A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully. Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for.

The demon Vitrine—immortal, powerful, and capricious—loves the dazzling city of Azril. She has mothered, married, and maddened the city and its people for generations, and built it into a place of joy and desire, revelry and riot. And then the angels come, and the city falls. Vitrine is left with nothing but memories and a book containing the names of those she has lost—and an angel, now bound by her mad, grief-stricken curse to haunt the city he burned.

Nick Carraway―paper soldier and novelist―has found a life and a living watching the mad magical spectacle of New York high society in the late thirties. He's good at watching, and he's even better at pretending: pretending to be straight, pretending to be human, pretending he's forgotten the events of that summer in 1922. On the eve of the second World War, however, Nick learns that someone's been watching him pretend and that memory goes both ways. When he sees a familiar face at a club one night, it quickly becomes clear that dead or not, damned or not, Jay Gatsby isn't done with him.

Amri was a Rabbit, one of a tribe of survivors scratching out an existence in the blasted landscape of a shattered, poisoned world. The Seagull fight, the Pigeon trade and the Cockroach scavenge, but the Rabbit had one rule: If you want to see tomorrow, you run. But they didn't run fast enough when a weapon fell from the sky and consumed their home, and now Amri is alone, in the company of a fallen god named Guy Vesten. A god who promises revenge against the three gods who turned against him, and who killed her tribe.

Mossa has returned to Valdegeld on a missing persons case, for which she’ll once again need Pleiti’s insight. Seventeen students and staff members have disappeared from Valdegeld University—yet no one has noticed. The answers to this case may lie on the moon of Io—Mossa’s home—and the history of Jupiter’s original settlements during humanity’s exodus from Earth. But Pleiti’s faith in her life’s work as a scholar of the past has grown precarious, and this new case threatens to further destabilize her dreams for humanity’s future, as well as her own.

The Fogg River Seminary, a girls’ school in a small Illinois town, is supposed to be just another stop on Maryse and Vasyl’s endless travels. They’ve made lucrative use of Maryse’s “foreign” looks in their melodramatic séance act—and an act is all it is. Then, during their performance, a blizzard sweeps in and cuts them off from town completely. In the freezing halls, there’s a voice speaking the secrets of the dead, and Maryse has no choice but to listen…because this time, the voice is real.

Moscow has resurrected the mammoth, but someone must teach them how to be mammoths, or they are doomed to die out, again. The late Dr. Damira Khismatullina, the world’s foremost expert in elephant behavior, is called in to help. While she was murdered a year ago, her digitized consciousness is uploaded into the brain of a mammoth. Can she help the magnificent creatures fend off poachers long enough for their species to take hold? And will she ever discover the real reason they were brought back?

After Nancy was cast out of the Halls of the Dead and forced to enroll at Eleanor West's School for Wayward Children, she never believed she'd find her door again, and when she did, she didn't look back. She disappeared from the school to resume her place in the Halls, never intending to return. Years have passed. A darkness has descended on the Halls, and the living statues who populate them are dying at the hands of the already dead.

Jordan Baker grows up in the most rarefied circles of 1920s American society - she has money, education, a killer golf handicap, and invitations to some of the most exclusive parties of the Jazz Age. She’s also queer and Asian, a Vietnamese adoptee treated as an exotic attraction by her peers, while the most important doors remain closed to her. But the world is full of wonders: infernal pacts and dazzling illusions, lost ghosts and elemental mysteries. In all paper is fire, and Jordan can burn the cut paper heart out of a man. She just has to learn how.

Hundreds of years after the end of the world, the Appalachian community of Iron Hollow finds itself beset by demons. Such horrors are common these days in the outlands, where most folks die young—if they don’t turn into monsters first. When a legendary knight is summoned to hunt down the latest unearthly beast to haunt their woods, the town’s new oral historian, Shrike, has more reason than most to be concerned. Because that demon was her wife. And while Shrike is certain that May still recognizes her—that May is still herself, somewhere beneath it all—she can’t prove it.

It has been centuries since the Draconic Army took wing, almost extinguishing humankind. Marosa Vetalda is a prisoner in her own home, controlled by her cold father, King Sigoso. Over the mountains, her betrothed, Aubrecht Lievelyn, rules Mentendon in all but name. Together, they intend to usher in a better world. A better world seems impossibly distant to Estina Melaugo, who hunts the Draconic beasts that have slept across the world for centuries. And now the great wyrm Fýredel is stirring, and Yscalin will be the first to fall....

Quiet, thoughtful princess Thanh was sent away as a hostage to the powerful faraway country of Ephteria as a child. Now she's returned to her mother's imperial court, haunted not only by memories of her first romance, but by worrying magical echoes of a fire that devastated Ephteria's royal palace. Thanh's new role as a diplomat places her once again in the path of her first love, the powerful and magnetic Eldris of Ephteria, who knows exactly what she wants: romance from Thanh and much more from Thanh's home.

A house embedded with an artificial intelligence is a common thing: a house that is an artificial intelligence, infused with a thinking creature that is not human? That is something else. But now Deniau's been dead a year, and Rose House is locked up tight, as commanded by the architect's will: all his possessions and files and sketches are confined in its archives, and their only keeper is Rose House itself. Rose House, and one other.

Three years later, Stephen is a broken paladin, living only for the chance to be useful before he dies. But all that changes when he encounters a fugitive named Grace in an alley and witnesses an assassination attempt gone wrong. Now the pair must navigate a web of treachery, beset on all sides by spies and poisoners, while a cryptic killer stalks one step behind....

Ella is a haunting. Murdered at sixteen, her ghost is furiously trapped in her father's house, invisible to everyone except her stepmother and stepsisters. Even when she discovers how to untether herself from her prison, there are limits. She cannot be seen or heard by the living people who surround her. Her family must never learn she is able to leave. And at the stroke of every midnight, she finds herself back on the staircase where she died.

A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully. Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for.

Moscow has resurrected the mammoth, but someone must teach them how to be mammoths, or they are doomed to die out, again. The late Dr. Damira Khismatullina, the world’s foremost expert in elephant behavior, is called in to help. While she was murdered a year ago, her digitized consciousness is uploaded into the brain of a mammoth. Can she help the magnificent creatures fend off poachers long enough for their species to take hold? And will she ever discover the real reason they were brought back?

When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

The demon Vitrine—immortal, powerful, and capricious—loves the dazzling city of Azril. She has mothered, married, and maddened the city and its people for generations, and built it into a place of joy and desire, revelry and riot. And then the angels come, and the city falls. Vitrine is left with nothing but memories and a book containing the names of those she has lost—and an angel, now bound by her mad, grief-stricken curse to haunt the city he burned.

Mossa has returned to Valdegeld on a missing persons case, for which she’ll once again need Pleiti’s insight. Seventeen students and staff members have disappeared from Valdegeld University—yet no one has noticed. The answers to this case may lie on the moon of Io—Mossa’s home—and the history of Jupiter’s original settlements during humanity’s exodus from Earth. But Pleiti’s faith in her life’s work as a scholar of the past has grown precarious, and this new case threatens to further destabilize her dreams for humanity’s future, as well as her own.

Yeva was thirteen when she killed her first dragon. With her gift revealed, she was shipped away to the imperial capital to train in the rare art of dragon slaying. Now a legendary guildknight, she has never truly felt at home ever since that fateful day all those years ago. But she doesn’t need a home when she has her sacred duty. She has devoted herself wholly to the cause—she never even removes her armor in public. Few remember the girl she once was. She rarely remembers herself. Yeva must now go to Quanbao, a fiercely independent and reclusive kingdom.

The planet of Kiln is where the tyrannical Mandate keeps its prison colony, and for inmates, the journey there is always a one-way trip. One such prisoner is Professor Arton Daghdev, xeno-ecologist and political dissident. Soon after arrival, he discovers that Kiln has a secret. Humanity is not the first intelligent life to set foot there. In the midst of a ravenous, chaotic ecosystem are the ruins of a civilization, but who were the vanished builders and where did they go?

The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

Shesheshen is a shapeshifter, who happily resides as an amorphous lump at the bottom of a ruined manor. When her rest is interrupted by hunters intent on murdering her, she constructs a body using a metal chain for a backbone, borrowed bones for limbs, and a bear trap as an extra mouth. However, the hunters chase Shesheshen out of her home and off a cliff. Badly hurt, she's found and nursed back to health by Homily, a warmhearted human, who has mistaken Shesheshen as a fellow human

Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers.