In a highly inventive style, Cockerell captures history as it unfolds, weaving together letters, diaries, memoirs, newspaper articles, and interviews into a vivid account. Melting Point follows Zangwill and the Jochelmann family through two world wars, to London, New York, and Jerusalem—as their lives intertwine with some of the most memorable figures of the twentieth century, and each chooses whether to cling to their history or melt into their new surroundings. It is a story that asks what it means to belong, and what can be salvaged from the past.

Robert Macfarlane brings his glittering style to a profound work of travel writing, reportage, and natural history. Is a River Alive? is a joyful, mind-expanding exploration of an ancient, urgent idea: that rivers are living beings who should be recognized as such in imagination and law. Macfarlane takes listeners on three unforgettable journeys teeming with extraordinary people, stories, and places: to the miraculous cloud-forests and mountain streams of Ecuador, to the wounded creeks and lagoons of India, and to the spectacular wild rivers of Canada.

Pulitzer Prize winning writer, editor and TV host Jonathan Capehart recounts powerful stories from his life about embracing identity, picking battles, seizing opportunity and finding his voice.

Structured around the 40 questions Luiselli translates and asks undocumented Latin American children facing deportation, Tell Me How It Ends (an expansion of her 2016 Freeman's essay of the same name) humanizes these young migrants and highlights the contradiction between the idea of America as a fiction for immigrants and the reality of racism and fear - both here and back home.

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin?

From two of America’s most respected journalists, an unflinching and explosive reckoning with one of the most fateful decisions in American political history: Joe Biden’s run for reelection despite evidence of his serious decline—amid desperate efforts to hide the extent of that deterioration.

As private eye Lew Archer follows the clues from the canyon sanctuaries of the megarich to jazz joints where you can get beaten up between sets, The Moving Target blends sex, greed, misdirected love, and family hatred into an explosive crime novel.

Berlin 1961: When Uli Neumann proposes to Lise Bauer, she has every reason to accept. He offers her love, respect, and a life beyond the strict bounds of the East German society in which she was raised—which she longs to leave more than anything. But only two short days after their engagement, Lise and Uli are torn violently apart when barbed wire is rolled across Berlin, splitting the city into two hostile halves: capitalist West Berlin, an island of western influence isolated far beyond the iron curtain.

Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success. In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas. At the age of twenty-two, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries.

On the eve of the Nazi occupation, in the heart of Brussels, life for the residents of 33 Place Brugmann is about to change forever. Charlotte Sauvin, an art student raised by her beloved architect father in apartment 4L, knows all the details of the building and its people: how light falls on wood floors and voices echo off the marble staircase, the distinct knock of her dear friend, Julian Raphaël, the son of the art dealer’s family across the hall. Then the Raphaëls disappear, leaving everything behind but their priceless art collection, which has simply vanished.

On a bright spring afternoon, Ciara Fay makes a split-second decision that will change everything. Grabbing an armful of clothes off the clothesline, she straps her two young daughters into her car and drives away. Head spinning, all she knows for certain is that home is no longer safe—and that this time, when she leaves, she must stay away. On the surface, she has a perfect life: her husband, Ryan, is a good provider, sometimes even kind and attentive, from a nice Irish family, and they have another baby on the way.

Orlando Whitfield and Inigo Philbrick met in 2006 at London’s Goldsmiths University where they became best friends. By 2007 they had started I&O Fine Art. Orlando would eventually set up his own gallery and watch as Inigo quickly immersed himself in a world of private jets and multimillion-dollar deals for major clients. Inigo seemed brilliant, but underneath the extravagant façade, his complicated financial schemes were unraveling. With debt, lawsuits, and court summonses piling up, Inigo went into a tailspin of lies and subterfuge.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

Doctor Jack Troy was born and raised in Faha, but his responsibilities for the sick and his care for the dying mean he has always been set apart from the town. His eldest daughter, Ronnie, has grown up in her father’s shadow, and remains there, having missed one chance at love – and passed up another offer of marriage from an unsuitable man. But in the Advent season of 1962, as the town readies itself for Christmas, Ronnie and Doctor Troy’s lives are turned upside down when a baby is left in their care.

József Debreczeni, a prolific Hungarian-language journalist and poet, arrived in Auschwitz in 1944; had he been selected to go “left,” his life expectancy would have been approximately forty-five minutes. One of the “lucky” ones, he was sent to the “right,” which led to twelve horrifying months of incarceration and slave labor in a series of camps, ending in the “Cold Crematorium”—the so-called hospital of the forced labor camp Dörnhau, where prisoners too weak to work awaited execution.

Scientist-explorer Alexander von Humboldt summons the great mathematician Carl Gauss to Berlin before embarking on an ambitious expedition across Russia, determined to measure the world.

Daniel Kehlmann masterfully weaves the fates of many historical figures into this enchanting work of magical realism and adventure. This account of the 17th-century vagabond performer and trickster Tyll Ulenspiegel begins when he’s a scrawny boy growing up in a quiet village. When his father, a miller with a secret interest in alchemy and magic, is found out by the church, Tyll is forced to flee with the baker’s daughter, Nele. They find safety and companionship with a traveling performer, who teaches Tyll his trade. And so begins a journey of discovery and performance for Tyll.

Towards the end of the 18th century, two brilliant young Germans set out to measure the world. The naturalist and explorer Alexander von Humboldt travels down the Orinoco, climbs the highest mountain then known to man, counts head lice on the heads of the natives, and explores every hole in the ground. The mathematician and physicist Carl Friedrich Gauss does not even need to leave his home in Göttingen to know that space is curved.

Sebastian Zollner's failure as a journalist is matched only by his personal failures. Searching for redemption in the eyes of his peers, he heads off into the mountains to interview the eccentric, legendary painter Manuel Kaminski with the hope of writing his biography. Going blind and living in seclusion with his daughter, Kaminski could be working on his next masterpiece or easing into his final days. His artistic reputation hinges on any number of factors, but most prominently on a definitive biography.

"It is fitting that I'm beginning a new notebook up here. New surroundings and new ideas, a new beginning. Fresh air." This passage is from the first entry of a journal kept by the narrator of Daniel Kehlmann's spellbinding new novel. It is the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany - a house that thwarts the expectations of the narrator's recollection and seems to defy the very laws of physics.

In Hudson River Bracketed, Edith Wharton illuminates the creative process of writing. Vance Weston, a young Midwesterner yearning to be a writer, travels to New York in pursuit of his dreams. On the Hudson River, in an old house called The Willows, he meets a kindred spirit. Halo Spear is the privileged daughter of an old New York family, a lover of poetry and literature who educates and inspires him as he hones his craft.

A cinematic and unforgettable debut novel, Gulf casts a harsh desert light on often overlooked stories from the Arabian Gulf through the voices of five diverse women whose lives collide with devastating and profound consequences. Written with unsettling intimacy and determined empathy, Gulf exposes the stark realities of what happens when a woman’s agency is stripped away and asks how far we will go in order to survive.

In a highly inventive style, Cockerell captures history as it unfolds, weaving together letters, diaries, memoirs, newspaper articles, and interviews into a vivid account. Melting Point follows Zangwill and the Jochelmann family through two world wars, to London, New York, and Jerusalem—as their lives intertwine with some of the most memorable figures of the twentieth century, and each chooses whether to cling to their history or melt into their new surroundings. It is a story that asks what it means to belong, and what can be salvaged from the past.

One morning, a teacher disappears into the woods. As whispers fill her classroom and relatives scour the streets, she melts into a wild landscape, a darkly entrancing place where boars roam free, silver birches tower overhead, and the air is filled with the songs of ancient birds. Sinking deeper into a bed of moss and her own memories, the teacher seeks refuge from the shocking news of a favorite student’s death—a death in which she may have played an unwitting part.

One day Arthur Friedland piles his three sons into the car and drives them to see the Great Lindemann, Master of Hypnosis. Protesting that he doesn't believe in magic even as he is led onto the stage, Arthur nevertheless experiences something. Later that night, while his family sleeps, he takes his passport, empties all the money from his bank account, and vanishes. In time, still absent from his family, he begins to publish novels and becomes an internationally renowned author.

What do a barracks for British troops in the Falklands War, a floating jail off the Bronx, and temporary housing for VW factory workers in Germany have in common? The Balder Scapa: a single barge that served all three roles. Though the name would eventually change to Finnboda 12. And then to Safe Esperia. And later on, to the Bibby Resolution. And after that . . . in short, a vessel with so many names, and so many fates, that to keep it in our sights—as the protagonist of this fascinating economic parable—Ian Kumekawa has no choice but to call it, simply, the Vessel.

Drawing from decades of experience in the craft of language, both Dimópulos and Coetzee face the reality that when it comes to self-expression, some things will always get lost in translation. Speaking in Tongues finally emerges as an engaging and accessible work of philosophy, shining a light on some of the most important linguistic and philological issues of our time.

It’s another scorching summer in Chicago, and fifteen-year-old Margarita is spending her vacation as usual, under the not-so-watchful eyes of her aging maternal grandparents. All told, the plucky teen would much rather be at home in Germany, exploring Berlin with her best friend, Anna, or with Avi, her doting Israeli father, a cantor at their local synagogue with whom she has shared a special bond ever since her mother, Marsha, abandoned the family. Instead, she’s stuck halfway around the world, homesick and tortured by the sound of her grandparents’ chewing.

Wealthy and devout, Michael and Julia Glynn are the envy of their neighbors and the model Irish Catholic couple, bearing Michael's increasingly painful and crippling arthritis with stoicism. In hope of a miracle, their priest suggests a family pilgrimage to Lourdes. Yet these pious holiday plans are thrown into doubt when anonymous, obscene letters begin to arrive, full of terrible accusations.

The lovely attorney kept a secret from me. A baby she’s been carrying since Valentine’s night. The night we were thrown together by the roulette wheel. She never contacted me. Meant to keep me in the dark. She’s about to find out what happens when you cross a bratva boss. Punishment is in order. Sequestering until the birth. And I’ll use that time to win her surrender. Because I don’t just plan to keep the baby - I plan to make his mother my bride. And it would be much better for both of us if she were willing.