On Christmas Day, 1991, Mikhail Gorbachev delivered a ten-minute televised speech announcing his resignation as Soviet president. Moments later, with little pomp and less circumstance, the red flag was lowered from its floodlit perch atop the Kremlin, and the Soviet Union ceased to exist. Into the vacuum—before a new democracy had time to put down roots—surged the Russian mafia, supplying what the new state could not: krysha, or “roof”—protection for the privately owned businesses sprouting across the country.

Charlie Heller is an ace cryptographer for the Company. He's a quiet man with a quiet job in a back office. But when terrorists shoot his fiancee in cold blood and Heller learns that the Agency has decided not to pursue those responsible, his life takes an abrupt turn. He was not a blackmailer but he will force the CIA's hand. He was not an assassin but he will penetrate the Iron Curtain with the intent to kill. Heller is an amateur with a one-in-a-million chance of success.

A riveting thriller about crime and punishment in Soviet-era Moscow. Like the Arkady Renko novels of Martin Cruz Smith, Robert Littell's masterful Mother Russia transports listeners back in time and behind the Iron Curtain to experience the extremes of Soviet society.

It is the height of the Cold War, and Francis and Carroll—two CIA "legends" dubbed "The Sisters Death and Night” by their associates—plot the perfect crime. They deftly lure The Potter—former head of the Russian's KGB espionage school—into revealing the identity of his most talented student, an assassin called “The Sleeper.” The Sisters covertly send the Sleeper on a treacherous and near-impossible assignment, while the Potter races against time stop his protégé from committing the Sisters' exquisitely planned crime.

The Company tells the thrilling story of agents imprisoned in double lives, fighting an enemy that is amoral, elusive, and formidable. It also lays bare a warfare within the company itself, adding another dimension to the spy vs. spy game. The Company tells the thrilling story of agents imprisoned in double lives, fighting an enemy that is amoral, elusive, and formidable. It also lays bare a warfare within the company itself, adding another dimension to the spy vs. spy game.

An elite plan is afoot, a plan so secret and dangerous that its existence is known only to a tiny group of specialists within the innermost core of the CIA. There is virtually no paper trail—but somehow the plan has sprung a leak, and the plotters must urgently plug it—or face deadly consequences. As clandestine worlds collide, the present faces the past, and disturbing moral choices are weighed against a shining patriotic dream. What is the truth? Whose truth should be believed?

On Saturday, January 13, 1917, an ocean liner docks in New York Harbor. Among the disembarking emigrants is one Lev Davidovich Bronshtein—better known by his nom de guerre, Leon Trotsky. Bronshtein has been on the run for a decade, driven from his beloved Russia after escaping political exile in Siberia, his companion and two sons in tow. He lives and would die for a worker’s revolution, at any cost—but is he ready to become an American?

Robert Littell is often compared to John le Carre, Alan Furst, and Len Deighton. But in Sweet Reason, this master of the spy genre takes a dramatic departure to brilliantly satirize career militarists and other absurdities of war.

Before The Company, Robert Littell made a name for himself with The Defection of A.J. Lewinter. Hailed as "a perfect little gem" and a "concise, smart, and funny [novel that] turns Cold War spy cliches on their head," A.J. Lewinter tells the story of an insignificant American scientist whose defection to the Soviet Union becomes a terrifying political chess match of deceit and treachery. Not to be missed!

After the sudden death of his nuclear physicist father and the arrest of his mother during the Stalinist purge of Jewish doctors, young Leon Rozental - intellectually precocious and possessing a disarming candor - is hiding from the NKVD in the secret rooms of the House on the Embankment, a large building in Moscow where many Soviet officials and apparatchiks live and work. One day, after following a passageway, Leon meets Koba, an old man whose apartment is protected by several guards.