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The Girls
- A Novel
- Narrated by: Cady McClain
- Length: 9 hrs and 44 mins
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Publisher's summary
The instant best seller
An indelible portrait of girls, the women they become, and that moment in life when everything can go horribly wrong
Named one of the best books of the year by The Washington Post • NPR • The Guardian • Entertainment Weekly • San Francisco Chronicle • Financial Times • Esquire • Newsweek • Vogue • Glamour • People • The Huffington Post • Elle • Harper’s Bazaar • Time Out • BookPage • Publishers Weekly • Slate
Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie it is exotic, thrilling, charged - a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence.
Finalist for the Los Angeles Times Book Prize
Finalist for the National Book Critics Circle John Leonard Award
Shortlisted for The Center for Fiction First Novel Prize
The New York Times Book Review Editors’ Choice
Emma Cline - One of Granta’s Best of Young American Novelists
Praise for The Girls
“Spellbinding...a seductive and arresting coming-of-age story.” (The New York Times Book Review)
“Extraordinary... Debut novels like this are rare, indeed.” (The Washington Post)
“Hypnotic.” (The Wall Street Journal)
“Gorgeous.” (Los Angeles Times)
“Savage.” (The Guardian)
“Astonishing.” (The Boston Globe)
“Superbly written.” (James Wood, The New Yorker)
“Intensely consuming.” (Richard Ford)
“A spectacular achievement.” (Lucy Atkins, The Times)
“Thrilling.” (Jennifer Egan)
“Compelling and startling.” (The Economist)
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Critic reviews
“[The Girls reimagines] the American novel... Like Mary Gaitskill’s Veronica or Lorrie Moore’s Who Will Run the Frog Hospital?, The Girls captures a defining friendship in its full humanity with a touch of rock-memoir, tell-it-like-it-really-was attitude.” (Vogue)
“Debut novels like this are rare, indeed.... The most remarkable quality of this novel is Cline’s ability to articulate the anxieties of adolescence in language that’s gorgeously poetic without mangling the authenticity of a teenager’s consciousness. The adult’s melancholy reflection and the girl’s swelling impetuousness are flawlessly braided together.... For a story that traffics in the lurid notoriety of the Manson murders, The Girls is an extraordinary act of restraint. With the maturity of a writer twice her age, Cline has written a wise novel that’s never showy: a quiet, seething confession of yearning and terror.” (The Washington Post)
“Outstanding... Cline’s novel is an astonishing work of imagination - remarkably atmospheric, preternaturally intelligent, and brutally feminist.... Cline painstakingly destroys the separation between art and faithful representation to create something new, wonderful, and disorienting.” (The Boston Globe)
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In Pulitzer Prize-winner Jennifer Egan's highly acclaimed first novel, set in 1978, the political drama and familial tensions of the 1960s form a backdrop for the world of Phoebe O'Connor, age eighteen. Phoebe is obsessed with the memory and death of her sister Faith, a beautiful idealistic hippie who died in Italy in 1970. In order to find out the truth about Faith's life and death, Phoebe retraces her steps from San Francisco across Europe, a quest which yields both complex and disturbing revelations about family, love, and Faith's lost generation.
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Too bad zero was not a choice...
- By IVAL on 04-28-13
By: Jennifer Egan
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Our Little Secret
- By: Roz Nay
- Narrated by: Erin Moon
- Length: 6 hrs and 18 mins
- Unabridged
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Overall
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Performance
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Story
Angela is being held in a police interrogation room. Her ex's wife has gone missing, and Detective Novak is sure Angela knows something, despite her claim that she's not involved. At Novak's prodding, Angela tells a story going back 10 years, explaining how she met and fell in love with her high school friend HP. But as her past unfolds, she reveals a disconcerting love triangle and a dark, tangled web of betrayals. Is Angela a scorned ex-lover with criminal intent? Or a pawn in someone else's revenge scheme?
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Amazing
- By lisa on 12-31-19
By: Roz Nay
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The Poison Tree
- By: Erin Kelly
- Narrated by: Jennifer Ikeda
- Length: 11 hrs and 7 mins
- Unabridged
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Overall
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Performance
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Story
Successful journalist Erin Kelly has electrified readers and critics alike with her debut novel The Poison Tree. In this scintillating work, Karen and her daughter Alice have established a safe, happy life free from the madness of Karen’s past. But when Karen’s former lover Rex is released from prison, her old associations intrude upon the present - and threaten everything she holds dear.
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I couldn't stop listening the book.
- By Gladys on 07-29-15
By: Erin Kelly
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She's Come Undone
- By: Wally Lamb
- Narrated by: Linda Stephens
- Length: 18 hrs and 22 mins
- Unabridged
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Overall
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Performance
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Story
Meet Dolores Price. She's 13, wise-mouthed but wounded, having bid her childhood goodbye. Beached like a whale in front of her bedroom TV, she spends the next few years nourishing herself with the Mallomars, potato chips, and Pepsi her anxious mother supplies. When she finally rolls into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before really going belly-up.
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Really disappointing narrator!
- By Jessica Williams on 01-21-12
By: Wally Lamb
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Outside Looking In
- A Novel
- By: T. C. Boyle
- Narrated by: Johnathan McClain
- Length: 14 hrs and 23 mins
- Unabridged
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Overall
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Performance
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Story
In 1943, LSD is synthesized in Basel. Two decades later, a coterie of grad students at Harvard are gradually drawn into the inner circle of renowned psychologist and psychedelic drug enthusiast Timothy Leary. Fitzhugh Loney, a psychology PhD student, and his wife, Joanie, become entranced by the drug’s possibilities such that their “research” becomes less a matter of clinical trials and academic papers and instead turns into a freewheeling exploration of mind expansion, group dynamics, and communal living.
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STORYTELLING AS CONSCIOUSNESS-RAISING
- By Christopher Meeks on 05-25-19
By: T. C. Boyle
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A Death in Kitchawank, and Other Stories
- By: T. C. Boyle
- Narrated by: T. C. Boyle
- Length: 9 hrs and 3 mins
- Unabridged
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Overall
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Performance
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Story
Few authors write with such sheer love of story and language as T. C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. Here are 14 new tales previously unpublished in book form. By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle's stories have mapped a wide range of human emotions. The stories here reflect his maturing themes.
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Mixed Bag
- By AuntGert on 09-22-20
By: T. C. Boyle
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Children Playing Before a Statue of Hercules (Unabridged Selections)
- By: Edited by David Sedaris
- Narrated by: David Sedaris, Mary-Louise Parker, Cherry Jones
- Length: 2 hrs and 54 mins
- Unabridged
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Overall
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Performance
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Story
Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.
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Great stories but only 5 of 17 are included
- By Terri Kirk on 07-13-12
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Her Body and Other Parties
- Stories
- By: Carmen Maria Machado
- Narrated by: Amy Landon
- Length: 8 hrs and 42 mins
- Unabridged
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Overall
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Performance
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Story
In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.
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Beautiful
- By Anonymous User on 11-17-17
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My Life Next Door
- By: Huntley Fitzpatrick
- Narrated by: Amy Rubinate
- Length: 10 hrs and 40 mins
- Unabridged
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Overall
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Performance
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Story
The Garretts are everything the Reeds are not: loud, numerous, messy, affectionate. And every day from her balcony perch, 17-year-old Samantha Reed wishes she was one of them...until one summer evening, Jase Garrett climbs her terrace and changes everything. As the two fall fiercely in love, Jase's family makes Samantha one of their own. Then in an instant, the bottom drops out of her world and she is suddenly faced with an impossible decision. Which perfect family will save her? Or is it time she saved herself?
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A well written coming of age book
- By Ezinwanyi on 10-23-15
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Like Water
- By: Rebecca Podos
- Narrated by: Kyla Garcia
- Length: 7 hrs and 53 mins
- Unabridged
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Overall
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Performance
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Story
In Savannah Espinoza's small New Mexico hometown, kids either flee after graduation or they're trapped there forever. Vanni never planned to get stuck - but that was before her father was diagnosed with Huntington's disease, leaving her and her mother to care for him. Now she doesn't have much of a plan at all: living at home, working as a performing mermaid at a second-rate water park, distracting herself with one boy after another. That changes the day she meets Leigh.
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Does she have HD or not?
- By Jennifer Greenlees on 11-20-17
By: Rebecca Podos
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The Lost Girls
- A Novel
- By: Heather Young
- Narrated by: Alice Rosengard, Laurel Schroeder
- Length: 12 hrs and 35 mins
- Unabridged
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Overall
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Performance
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Story
In 1935, six-year-old Emily Evans vanishes from her family's vacation home on a remote Minnesota lake. Her disappearance destroys the family - her father commits suicide, and her mother and two older sisters spend the rest of their lives at the lake house, keeping a decades-long vigil for the lost child. Sixty years later, Lucy, the quiet and watchful middle sister, lives in the lake house alone. Before her death, she writes the story of that devastating summer in a notebook that she leaves, along with the house, to the only person who might care: her grandniece, Justine.
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Engaging story spanning three generations.
- By LilMissMolly on 09-23-16
By: Heather Young
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Homesick for Another World
- Stories
- By: Ottessa Moshfegh
- Narrated by: Alyssa Bresnahan, Richard Poe
- Length: 8 hrs and 25 mins
- Unabridged
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Overall
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Performance
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Story
There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.
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Funny, Dynamic Writing
- By Sofia Macht on 06-13-18
By: Ottessa Moshfegh
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Pay Dirt Road
- By: Samantha Jayne Allen
- Narrated by: Sandy Rustin
- Length: 8 hrs and 46 mins
- Unabridged
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Overall
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Performance
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Story
Annie McIntyre has a love/hate relationship with Garnett, Texas. Recently graduated from college and home waitressing, lacking not in ambition but certainly in direction, Annie is lured into the family business—a private investigation firm—by her supposed-to-be-retired grandfather, Leroy, despite the rest of the clan's misgivings.
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Great Narration
- By Cindy Buell NZ on 05-04-22
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You Know When the Men Are Gone
- By: Siobhan Fallon
- Narrated by: Cassandra Campbell
- Length: 5 hrs and 50 mins
- Unabridged
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Overall
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Performance
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Story
In Fort Hood housing, like all army housing, you get used to hearing through the walls. You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. As Siobhan Fallon shows in this collection of loosely interconnected short stories, each woman deals with her husband's absence differently.
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You know when you've got a great read!
- By Pamela Harvey on 01-22-11
By: Siobhan Fallon
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Excavation
- A Memoir
- By: Wendy C. Ortiz
- Narrated by: Bonne Kramer
- Length: 5 hrs and 31 mins
- Unabridged
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Overall
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Performance
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Story
Wendy C. Ortiz was an only child and a bookish, insecure girl living with alcoholic parents in the San Fernando Valley of Los Angeles in the late 1980s and early 1990s. Her relationship with a charming and deeply flawed private school teacher 15 years her senior appeared to give her the kind of power teenagers wish for, regardless of consequences.
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Too Much About Not Much
- By Lifeisshort on 12-22-14
By: Wendy C. Ortiz
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Hope for the future 💗
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It is the fall of 1995 at Rocky Barrens University, hidden amidst the pine trees and starry skies of Northern Ontario. Aurelle Taylor, daughter of a world-famous fashion designer, becomes the closest friend of burgeoning painter Diana Martin; they have bonded over a mutual desire to escape their wealthy families and personal tragedies and begin new lives as students at RBU. They are closer than lovers, they are like one thing, intoxicated by their own bond, falling into the hedonistic seduction of the woods and the water at a university that is more summer camp than campus.
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Joan has spent a lifetime enduring the cruelties of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles, Joan unravels the horrific event she witnessed as a child - that has haunted her every waking moment - while forging the power to finally strike back.
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Should come with a lot of trigger warnings
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My Year of Rest and Relaxation
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Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate; she works an easy job at a hip art gallery and lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?
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I love it...
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Acts of Service
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Eve has an adoring girlfriend, an impulsive streak, and a secret fear that she’s wasting her brief youth with just one person. So one evening she posts some nudes online. This is how Eve meets Olivia, and through Olivia the charismatic Nathan. Despite her better instincts, the three soon begin a relationship—one that disturbs Eve as much as it enthralls her.
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Just Awesome
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Death in Her Hands
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While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate.
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Omg get ON with it
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By: Ottessa Moshfegh
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Room
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To five-year-old Jack, Room is the entire world. It is where he was born and grew up; it's where he lives with his Ma as they learn and read and eat and sleep and play. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits. Room is home to Jack, but to Ma, it is the prison where Old Nick has held her captive for seven years. Through determination, ingenuity, and fierce motherly love, Ma has created a life for Jack. But she knows it's not enough...not for her or for him.
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Good book... Buy it in print
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What listeners say about The Girls
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- Susan Worley
- 06-29-16
So disappointed
I kept waiting for more - the words were written beautifully but the story just never got there. The ending was nothing.
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- Jeana
- 07-27-16
Memorizing
Loved this book. Takes place in the counterculture era and so entertaining and a good laid back "read"
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- digeon
- 11-14-16
excellent
an excellent book that you can't stop. loved it. A must read and we'll read
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- stacey b
- 07-22-16
Fictionalization version of real events?
I need to preface this by saying that I was a criminology major and ingested every bit of material about Charles Manson I could get my hands on. This book is kind of a rip off in my mind of what happened in the Manson family right down to the cult living on a ranch, and a murder in the fancy part of town. I might have enjoyed it more had I not known so much about that story. The narrator is kind of a peripheral member of the cult so that did provide an interesting perspective. I felt that the Author may have gone back and added more flowery descriptors than necessary, but it was an entertaining
listen just the same.
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- beth
- 08-02-16
Meh
Wasn't that interesting to me. Not what I expected and didn't keep my attention well.
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- Lis
- 08-09-16
Moody, psychological, but a familiar story
Would you recommend The Girls to your friends? Why or why not?
Maybe. It's an easy read, but can drag a bit at times. Depends on what they are looking for.
Have you listened to any of Cady McClain’s other performances before? How does this one compare?
This was my first time listening to a Cady McClain performance. I feel like it fit the mood and time period of the book well, especially when told through a 14 year old perspective for most of it. Very dreamy. It was a bit exaggerated, and that drew me out of the story at times, but overall it was fine.
Any additional comments?
I found this book moderately intriguing, and enjoyed how it made me question "What are the waves of thought that suck me in, for the sake of being liked or accepted? Do I get entranced by any ideas so much that I lose sight of the full picture, that may actually be ugly?" I like stories that make me question, and I liked this one because of that. I enjoyed Emma Cline's poetic style of writing, but I can see it being irritating if that isn't your taste. I thought she did a fine job for a debut novel. The whole book I felt like I was reading something familiar, but contrary to other reviews saying it was copying the Charles Manson story, I almost wonder if that was the point. That's why it felt familiar the whole time, because the plot is that story, but regardless, I enjoyed it because it gave me insight as to what it may have felt like to get sucked into a scenario such as that. If the plot resembling the Charles Manson family wasn't intentional, then that is weird for sure and not that cool haha.
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- Maureen McDaniel
- 10-17-16
Hated the characters and story, loved the writing
Where does The Girls rank among all the audiobooks you’ve listened to so far?
Mixed emotions: the writing is stunning, amazing and so vivid. I kept wanting to care about the main character, but she was so shallow, spineless and void of personality. Most of the characters, in fact, came across to me as cardboard stereotypes. But, I kept listening because the writing was so fabulous.
Has The Girls turned you off from other books in this genre?
No. I grew up in the era -- and I live in the area, and I was glad to see the topic in a well-reviewed book.
What about Cady McClain’s performance did you like?
Her voice is cool but vivid and emotional. Very believable in all of the characters' voices.
Any additional comments?
Spoiler! The fact that the main character, in the end, says nothing of what she knows about the crime seems incredible, but looking back, one sees little sign of any nascent character arising within her. She is utterly dull and unadmirable, really.
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- Lauren
- 09-15-16
Book was just OK
What did you like best about The Girls? What did you like least?
The whole story builds for something to happen, yet, nothing ever happens.
What was the most interesting aspect of this story? The least interesting?
The last hour of the book was the only interesting part.
Would you listen to another book narrated by Cady McClain?
Yes
Could you see The Girls being made into a movie or a TV series? Who should the stars be?
Maybe a movie.
Any additional comments?
I'm a tad bit disappointed.
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- Dana
- 08-16-16
Predictable & Disappointing
Nothing really happens and when it does the narrator isn't there to tell us about it.
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- W Perry Hall
- 06-18-16
Woe Be, the Male-volent, Male-ficent Male-factors
"Snuffed-out Story of the ... Fugitive Without a Crime, Half Hoping and Half Terrified that No One was Ever Coming for Me" E. Cline, The Girl, p. 361.
If a novel maintains verisimilitude to the human condition, I do not have a problem if it negatively depicts a certain religion, race, gender or disability. It is art reflecting life so I hesitate to criticize painting good and evil into it. I say this to preface my thoughts, as a guy, on the underlying theme.
There's no doubt the protagonist Evie Boyd, at a very impressionable age of 14, had negative experiences with men and the only love of her life was a 19-year-old girl. I can understand her hatred of men. But, Geez Louise, every male that appears in the book, either in her long ago past, recent past or currently is portrayed as either evil or amoral. I do not recall a book so negative toward ALL men other than A Handmaid's Tale, with which I of course had no problem given its dystopian setting of a world ruled by despotic sexist men; yet even there Offred's husband was shown in a kind light. Not so in The Girls, not one man or boy is not wicked or weak, even the baby boy is bad.
I'll quote one passage in which it all became clear to me:
"The hatred she must have felt to do what she’d done, to slam the knife over and over again like she was trying to rid herself of a frenzied sickness: hatred like that was not unfamiliar to me. Hatred was easy. The permutations constant over the years: a stranger at a fair who palmed my crotch through my shorts. A man on the sidewalk who lunged at me, then laughed when I flinched. The night an older man took me to a fancy restaurant ... a famous filmmaker ... [joined our table]. The men fell into a heated discussion with no entry point for me: I fidgeted with my heavy cloth napkin, drank water. Staring at the wall. “Eat your vegetables,” the filmmaker suddenly snapped at me. “You’re a growing girl.” The filmmaker wanted me to know what I already knew: I had no power. He saw my need and used it against me. My hatred for him was immediate. ...The filmmaker laughed at me, and so did the others, the older man who would later place my hand on his dick while he drove me home. None of this was rare. Things like this happened hundreds of times. Maybe more. The hatred that vibrated beneath the surface of my girl’s face—I think Suzanne recognized it. ... There was so much to destroy."
I don't have a problem with the number of male monsters in this book. Frankly, my issue was not obviated until near the end in the above-quoted. At that point, I saw that not only did Ms. Cline use all the negative stereotypes (in itself, no big deal), but the entire tenor of the novel is an outright hatred of men as evil incarnate. Even this wouldn't put me off but for the fact that her casting (or any author's casting) all of a kind or type as culprits significantly diminishes realism and truth within the novel. That, I cannot forgive. As such, I'm knocking down to 3.3 stars, a story I'd otherwise give 4.1 stars.
Unlike other reviewers, it doesn't bother me that parts are over-written as tends to happen with newly-bronzed MFAs, or that the publisher probably overpaid (IMO, that's the publisher's problem, not the reader's).
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