.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.