With its depictions of the downtrodden prostitutes, bootleggers, and hustlers of Perdido Street in the old French Quarter of 1930s New Orleans, A Walk in the Wild Side has found a place in the imaginations of all generations since it first appeared.

A killer so savage (and so sly) that the brutal frenzy of his crimes makes an unassailable insanity defense - such is the opponent facing Tony Fraser, a young district attorney willing to risk anything, everything, for a sentence of death. Plotted against by court psychiatrists, tormented by vanishing evidence and fugitive witnesses, his own wife a target, Fraser finds himself checkmated by the accused - until he seizes an opportunity to go beyond the letter of the law.

Tough-as-nails criminal defense attorney Jane Smith is hip-deep in the murder trial of the century. Actually, her charmless client might’ve committed several murders. She’s also fallen in love with a wonderful guy. And an equally wonderful dog, a mutt. But Jane doesn’t have much time. She’s just received a terminal diagnosis giving her twelve months. Unless she’s murdered before her expiration date.

For most of the last hundred years, Biloxi was known for its beaches, resorts, and seafood industry. But it had a darker side. It was also notorious for corruption and vice, everything from gambling, prostitution, bootleg liquor, and drugs to contract killings. The vice was controlled by small cabal of mobsters, many of them rumored to be members of the Dixie Mafia.

In the small Florida town of Seabrook, a young lawyer named Keith Russo was shot dead at his desk as he worked late one night. The killer left no clues. There were no witnesses, no one with a motive. But the police soon came to suspect Quincy Miller, a young Black man who was once a client of Russo’s.

On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues.

Shots rang out in Savannah's grandest mansion in the misty,early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative flows like a thoroughly engrossing novel, and yet it is a work of nonfiction.

Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by the brutality he suffered while behind bars, King leads a solitary life, his work and his daughter the only lights. When he receives a letter from his accuser confessing that she was paid to frame him years ago, King decides to find out who wanted him gone and why.

Two years ago, Darren Street made a name for himself as the man who rooted out corruption in the district attorney's office. Now the hotheaded young lawyer is in the public eye yet again - this time, accused of murder. Jalen Jordan retained Street for what seemed to be a minor traffic violation, but when evidence turned up linking Jordan to the death of two boys, Street wanted out of the case.

Small-town lawyer Bocephus Haynes comes home late one night to find District Attorney General Helen Lewis waiting for him. Her ex-husband has just been killed. She’s about to be arrested for his murder. And she wants Bo to represent her. There’s a lot working against them. Just before his death, Helen’s ex-husband threatened to reveal a dark secret from her past. Bo has been in a tailspin since his wife’s death.

For weeks, the body count of sexually violated, brutally murdered young women escalated. With increasing alarm, Los Angeles newspapers headlined the deeds of a serial killer they named the Hillside Strangler. The city was held hostage by fear. Darcy O'Brien weds the narrative skill of an award-winning novelist with the detailed observations of an experienced investigator to unravel this chilling true-crime story.

It's men like Jimmy Coonan and Mickey Featherstone who gave Hell's Kitchen its name. In the mid-1970s, these two longtime friends take the reins of New York's Irish mob, using brute force to give it hitherto unthinkable power. Jimmy, a charismatic sociopath, is the leader. Mickey, whose memories of Vietnam torture him daily, is his enforcer. Together they make brutality their trademark, butchering bodies or hurling them out the window.

Presley Carter is a bright, hungry young defense attorney plying her trade in the areas in and around Nashville. Though she’s haunted by a horrifying event from her past, she’s achieved local renown as a savvy, resourceful lawyer adept at handling–and winning–tough cases. After being approached to file a clemency petition by a father whose son committed a gruesome double-murder, Presley reluctantly agrees to file the document, knowing full well the request has no chance of being granted. Then she receives a phone call informing her the convict’s release has been approved.

First published by St. Martin's in 1958, Robert Traver's Anatomy of a Murder immediately became the number one best seller in America, and was subsequently turned into the successful and now classic Otto Preminger film. It is is not only the most popular courtroom drama in American fiction, but one of the most popular novels of our time. A gripping tale of deceit, murder, and a sensational trial, Anatomy of a Murder is unmatched in the authenticity of its settings, events, and characters.

Hollywood. Saturday night. A broken taillight leads to a routine traffic stop. It shouldn’t have changed the lives of the four men involved, but it did. The Onion Field is the frighteningly true story of a fatal collision of destinies that would lead two young cops and two young robbers to a deserted field on the outskirts of Los Angeles, towards a bizarre execution and its terrible aftermath.

“You don’t write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich”, writes Nelson Algren in his only longer work of nonfiction, adding: “A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery.” Nonconformity is about 20th-century America: “Never on the earth of man has he lived so tidily as here amidst such psychological disorder.” In Nonconformity, Algren identifies the essential nature of the writer’s relation to society....

O. Henry and National Book Award-winning author Nelson Algren has inspired thousands with his tough, gritty accounts of urban life. Written over the course of four decades, this collection of 12 stories centers around Depression-era Texas. Characterized by small-town strife, political corruption and frontier-style justice, each tale is a testament to the struggles of the working poor. Also among the stories is a retelling of the myth of Bonnie and Clyde.

In Entrapment and Other Writings - containing his unfinished novel and previously unpublished or uncollected stories, poems, and essays - Algren speaks to our time as few of his fellow great American writers of the 1940s and ’50s do, in part because he hasn’t yet been accepted and assimilated into the American literary canon, despite that he is held up as a talismanic figure.

The fiction and reportage included in The Last Carousel, one of the final collections published during Nelson Algren’s lifetime, was written on ships and in ports of call around the world, and includes accounts of brothels in Vietnam and Mexico, stories of the boxing ring, and reminiscences of Algren’s beloved Chicago White Sox, among other subjects. In this collection, not just Algren’s intensity but his diversity are revealed and celebrated.

Algren’s classic 1947 short story collection is the pure vein Algren would mine for all his subsequent novels and stories. The stories in this collection are literary triumphs that “don’t fade away.” Among the stories included here are “A Bottle of Milk for Mother”, about a Chicago youth being cornered for a murder, and “The Face on the Barrome Floor”, in which a legless man pummels another man nearly to death - the seeds that would grow into the novel Never Come Morning.