When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Leading the field of artificial intelligence, Halfway, a subsidiary of Soul-Tech, provides customers with the opportunity to digitally upload their minds so that in the eventuality of their death, loved ones will be able to communicate with an AI simulation and gain closure. But at what cost?A year after her brother Mark’s death, Florence is still consumed by grief. And though her parents encourage her not to dwell on the past, Florence decides to visit Halfway and speak to the simulation of Mark that was created not long before his passing.

In the tradition of M. Night Shyamalan and Stephen King, Bloodhound is a coming-of-age suspense drama about Jay Pulver, a trans college student who discovers he has mysteriously acquired superhuman abilities when he accidentally kills his sister’s ex-boyfriend. Recruited by a brilliant but eccentric scientist at the FBI, Jay is tasked with employing his unique powers to track down a domestic terrorist group currently setting off bombs around Washington, DC.

It is June 1940. The war against Hitler’s forces is raging. And the tide is turning against the British. In this hour of despair, Prime Minister Winston Churchill receives a mysterious letter from an even more mysterious woman, offering a Faustian bargain and a promise of victory. But if Churchill accepts, will he be condemning his nation’s very soul?

This Is Not a Game is the extraordinary untold story of the internet’s first conspiracy theory, the legend of Ong’s Hat. Marc Fennell will dive deep into a previously unexplored world of tech hippies, eccentric web subcultures and simmering paranoia, uncovering how this tongue-in-cheek artistic experiment backfired on its creator and went on to influence much of what’s wrong with the internet today.

When a recently widowed woman in rural Wisconsin notices her husband’s toolbox is missing, she calls the authorities—and unwittingly starts a chain of events that will forever change her community. What begins as a disarmingly simple mystery blooms into an exploration of loss, the fragility of the environment, and what it means to connect and heal.

Two years after successfully melting down the top secret sperm bank under the Space Needle, the CLITO collective (Community of Lesbians Inclusive To Others) is thriving on their newly acquired private island, Lesbos 2. All is well in their queer utopia. Or is it? Investigative reporter Sarah Keebler (Sarah Steele) is piecing together the crew's previous heist for her bombshell true-crime podcast–and getting dangerously close to the truth.

Boaz Manor was a finance wunderkind. He started a hedge-fund company in Canada and later burst onto Wall Street with a product that could transform the crypto market. By all accounts, he was incredibly hard-working. Possibly brilliant. And...a shameless con man who ended up wanted in multiple countries. Chasing Boaz Manor explores Boaz’s schemes through the perspective of those he left in his wake.

Clem knows every inch of Watersmeet like the back of his hand. After all, he’s controlled crime here for most of his career. But after a shock murder, he meets jaundiced yellow eyes shining out of the darkness beyond the houses on the village’s eerie southern slopes, and everything he thought he knew about the place is thrown into question. Clem’s grown up with local legends, just like everyone else. But could the River Man be real, and might this creature be behind the recent mysterious killings?

It’s the middle of the night in Tehran when Michael arrives at the apartment of his ex-girlfriend, Shima. He finds her anxiously awaiting a mysterious visitor and fears he’s interrupted a tryst, only to gradually learn that the truth is much stranger and more sinister. What follows is a series of cunning detours in this atmospheric and elusive odyssey that challenges expectations and assumptions at every turn.

Mia is reluctant to go camping with her boyfriend and sister, who are graduate students working on a dissertation about American folklore. But ultimately, they convince her to help document the trip. The group sets off to Black Creek, a remote destination in the Pacific Northwest where Bigfoot has allegedly been sighted. They think they’re prepared for anything, but their sense of terror grows as they find more and more evidence to suggest the monster really is out there. Eventually, Mia realizes she’ll be lucky just to make it out of the woods alive.

As the third wave of the virus hits, all inhabitants of Melbourne are given until 8pm to get to their homes. Wherever they are when the curfew hits, they must live for four weeks and stay within a 5km radius. When Lou’s son Samuel doesn’t arrive home by nightfall she begins to panic. He doesn’t answer his phone. He doesn’t message. His social media channels are inactive. Lou is out of her mind with worry, but she can’t go to the police, because she has secrets of her own. Secrets that Samuel just can’t find out about. Lou must find her son herself and bring him home.

There's a serial killer targeting the streets of Newcastle, seemingly picking his victims at random but subjecting them all to the same torturous end. When the Chief Inspector on the case goes missing, it falls on DCI Ryan to track down the man who is brutally murdering women and goading the police to 'catch me if you can'. As everyone becomes a suspect, Ryan and his team get drawn further and further into the case, but for Ryan the nightmare gets closer to home than he could ever have imagined.

In The Worst of You, just-wed architects Timo and Nia flee a murder scene, setting in motion a chain reaction of lies and betrayals that threaten to unravel everything they have built together. Twisted and propulsive, this thriller is told from the alternating perspectives of the couple and those close to them on Williwaw Island, each with their own motive to use the outcome of the murder case to their advantage. When a huge storm sweeps up the coast, trapping everyone on tiny Williwaw Island, it’s a race against time—and the elements — to stop the murderer from striking again.

Tonight, Osmond Box, the reclusive yet wildly successful writer/director known for his completely surprising Broadway plays, is debuting his seventh and most highly anticipated production of his career: The Guilty. Nothing is known about the story, the setting, the premise, or even the actors involved. The first people to discover the truth will be the lucky ones sitting in those seats opening night.

Emily has spent her life running away. She never speaks about what happened between her and her mother at her family home when she was a child. All anyone knows is that same night her father packed up the car and drove Emily away. For her safety, he said. She hasn’t been home since. When her mother dies on her 28th birthday, everything changes. She sees her mother everywhere. She catches glimpses at the corner of her eye. She haunts her dreams.