> The Chaperone is a captivating novel about the woman who chaperoned an irreverent Louise Brooks to New York City in 1922, and the summer that would change them both. Only a few years before becoming a famous actress and an icon for her generation, a 15-year-old Louise Brooks leaves Wichita to make it big in New York. Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone who is neither mother nor friend. Cora Carlisle is a complicated but traditional woman with her own reasons for making the trip.

Ellen O’Farrell is a professional hypnotherapist who works out of the eccentric beachfront home she inherited from her grandparents. It’s a nice life, except for her tumultuous relationship history. She’s stoic about it, but at this point, Ellen wouldn’t mind a lasting one. When she meets Patrick, she’s optimistic. He’s attractive, single, employed, and best of all, he seems to like her back. Then comes that dreaded moment: He thinks they should have a talk. Braced for the worst, Ellen is pleasantly surprised.

Just one week until school starts. One week until Mattie Breen is the new girl again. One week until she has to introduce herself - to try and make friends. Unless she can convince her uncle Potluck, the school janitor, to take her on as a custodial apprentice. Then she’ll be able to work with him at lunch and recess instead of needing to be with all the other fifth-graders. All she has to do is stick to the custodial wisdom she writes in her notebook.

Ten-year-old Zoe Elias has perfect piano dreams. She can practically feel the keys under her flying fingers; she can hear the audience's applause. All she needs is a baby grand so she can start her lessons, and then she'll be well on her way to Carnegie Hall. But when Dad ventures to the music store and ends up with a wheezy organ instead of a piano, Zoe's dreams hit a sour note.

Nine people gather at a remote health resort. Some are here to lose weight, some are here to get a reboot on life, some are here for reasons they can’t even admit to themselves. Amidst all of the luxury and pampering, the mindfulness and meditation, they know these ten days might involve some real work. But none of them could imagine just how challenging the next ten days are going to be.

A debut novel about one girl's discovery of family secrets, first love, the limits of forgiveness, and finding one's way in the world, written with wisdom and sympathy by the best-selling memoirist, actor, and director. When 15-year-old Lucy Willows discovers that her father has a child from a brief affair, an eight-year-old boy named Thomas who lives in her own suburban New Jersey town, she begins to question everything she thinks she knows about her family and her life.

August Pullman was born with a facial difference that, up until now, has prevented him from going to a mainstream school. Starting 5th grade at Beecher Prep, he wants nothing more than to be treated as an ordinary kid—but his new classmates can’t get past Auggie’s extraordinary face. Beginning from Auggie’s point of view and expanding to include his classmates, his sister, her boyfriend, and others, the perspectives converge to form a portrait of one community’s struggle with empathy, compassion, and acceptance.

Ally has been smart enough to fool a lot of smart people. Every time she lands in a new school, she is able to hide her inability to read by creating clever yet disruptive distractions. She is afraid to ask for help; after all, how can you cure dumb? However, her newest teacher Mr. Daniels sees the bright, creative kid underneath the trouble maker. With his help, Ally learns not to be so hard on herself and that dyslexia is nothing to be ashamed of.

Melody is not like most people. She cannot walk or talk, but she has a photographic memory; she can remember every detail of everything she has ever experienced. She is smarter than most of the adults who try to diagnose her and smarter than her classmates in her integrated classroom - the very same classmates who dismiss her as mentally challenged because she cannot tell them otherwise. But Melody refuses to be defined by cerebral palsy.

By sixth grade, Miranda and her best friend, Sal, know how to navigate their New York City neighborhood. They know where it's safe to go, like the local grocery store, and they know whom to avoid, like the crazy guy on the corner.

But things start to unravel. Sal gets punched by a new kid for what seems like no reason, and he shuts Miranda out of his life. The apartment key that Miranda's mom keeps hidden for emergencies is stolen. And then Miranda finds a mysterious note.

Twelve-year-old Mysti Murphy wishes she were a character in a book. If her life were fictional, she'd magically know how to deal with the fact that her best friend, Anibal Gomez, has abandoned her in favor of being a "hipster". She'd be able to take care of everyone when her dad has to spend time in the hospital. And she'd certainly be able to change her family's secret. Seventh grade is not turning out the way Mysti had planned. With the help of a hot-air balloon, her new friend Rama Khan, and a bright orange coat, can she find the courage to change?

The first time she saw him, she flipped. The first time he saw her, he ran. That was the second grade, but not much has changed by the seventh. Juli says, "My Bryce. Still walking around with my first kiss." He says, "It's been six years of strategic avoidance and social discomfort." But in the eighth grade, everything gets turned upside down: Just as Bryce is thinking that there's maybe more to Juli than meets the eye, she's thinking that he's not quite all he seemed.

Hank Zipzer: He's smart. He's creative. He's funny. His pencils are sharpened. His binders are bound. He wants to do well in school, he really does. He tries not to be lazy, like his parents claim he is. So why is he always getting into trouble?

Julia is very short for her age, but by the end of the summer run of The Wizard of Oz, she'll realize how big she is inside, where it counts. She hasn't ever thought of herself as a performer, but when the wonderful director of Oz casts her as a Munchkin, she begins to see herself in a new way. As Julia becomes friendly with the poised and wise Olive and with her deeply artistic neighbor, Mrs. Chang, Julia's own sense of self as an artist grows.

Amanda is reliving her 11th birthday over and over again - even the fight with her best friend, Leo. How can she fix everything and put the day behind her? Only time, friendship, and luck will tell.