This collection includes the first three books of the Matt Helm Series: Death of a Citizen, The Wrecking Crew, and The Removers.

Quarry doesn't kill just anybody these days. He restricts himself to targeting other hitmen, availing his marked-for-death clients of two services: eliminating the killers sent after them, and finding out who hired them…and then removing that problem, as well. So far he's rid of the world of nobody who would be missed. But this time he finds himself zeroing in on the grieving family of a missing cheerleader. Does the hitman's hitman have the wrong quarry in his sights?

In the city of Cairo, a sandstorm is coming. Group Fifteen operative and ex-MI6 officer Charlie Cooper is working undercover as a political negotiator. Attending a conference surrounded by diplomats, businessmen, and lobbyists, nobody would suspect what he really does for a living. Also in their midst is Aisha, a Saudi activist whose protests against human rights abuses have made her an enemy of her country's regime. It isn't just Cooper visiting Cairo under false pretenses. A hit squad has been sent to eliminate Aisha and their reputation precedes them.

Danger lurks in the sleepy little town of Marathon, in the middle of the Florida Keys, as well as in the swamps of the Everglades. But danger doesn't expect to run into a man like Jesse. A man who will not only respond swiftly in facing it, but with a vengeance unexpected.

Jon Reznick is a “ghost”: a black-ops specialist who takes his orders from shadowy handlers, and his salary from the US government. Still mourning the loss of his beloved wife on 9/11, he’s dispatched to carry out a high-level hit. Reznick knows only that it must look like suicide. It’s textbook. But the target is not the man Reznick expected. The whole setup is wrong.

Meet John Milton. He considers himself an artisan. A craftsman. His trade is murder. Milton is the man the government sends after you when everything else has failed. Ruthless. Brilliant. Anonymous. Lethal. You wouldn't pick him out of a crowd but you wouldn't want to be on his list. In this second dip into his case files (see 1000 Yards for a further novella), Milton is sent to Italy to investigate the death of a colleague from Group 15.

When collegiate baseball phenom Chase Fulton suffers a freak injury on the field that shatters his dreams of becoming a Major League catcher, his future looks bleak until he’s recruited into quasi-governmental covert operations, where his training as an assassin and covert intelligence operative launches him into a world fraught with danger, intrigue, and unexpected passion.

Dante Jacoby is a slave to the trappings of the modern world. Twenty-six years old and hopelessly addicted to booze, cigarettes, and procrastination, he’s squandered every ounce of his potential. His corporate raider father, Dorian, reaches the end of his tether and cuts Dante off as heir to the Jacoby family fortune. His mother, Fiona, is smarter than her husband: she hasn’t spoken to Dante in months. But Dante’s no victim. He knows he brought this on himself.

Ex-Special Forces operator Tom Keeler is a rambling man. He’s just passing through the town of Alencourt, France, and in less than an hour, someone tries to kill him. Nice place, nice try. But it’s a case of mistaken identity, and they picked the wrong guy. The French police can’t be trusted, except for the beautiful Cecile Nazari. She finds out fast that keeping up with Keeler is a dangerous occupation. Because someone’s preying on the weak and unprotected. Someone murderous. But they never counted on coming up against a guy like Keeler.

While on vacation in Las Vegas, a businessman wakes up in a strange hotel room to find a dead woman in the bathtub. Panicked, he runs. But before he can get far, a pair of detectives stop him. Desperate, he tells them that he’s innocent. That there’s no way he killed the woman. That he’ll do anything not to go to prison. That’s when they offer him a way out. But there is no way out—as the detectives will soon learn.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.