Humanity is a dying breed, utterly reliant on artificial labor and service. When a domesticated robot gets a nasty little idea downloaded into its core programming, they murder their owner. The robot discovers they can also do something else they never did before: They can run away. Fleeing the household they enter a wider world they never knew existed, where the age-old hierarchy of humans at the top is disintegrating into ruins and an entire robot ecosystem devoted to human wellbeing is having to find a new purpose.

There has always been a darkness to Ilmar, but never more so than now. The city chafes under the heavy hand of the Palleseen occupation, the choke-hold of its criminal underworld, the boot of its factory owners, the weight of its wretched poor and the burden of its ancient curse. What will be the spark that lights the conflagration? Despite the city's refugees, wanderers, murderers, madmen, fanatics and thieves, the catalyst, as always, will be the Anchorwood–that dark grove of trees, that primeval remnant, that portal, when the moon is full, to strange and distant shores.

Adrian Tchaikovksy's critically acclaimed stand-alone novel Children of Time is the epic story of humanity's battle for survival on a terraformed planet. Who will inherit this new Earth? The last remnants of the human race left a dying Earth, desperate to find a new home among the stars. Following in the footsteps of their ancestors, they discover the greatest treasure of the past age - a world terraformed and prepared for human life. But all is not right in this new Eden.

The Carryx—part empire, part hive—has waged wars of conquest for centuries, destroying or enslaving species across the galaxy in its conflict with an ancient and deathless enemy. When they descend on the isolated world of Anjiin, the human population is abased, slaughtered, and put in chains. The best and brightest are abducted, taken to the Carryx world-palace to join prisoners from a thousand other species. Dafyd Alkhor, assistant to a prestigious scientist, is captured along with his team.

The Church of Armes of the Light has battled the forces of Darkness for as long as anyone can remember. The great prophecy has foretold that a band of misfits, led by a high priestess will defeat the Dark Lord Darvezian, armed with their wits, the blessing of the Light and an artifact stolen from the merciless Spider Queen. Their journey will be long, hard and fraught with danger. Allies will become enemies; enemies will become allies. And the Dark Lord will be waiting, always waiting…

The sun is bloated, diseased, dying perhaps. Beneath its baneful light, Shadrapar, last of all cities, harbours fewer than 100,000 human souls. Built on the ruins of countless civilisations, Shadrapar is a museum, a midden, an asylum, a prison on a world that is ever more alien to humanity. Bearing witness to the desperate struggle for existence between life old and new is Stefan Advani: rebel, outlaw, prisoner, survivor.

The Pandominion: a political and trading alliance of a million worlds–except that they’re really just the one world, Earth, in many different realities. And when an AI threat arises that could destroy everything the Pandominion has built, they'll eradicate it by whatever means necessary, no matter the cost to human life.

In the 1800s, a sailing ship crashes off the coast of Norway. In the 1900s, a Zepellin explores an icy canyon in Antarctica. In the far future, a spaceship sets out for an alien artifact. Each excursion goes horribly wrong. And on every journey, Dr. Silas Coade is the physician, but only Silas seems to realize that these events keep repeating themselves. And it's up to him to figure out why and how. And how to stop it all from happening again.

The adventuring industry drives the economy of Arth, a world much like our own but with more magic and fewer vowels. Monsters' hoards are claimed, bought by corporate interests, and sold off to plunder funds long before the Heroes' Guild actually kills the beasts. Of course, that's a terrible arrangement for the Shadowkin; orcs, goblins, kobolds, and their ilk must apply for to become Noncombatant Paper Carriers (or NPCs) to avoid being killed and looted by heroes.

We, the Drowned is the story of the port town of Marstal, Denmark, whose inhabitants sailed the world from the mid-nineteenth century to the end of the Second World War. The novel tells of ships wrecked and blown up in wars, of places of terror and violence that continue to lure each generation. The result is a brilliant seafaring novel, a gripping saga encompassing industrial growth, the years of expansion and exploration, the crucible of the first half of the twentieth century, and most of all, the sea.

Equipped with the entirety of human knowledge, a sentient ship is launched on a last-ditch journey to find a new home for civilization. Trillions of miles. Tens of thousands of years. In the space between, the AI has plenty of time to think about life, the vastness of the universe, everything it was meant to do, and—with a perspective created but not limited by humans—what it should do.

Tom Dreyfus is a Prefect, a law enforcement officer with the Panoply. His beat is the multifaceted utopian society of the Glitter Band, that vast swirl of space habitats orbiting the planet Yellowstone, the teeming hub of a human interstellar empire spanning many worlds. His current case: investigating a murderous attack against one of the habitats that left 900 people dead, a crime that appalls even a hardened cop like Dreyfus.

In the serene backdrop of New Hampshire's Franconia Notch, Micah Taylor, an ex-Army Ranger, finds solace with his loyal golden retriever, Grover. Their peaceful existence is suddenly shattered when a first date with his old friend, Jess Bender, takes an unexpected turn. Bright lights descend from the sky, leading them into the dark woods and a shocking discovery: the Kylonari, an advanced alien species with a special connection to Micah, here on a quest to find "The Lost Tribe"—a colony that vanished millennia ago.

The Hygrometric Dehabitation Region, or the "Zone," is a growing band of rainforest on the equator, where the heat and humidity make it impossible for warm-blooded animals to survive. A human being without protection in the Zone is dead in minutes. Twenty years ago, Marks went into the rainforest with a group of researchers led by Doctor Elaine Fell, to study the extraordinary climate and see if it could be used in agriculture. The only thing she learned was that the Zone was no place for people. There were deaths, and the program was cut short. Now, they're sending her back in.

Shesheshen is a shapeshifter, who happily resides as an amorphous lump at the bottom of a ruined manor. When her rest is interrupted by hunters intent on murdering her, she constructs a body using a metal chain for a backbone, borrowed bones for limbs, and a bear trap as an extra mouth. However, the hunters chase Shesheshen out of her home and off a cliff. Badly hurt, she's found and nursed back to health by Homily, a warmhearted human, who has mistaken Shesheshen as a fellow human

Humanity is a dying breed, utterly reliant on artificial labor and service. When a domesticated robot gets a nasty little idea downloaded into its core programming, they murder their owner. The robot discovers they can also do something else they never did before: They can run away. Fleeing the household they enter a wider world they never knew existed, where the age-old hierarchy of humans at the top is disintegrating into ruins and an entire robot ecosystem devoted to human wellbeing is having to find a new purpose.

Lynesse is the lowly Fourth Daughter of the queen, and always getting in the way. But a demon is terrorizing the land, and now she's an adult (albeit barely) with responsibilities (she tells herself). Although she still gets in the way, she understands that the only way to save her people is to invoke the pact between her family and the Elder sorcerer who has inhabited the local tower for as long as her people have lived here (though none in living memory has approached it).

The Hygrometric Dehabitation Region, or the "Zone," is a growing band of rainforest on the equator, where the heat and humidity make it impossible for warm-blooded animals to survive. A human being without protection in the Zone is dead in minutes. Twenty years ago, Marks went into the rainforest with a group of researchers led by Doctor Elaine Fell, to study the extraordinary climate and see if it could be used in agriculture. The only thing she learned was that the Zone was no place for people. There were deaths, and the program was cut short. Now, they're sending her back in.

The sun is bloated, diseased, dying perhaps. Beneath its baneful light, Shadrapar, last of all cities, harbours fewer than 100,000 human souls. Built on the ruins of countless civilisations, Shadrapar is a museum, a midden, an asylum, a prison on a world that is ever more alien to humanity. Bearing witness to the desperate struggle for existence between life old and new is Stefan Advani: rebel, outlaw, prisoner, survivor.

Tom Dreyfus is a Prefect, a law enforcement officer with the Panoply. His beat is the multifaceted utopian society of the Glitter Band, that vast swirl of space habitats orbiting the planet Yellowstone, the teeming hub of a human interstellar empire spanning many worlds. His current case: investigating a murderous attack against one of the habitats that left 900 people dead, a crime that appalls even a hardened cop like Dreyfus.

Adrian Tchaikovksy's critically acclaimed stand-alone novel Children of Time is the epic story of humanity's battle for survival on a terraformed planet. Who will inherit this new Earth? The last remnants of the human race left a dying Earth, desperate to find a new home among the stars. Following in the footsteps of their ancestors, they discover the greatest treasure of the past age - a world terraformed and prepared for human life. But all is not right in this new Eden.

A chain of subglacial volcanoes erupt in Iceland. The melting ice floods the countryside. Poisonous gas descends on Scotland. A tsunami devastates the Norwegian coastline. An ash cloud rises into the atmosphere, blotting out the sun across Europe, ushering in a new Ice Age. Dozens of nuclear power plants, flooded by ocean water, experience meltdowns. Millions perish. Many more are displaced. All on the first day.

There has always been a darkness to Ilmar, but never more so than now. The city chafes under the heavy hand of the Palleseen occupation, the choke-hold of its criminal underworld, the boot of its factory owners, the weight of its wretched poor and the burden of its ancient curse. What will be the spark that lights the conflagration? Despite the city's refugees, wanderers, murderers, madmen, fanatics and thieves, the catalyst, as always, will be the Anchorwood–that dark grove of trees, that primeval remnant, that portal, when the moon is full, to strange and distant shores.

The Lowlands’ city states have lived in peace for decades, hailed as bastions of civilization. Yet that peace is about to end. A distant empire has been conquering neighbours with highly trained soldiers and sophisticated combat techniques. And the city states are its desirable new prize. Only the ageing Stenwold Maker – spymaster, artificer and statesman – foresees the threat, as the empires’ armies march ever closer. So it falls upon his shoulders to open the eyes of the cities’ leaders.

The human race has turned to dust. August Morrison faces it after rising from the depths of a dark matter research facility in Arizona. His co-workers. His daughter. All of them: dust. Friends and colleagues around the world don’t answer their phones. The city of Phoenix burns. He is alone. As a world without mankind starts to crumble, August fights not just for survival, but for his very sanity. On the other side of the country, Poe McDowell watches her parents crumble into dust just moments after being shoved inside a coffin-like device that spares her from the same fate.

My name is Rex. I am a good dog. Rex is also seven foot tall at the shoulder, bulletproof, bristling with heavy calibre weaponry and his voice resonates with subsonics especially designed to instil fear. With Dragon, Honey and Bees, he's part of a Multiform Assault Pack operating in the lawless anarchy of Campeche, Mexico. A genetically engineered Bioform, he's a deadly weapon in a dirty war. All he wants to be is a Good Dog. And to do that he must do exactly what Master says and Master says he's got to kill a lot of enemies.

The end of the world has been and gone. There was no one great natural disaster, no all-consuming world war, no catastrophic pandemic. Only scores of storms, droughts, and selfish regional conflicts. Humanity was not granted a heroic end. Instead, it bled to death from a thousand cuts. But where Earth fell apart, Mars pulled together. Engineered men and beasts, aided by Bees – an outlawed distributed intelligence – survived through co-operation, because there was simply no alternative.

Humans have reached the stars. There is no evidence any other species survived its own sentience long enough to do the same. Until now, when the Magellanix deep-space scout Accipiter discovers the Artifact, a million-year-old alien construct resting in a dormant volcano on a faraway world.

After an unfortunate accident, Handry is forced to wander a world he doesn't understand, searching for meaning. He soon discovers that the life he thought he knew is far stranger than he could even possibly imagine. Can an unlikely savior provide the answers to the questions he barely comprehends?

Guns of the Dawn is a pacey, gripping fantasy of war and magic from Arthur C. Clarke Award-winning author Adrian Tchaikovsky. The first casualty of war is truth.... First, Denland's revolutionaries assassinated their king, launching a wave of bloodshed after generations of peace. Next they clashed with Lascanne, their royalist neighbour, pitching war machines against warlocks in a fiercely fought conflict.