Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Leading the field of artificial intelligence, Halfway, a subsidiary of Soul-Tech, provides customers with the opportunity to digitally upload their minds so that in the eventuality of their death, loved ones will be able to communicate with an AI simulation and gain closure. But at what cost?A year after her brother Mark’s death, Florence is still consumed by grief. And though her parents encourage her not to dwell on the past, Florence decides to visit Halfway and speak to the simulation of Mark that was created not long before his passing.

It is June 1940. The war against Hitler’s forces is raging. And the tide is turning against the British. In this hour of despair, Prime Minister Winston Churchill receives a mysterious letter from an even more mysterious woman, offering a Faustian bargain and a promise of victory. But if Churchill accepts, will he be condemning his nation’s very soul?

In the tradition of M. Night Shyamalan and Stephen King, Bloodhound is a coming-of-age suspense drama about Jay Pulver, a trans college student who discovers he has mysteriously acquired superhuman abilities when he accidentally kills his sister’s ex-boyfriend. Recruited by a brilliant but eccentric scientist at the FBI, Jay is tasked with employing his unique powers to track down a domestic terrorist group currently setting off bombs around Washington, DC.

This Is Not a Game is the extraordinary untold story of the internet’s first conspiracy theory, the legend of Ong’s Hat. Marc Fennell will dive deep into a previously unexplored world of tech hippies, eccentric web subcultures and simmering paranoia, uncovering how this tongue-in-cheek artistic experiment backfired on its creator and went on to influence much of what’s wrong with the internet today.

Boaz Manor was a finance wunderkind. He started a hedge-fund company in Canada and later burst onto Wall Street with a product that could transform the crypto market. By all accounts, he was incredibly hard-working. Possibly brilliant. And...a shameless con man who ended up wanted in multiple countries. Chasing Boaz Manor explores Boaz’s schemes through the perspective of those he left in his wake.

There's a serial killer targeting the streets of Newcastle, seemingly picking his victims at random but subjecting them all to the same torturous end. When the Chief Inspector on the case goes missing, it falls on DCI Ryan to track down the man who is brutally murdering women and goading the police to 'catch me if you can'. As everyone becomes a suspect, Ryan and his team get drawn further and further into the case, but for Ryan the nightmare gets closer to home than he could ever have imagined.

As the third wave of the virus hits, all inhabitants of Melbourne are given until 8pm to get to their homes. Wherever they are when the curfew hits, they must live for four weeks and stay within a 5km radius. When Lou’s son Samuel doesn’t arrive home by nightfall she begins to panic. He doesn’t answer his phone. He doesn’t message. His social media channels are inactive. Lou is out of her mind with worry, but she can’t go to the police, because she has secrets of her own. Secrets that Samuel just can’t find out about. Lou must find her son herself and bring him home.

Tribulation is a twisted mystery about an end-of-days religious cult manipulating space and traveling across planes of existence on electricity and radio signals. Cult members willingly accept seven brutal years of torture, known as their “tribulation,” to atone for their earthly sins and come out on the other side saved (or thoroughly brainwashed?). The hero of this thriller, Stacy Carlson, must uncover the mystery of the Tribulation cult after her husband Greg is kidnapped by its leader, Brother Elijah (Josh Charles), through a bizarre AM radio broadcast.

When a recently widowed woman in rural Wisconsin notices her husband’s toolbox is missing, she calls the authorities—and unwittingly starts a chain of events that will forever change her community. What begins as a disarmingly simple mystery blooms into an exploration of loss, the fragility of the environment, and what it means to connect and heal.

Justice Beth Garner (Sanaa Lathan) just landed the appointment of a lifetime—a seat on the Supreme Court. Now a mysterious company is blackmailing her for her vote on a landmark case. Caught up in the checkered past of her hero and mentor, Chief Justice Clayton Erlenborn, Beth must cunningly maneuver through a dangerous web of secrets, deception, and cold-blooded murder. Armed with only her moral compass and unflinching nerve, she’s up against a sinister world full of undercover agents, domestic terrorists, and black ops assassins—all of whom want her to comply or die.

Scholarship law student Margot’s fling with her classmate Sam almost cost her everything. Now, she’s going out to dinner with him to a luxurious French restaurant with a plan to even the score. But Sam arrives late and is acting increasingly strangely. His hands are shaking, he’s nervous and jumpy; he’s behaving nothing like the privileged charmer she knows. As the night unfolds, Margot realizes Sam has a terrifying plan of his own.

It was supposed to be fun. A relaxing trip to a remote mountain retreat where there’s no phone reception. Three couples, friends since high school, are looking forward to a weekend of drinking, reminiscing and flirting. When someone suggests swapping partners, it doesn’t seem like such a bad idea. The lights will be switched off, for privacy. It’s not really cheating if you don’t know who you were with, right? But when the lights come back on, one of the men is dead. No-one can agree who was in which bedroom with whom.

Clem knows every inch of Watersmeet like the back of his hand. After all, he’s controlled crime here for most of his career. But after a shock murder, he meets jaundiced yellow eyes shining out of the darkness beyond the houses on the village’s eerie southern slopes, and everything he thought he knew about the place is thrown into question. Clem’s grown up with local legends, just like everyone else. But could the River Man be real, and might this creature be behind the recent mysterious killings?

Emily has spent her life running away. She never speaks about what happened between her and her mother at her family home when she was a child. All anyone knows is that same night her father packed up the car and drove Emily away. For her safety, he said. She hasn’t been home since. When her mother dies on her 28th birthday, everything changes. She sees her mother everywhere. She catches glimpses at the corner of her eye. She haunts her dreams.

The Driver: Ahead he could see only the stretch of unending road, on either side brown-scorched plains of dirt and scrub, above it all a soaring blue sky and blinding sun. The Hitchhiker: Have you ever done something bad? The question was like a clawed hand seizing his guts. The Fugitive: She’d made a mistake. Wasn’t the first time and wouldn’t be the last. Ever since she’d left, all she’d found was more trouble.