A poet, translator, and social theorist, Bly has published more than 30 collections of poetry, including The Light Around the Body (1967), which won a National Book Award, and most recently Stealing Sugar from the Castle: Selected Poems (2013). His honors include fellowships from Guggenheim and Rockefeller Foundations and the National Endowment for the Arts, as well as the Robert Frost Medal from the Poetry Society of America.

This discussion between best-selling authors Deborah Tannen (You Just Don't Understand) and Robert Bly (Iron John) is presented as a sort of continuing education program. It is utterly delightful. The authors are both funny and serious. They care a great deal about the topic of women and men's conversational styles. The production is so well done that even questions from the audience are picked up by the microphones.

In ordinary life, a mentor can guide a young man through various disciplines, helping to bring him out of boyhood into manhood; and that in turn is associated not with bodybuilding, but with building an emotional body capable of containing more than one sort of ecstasy.

A Course in Miracles says that this world and every aspect of it got started when the Son of God remembered not to laugh. What we failed to laugh at is the joke that is ourselves. Now, however, you can have a true experience of metaphysical mirth - you might even, yourself, achieve "full realization".

When a woman or a father attacks a naive male, he immediately opens himself up and takes the attack right into himself. "Oh, yes, that is true. I am really bad!" It does not occur to him that the attack may be something quite different. Maybe the woman or father is angry at something else and is displacing or projecting the anger onto the man. The naive male takes in the attack, feels the wound, and then bends over, psychologically.

Where have all the grown-ups gone? In answering that question with the same freewheeling erudition and intuitive brilliance that made Iron John a national best seller, poet, storyteller, and translator Robert Bly tells us that we live in a "sibling society" in which adults have regressed into adolescence and adolescents refuse to grow up. We are proud to present a previously unreleased lecture featuring both Marion Woodman and Robert Bly on the subject of the sibling society!

These broadcast quality archival recordings have been edited down into an amazing journey led by Robert Bly, one of America's greatest and entertaining thinkers. This audio explores the poetry of Yeats and goes deep into the author's biography to help bring to light the inspirations of Yeat's great works.

Robert Bly - one of the most compelling mythologists and storytellers of our time - captures the imagination in two live recordings. In The Human Shadow, Bly takes us on a thought provoking and entertaining journey exploring our "shadow" through poetry, music, and storytelling. What Stories Do We Need? reminds us that the mythology we have inherited is often defective. Just as the church refused to accept the reality Galileo saw in his telescope, literalists have removed the dark soul images that nourished our ancestors from mythology.

An extraordinary visit with one of America's leading poets provides a unique exploration of the mystery of maleness. Bly uses fairy tales to illuminate the dark recesses of the psyche, and the result is a powerful intimation of the male experience and potential. From the soft, feminine male persona to the deeply buried wildman, Bly takes us on a journey through unmapped territory of the masculine. For men and women this is a conversation not to be missed.

Leaving naivete behind may open up the wilder regions of maleness, where men can wrestle with their demons and, in time, reach maturity and balance, according to Bly, poet and men's workshop facilitator. This is a fascinating dialogue which explores the mystery of maleness and includes Bly's storytelling mastery and poetry.

Characterized by petty rivalries, self-indulgence and lack of responsibility, our actions fail to fulfill what Robert Bly describes as our true soul longing. With characteristic irreverence and storytelling from various cultures, Bly tells us what we should be doing about green-haired adolescents and idle elders, not to mention televisions and computers. His insightful focus illuminates the truths and possibilities of a culture caught in an adolescent phase of development.

Bly describes the three necessary and sequential life phases symbolized by three colors - the "red, white and black," in the Grimm Brothers' fairy tale "Iron John." He casts a penetrating light on these male life stages, describing complications that arise, for example, when a boy skips the red and goes directly to the white. He also discusses how these stages, when fulfilled, affect men's relationships with women.

In this discussion, Bly talks of four sources of shame, including shame inherited from parents, grandparents, and ancestors, and shame over our bodily and creative instincts. It opens with a Russian fairy story on the Frog Princess and the shame we feel over our interior "Frog Bride." Bly and host Michael Toms discuss the new work in America on shame, most of it done during the last ten years.

In this BetterListen Classic Course, recorded in NYC in 1989, Robert A. Johnson, the celebrated author of He, She, and We, revisits two medieval tales and illuminates how this feeling function has become a casualty of our modern times. Johnson tells the story of the Wounded Fisher King from the Grail Myth to illustrate the anxiety and loneliness that plague men. From the folktale of the Handless Maiden, he explains the very different frustrations of women.

In these never-before-released "Woodman Johnson Discussions", you will get the complete edited program in eight different sections - 12 hours in total, edited audio. These two icons of Jungian theory share a revealing and insightful conversation on Jungian Analysis and each of their lives' work.Some of the points covered include: The Wounded Feeling Function in the Masculine and the Feminine; Legitimate and Illegitimate Feelings; and Masculine, Feminine, Patriarchy.

When mystery author D. B. Ziegler is late delivering her book, Abi Schore steps in to help. Surely she can give her favorite author moral support over the holiday break and get the manuscript to her boss at Tea & Sympathy Publishing in time for the new year. When Abi shows up on Ms. Ziegler’s doorstep bearing holiday treats, she’s met by the author’s handsome grandson Dov, who reveals a startling plot twist. His grandmother isn’t able to finish the book and Dov promised he’d complete it so fans won’t be disappointed—a task that’s harder than he ever imagined.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

There's no place like home for the holidays ... especially for Lesley Carver. Life in the big city just wasn't her jam and now she's back in Hickory Falls, working at the family diner and helping her mom after she took a tumble. Lesley longs to build a life here, working at the cafe, selling her handmade ornaments and ... er, apparently reviving her high school crush on her best friend’s older brother. Only one problem, her mom wants her to leave Hickory Falls far behind.

First published in 1843, it tells the story of Ebenezer Scrooge, a mean and unpleasant man who dislikes people generally and Christmas especially. One Christmas Eve he is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come and given a glimpse of the many homes and lives which Scrooge has touched in his wretched life to date. After their visits, Scrooge is transformed into a kinder, gentler man.

A Signature Performance: Tim Curry rescues Charles Dickens from the jaws of Disney with his one-of-a-kind performance of the treasured classic. Our listeners loved this version so much that it inspired our whole line of Signature Classics.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Clark Griswold was onto something...at least with his annual holiday meltdown. And since the last three weeks of my life have been riddled with humbug—another breakup, a broken toe, an office promotion I deserved and didn’t get—I’m not at all in the mood to celebrate nor have the happ, happ, happiest Christmas EVER.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Academy Award nominee Rachel McAdams stars in Mary Jane, a poignant and intimate drama following a single mother’s journey caring for her chronically ill young son. Set in New York City, the play unfolds in two parts—Mary Jane's small Queens apartment and a pediatric hospital. With unflinching honesty and unexpected humor, we witness Mary Jane's tireless devotion, her interactions with medical professionals, and her struggle to maintain her sense of self.

London: 1968. Liz Houghton is languishing as an obituary writer at a London newspaper when a young girl’s disappearance captivates the city. If Liz can break the story, it’s her way into the newsroom. She already has a scoop: Her best friend Marisa is a police officer who is assigned to the case. Liz follows Marisa to Dorset, where they make another disturbing discovery. Over two decades earlier, three girls disappeared while evacuating from London. One was found murdered in the woods near a train line. The other two were never seen again.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.