When a carousing Englishman disgraces the consecrated effigy of Hanuman, a leprous "Silver Man" marks him with a hideous curse. The ensuing night brings new terrors to the house of the doomed man.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

This, the first in the splendid series of Jack Aubrey novels, establishes the friendship between Captain Aubrey, Royal Navy, and Stephen Maturin, ship's surgeon and intelligence agent, against the thrilling backdrop of the Napoleonic wars. Details of life aboard a man-of-war in Nelson's navy are faultlessly rendered: the conversational idiom of the officers in the ward room and the men on the lower deck, the food, the floggings, the mysteries of the wind and the rigging, and the road of broadsides as the great ships close in battle.

For Captain Charles Hunter, gold in Spanish hands is gold for the taking, and the law of the land rests with those ruthless enough to make it. Word in port is that the galleon El Trinidad, fresh from New Spain, is awaiting repairs in a nearby harbor. Heavily fortified, the impregnable harbor is guarded by the bloodthirsty Cazalla, a favorite commander of the Spanish king himself. With backing from a powerful ally, Hunter assembles a crew of ruffians to infiltrate the enemy outpost and commandeer El Trinidad, along with its fortune in Spanish gold.

In which Daniel Waterhouse, fearless thinker and courageous Puritan, pursues knowledge in the company of the greatest minds of Baroque-era Europe -- in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight.

Young, wealthy, and good-looking, Jan Palmer leads the kind of life most of us would die for. He has it all - except for one thing: happiness. Trapped under the weight of his responsibilities to his family, his business, and his life, he wishes only to escape to another world. But you have to be careful what you wish for. Waking out of a deep sleep, Jan finally finds escape - into a living nightmare.

Nova Scotia, 1952. Not exactly the place you'd expect to run into pirates. But an old mariner, his boat driven ashore in a gale, brings with him enough stories about buccaneers and their lore to make it seem that he must have had firsthand experience of the pirate life. But how is that possible?

The mutiny on HMS Bounty, in the South Pacific on 28 April 1789, is one of history's truly great stories - a tale of human drama, intrigue and adventure of the highest order - and in the hands of Peter FitzSimons it comes to life as never before. Commissioned by the Royal Navy to collect breadfruit plants from Tahiti and take them to the West Indies, the Bounty's crew found themselves in a tropical paradise. Five months later, they did not want to leave.

Avi’s swashbuckling tale of murder and mutiny on the high seas has a fascinating twist: the heroine is a 13-year-old girl. In 1832, Charlotte Doyle boards a ship bound for America and is caught in a battle between a mad captain and his ruthless crew. If you’re looking for an action-packed adventure story for girls, you’ll find it in The True Confessions of Charlotte Doyle.

Following the commercial and critical success of Typee, Herman Melville continued his series of South Sea adventure-romances with Omoo. Named after the Polynesian term for a rover, or someone who roams from island to island, Omoo chronicles the tumultuous events aboard a South Sea whaling vessel and is based on Melville's personal experiences as a crew member on a ship sailing the Pacific.

Written at the start of the Great War, when his son Borys was at the Western Front, The Shadow-Line is Conrad's supreme effort to open man's eyes to the meaning of war through the stimulus of art. In many ways an autobiographical narrative, this masterpiece of his final period relates the story of a young and inexperienced sea captain whose first command finds him with a ship becalmed in tropical seas and a crew smitten with fever.

Word goes among the crew of the Pole Star that the captain is haunted by demons. And after the days turn into weeks in the frigid Arctic Ocean, stories begin to circulate of ghosts and midnight hauntings.

The story begins in 1629, when the pride of the Dutch East India Company, the Batavia, is on its maiden voyage en route from Amsterdam to the Dutch East Indies, laden down with the greatest treasure to leave Holland. The magnificent ship is already boiling over with a mutinous plot that is just about to break into the open when, just off the coast of Western Australia, it strikes an unseen reef in the middle of the night.

It is 1801, and President Thomas Jefferson has assembled a deep-water navy to fight the growing threat of piracy, as American civilians are regularly kidnapped by Islamist brigands and held for ransom, enslaved, or killed, all at their captors' whim. The Berber States of North Africa, especially Tripoli, claimed their faith gave them the right to pillage anyone who did not submit to their religion.

Darting back and forth across the icy North Atlantic, Compass Rose played a deadly cat-and-mouse game with packs of German U-boats lying in wait beneath the ocean waves. Packed with tension and vivid descriptions of agonizing U-boat hunts, this tale of the most bitter and chilling campaign of the war tells of ordinary men who had to master their own fears before they could face a brutal menace - one that would strike without warning from the deep.