It’s been more than 20 years since Olof Hagström left home. Returning to his family’s house, he knows instantly that something is amiss. The front door key, hidden under a familiar stone, is still there. Inside, there’s a panicked dog, a terrible stench, water pooling on the floor: The father Olaf has not seen or spoken to in decades is dead in the bathroom shower.

Flynn was only a teenager when her parents were killed in a terrible accident. Too young to lose her parents, too young to take on responsibility for her younger sister Kaiya, too young to protect Kaiya from the harshness of their new lives in the following years. Desperate to help her sister, Flynn reaches out to Willa Tomlinson, a grief counsellor renowned for helping her patients cope with profound loss. Under Willa’s influence and care, Kaiya finally seems to turn a corner, joining the climate action collective that Willa leads.

Iceland, 1956. Fourteen-year-old Lára decides to spend the summer working for a couple on the small island of Videy, just off the coast of Reykjavík. In early August, the girl disappears without a trace. Time passes, and the mystery becomes Iceland‘s most infamous unsolved case. What happened to the young girl? Is she still alive? Did she leave the island, or did something happen to her there? Thirty years later, as the city of Reykjavík celebrates its 200th anniversary, journalist Valur Robertsson begins his own investigation into Lára's case.

When poet and writer Joy Davidman began writing letters to C. S. Lewis - known as Jack - she was looking for spiritual answers, not love. Love, after all, wasn’t holding together her crumbling marriage. Everything about New Yorker Joy seemed ill-matched for an Oxford professor and the beloved writer of The Chronicles of Narnia, yet their minds bonded over their letters.

On the day Stockholm police officer Hanna Ahlander’s personal and professional lives crash, she takes refuge at her sister’s lodge in the Swedish ski resort paradise of Åre. But it’s a brief comfort. The entire village is shaken by the sudden vanishing of a local teenage girl. Hanna can’t help but investigate, and while searching for the missing person, she lands a job with the local police department. There she joins forces with Detective Inspector Daniel Lindskog, who has been tasked with finding the girl. Their only lead: a scarf in the snow.

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

When a young woman is found brutally murdered in her own apartment with an intricate pattern of lines carved into her face, Copenhagen police detectives Jeppe Korner and Anette Werner are assigned to the case. Soon, they establish a link between the victim, Julie Stender, and her landlady, Esther de Laurenti, who’s a bit too fond of drink and the host of raucous dinner parties with her artist friends. Esther also turns out to be a budding novelist - and when Julie turns up as a murder victim in the unfinished mystery she’s writing, the link between fiction and real life grows.

Carl Mørck used to be one of Denmark’s best homicide detectives. Then a hail of bullets destroyed the lives of two fellow cops, and Carl - who didn’t draw his weapon - blames himself. So a promotion is the last thing he expects. But Department Q is a department of one, and Carl’s got only a stack of cold cases for company. His colleagues snicker, but Carl may have the last laugh, because one file keeps nagging at him: A liberal politician vanished five years earlier and is presumed dead. But she isn’t dead...yet.

One weekend, while Andrew Mason was on a fishing trip, his wife, Brie, vanished without a trace. Most everyone assumed Andy had got away with murder—it’s always the husband, isn’t it?—but the police could never build a strong case against him. For a while, Andy hit rock bottom—he drank too much to numb the pain, was abandoned by all his friends save one, nearly lost his business, and became a pariah in the place he once called home.

Jess needs a fresh start. She’s broke and alone, and she’s just left her job under less than ideal circumstances. Her half-brother Ben didn’t sound thrilled when she asked if she could crash with him for a bit, but he didn’t say no, and surely everything will look better from Paris. Only when she shows up – to find a very nice apartment, could Ben really have afforded this? – he’s not there.

Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music.

Icelandic sisters Áróra and Ísafold live in different countries and aren‘t on speaking terms, but when their mother loses contact with Ísafold, Áróra reluctantly returns to Iceland to find her sister. But she soon realises that her sister isn’t avoiding her...she has disappeared. As she confronts Ísafold’s abusive, drug-dealing boyfriend Björn, and begins to probe her sister’s reclusive neighbours, Áróra is led into an ever-darker web of intrigue and manipulation.

When a body of a woman is discovered at a lighthouse in the Icelandic town of Akranes, it soon becomes clear that she’s no stranger to the area. Chief Investigating Officer Elma, who has returned to Akranes following a failed relationship, and her collegues Sævar and Hörður commence an uneasy investigation which uncovers a shocking secret in the dead woman’s past that continues to reverberate in the present day.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

The DFZ, the metropolis formerly known as Detroit, is the world’s most magical city with a population of nine million and zero public safety laws. That’s a lot of mages, cybernetically enhanced chrome heads, and mythical beasties who die, get into debt, and otherwise fail to pay their rent. When they can’t pay their bills, their stuff gets sold to the highest bidder. That’s when they call me. I’m a Cleaner: a freelance mage employed by the DFZ to sort through the mountains of magical junk people leave behind. It’s not a pretty job, or a safe one....

Pools of blood, scenes of carnage, signs of agonising death - who deals with the aftermath of violence once the bodies have been taken away? Judith Kepler has seen it all. She is a crime-scene specialist. She turns crime scenes back into habitable spaces. She is a cleaner. It is at the home of a woman who has been brutally murdered that she is suddenly confronted with her own past. The murder victim knew Judith's secret: as a child Judith was sent to an orphanage under mysterious circumstances - parentage unknown.

Police detective Ali Barba receives an urgent letter from her estranged friend Cate. Startled by the letter's alarming tone and eager to atone for egregious past actions, Ali meets Cate at their high-school class reunion. The obviously pregnant Cate begs Ali to stop those who are trying to take her baby. But the plot takes a bizarre twist when a careening car kills Cate - and Ali discovers the truth about Cate's pregnancy.

In the electrifying first installment of the New York Times bestselling series, Harry Hole of the Oslo Crime Squad is dispatched to Sydney to observe a murder case. As he circles closer to the killer, Harry begins to fear that no one is safe, least of all those investigating the murder.

Poke Rafferty was writing offbeat travel guides for the young and terminally bored when Bangkok stole his heart. Now the American expat is assembling a new family with Rose, the former go-go dancer he wants to marry, and Miaow, the tiny, streetwise urchin he wants to adopt. But trouble in the guise of good intentions comes calling just when everything is beginning to work out.

KOKO. Only four men knew what it meant. Now they must stop it. They are Vietnam vets — a doctor, a lawyer, a working stiff, and a writer. Very different from each other, they are nonetheless linked by a shared history and a single shattering secret. Now, they have been reunited and are about to embark on a quest that will take them from Washington, D.C., to the graveyards and fleshpots of the Far East to the human jungle of New York.

Frieda Klein is a solitary, incisive psychotherapist who spends her sleepless nights walking along the ancient rivers that have been forced underground in modern London. She believes that the world is a messy, uncontrollable place. The abduction of five-year-old Matthew Farraday provokes a national outcry and a desperate police hunt. And when his face is splashed over the newspapers, Frieda cannot ignore the coincidence: one of her patients has been having dreams in which he has a hunger for just such a child.

Adam Lang has been Britain’s longest serving—and most controversial—prime minister of the last half century. As pressure mounts for Lang to complete this memoirs, he hires a professional ghostwriter to finish the book. As he sets to work, the ghostwriter discovers many more secrets than Lang intends to reveal, secrets with the power to alter world politics - secrets with the power to kill.

It begins with a phone call that Nora Watts has dreaded for 15 years - since the day she gave her newborn daughter up for adoption. Bonnie has vanished. The police consider her a chronic runaway and aren't looking, leaving her desperate adoptive parents to reach out to her birth mother as a last hope. A biracial product of the foster system, transient, homeless, scarred by a past filled with pain and violence, Nora knows intimately what happens to vulnerable girls on the streets.

Nina Borg, a Red Cross nurse, wife, and mother of two, is trying to live a quiet life. The last thing her husband wants is for her to go running off on another dangerous mission to help illegal refugees. But when Nina's estranged friend, Karin, leaves her a key to a public locker in the Copenhagen train station, and begs her to take care of its contents, Nina gets suckered into her most dangerous case yet.

Robin Ballantyne's life is finally coming together. After learning she was pregnant with twins and being abandoned by her irresponsible boyfriend, Adam, she's settling into life as a single mother. But one night, after putting the children to bed, she hears an argument and suddenly, a body falls past her window. Running outside, she finds the body of Paula Carmichael, a renowned activist.

Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. One night Rasa's grandmother - the woman who raised him - catches them in bed together. The following day Rasa is consumed by the search for his best friend, Maj, a fiery activist and drag queen star of the underground bar Guapa, who has been arrested by the police.

In the spring of 1978, a young Haruki Murakami sat down at his kitchen table and began to write. The result: two remarkable short novels—Hear the Wind Sing and Pinball, 1973—that launched the career of one of the most acclaimed authors of our time. These powerful, at times surreal, works about two young men coming of age—the unnamed narrator and his friend the Rat—are stories of loneliness, obsession, and eroticism. They bear all the hallmarks of Murakami’s later books, and form the first two-thirds, with A Wild Sheep Chase, of the trilogy of the Rat.

Ex-cop Jim Weir thought he'd seen it all during his years on the force. That is until he saw the body of his sister Annie, brutally used by a monster in human form, then carelessly discarded. He'd never seen such grief ravage the face of his friend and brother-in-law Ray Cruz, a good cop on the Newport Beach Police Department. When Weir learns that the only witness swore the killer made his escape in a Newport Beach squad car, his disbelief turns to confusion and outrage.

In this offering from Morris Award finalist Stephanie Oakes, three riveting points of view are woven together in a story that's part historical mystery, part contemporary coming-of-age, and completely unputdownable. When Molly gets a package leading her to Pepper, they're tasked with solving a decades-old mystery: find out who killed Ava back in 1989. Using Ava's diary for clues, Molly and Pepper realize there's more to her life - and death - than meets the eye. Someone is lying to them. And someone out there is guiding them along, desperate for answers.

Clara Brodeur has spent her entire adult life pulling herself away from her famous mother, the renowned and controversial photographer Ruth Dunne, whose towering reputation rests on the unsettling nude portraits she took of her young daughter from the ages of three to 14. As Clara charts a path connecting her childhood with her adult life, Shapiro's novel weaves together past and present in images as stark and intense as the photographs that tore the Dunnes apart.