In 1889, while upholding Chinese exclusion, Supreme Court Justice Stephen J. Field characterized them as “strangers in the land.” Only in 1965 did America’s gates swing open to people like Luo’s parents, immigrants from Taiwan. Today there are more than twenty-two million people of Asian descent in the United States and yet the “stranger” label, Luo writes, remains. Drawing on archives from across the country and written with a New Yorker writer’s style and sweep, Strangers in the Land is revelatory and unforgettable, an essential American story.

Scientist-explorer Alexander von Humboldt summons the great mathematician Carl Gauss to Berlin before embarking on an ambitious expedition across Russia, determined to measure the world.

At a time when artificial intelligence, climate change, and inequality are raising fundamental questions about the economic system, Capitalism and Its Critics provides a kaleidoscopic history of global capitalism, from the East India Company to Apple. But here John Cassidy, a staff writer at The New Yorker and a Pulitzer Prize finalist, adopts a bold new approach: he tells the story through the eyes of the system’s critics.

On February 1, 1910, the vivacious, diamond-adorned music hall performer Belle Elmore suddenly vanished from her home, causing alarm among her friends, the entertainers of the Music Hall Ladies’ Guild. Their demands for an investigation would lead to the unearthing of a gruesome secret and trigger a fevered international manhunt for Belle’s husband, medical fraudster Dr. Hawley Harvey Crippen.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.