In the aftermath of Ireland's financial collapse, dangerous tensions surface in an Irish town. As violence flares, the characters face a battle between public persona and inner desires. Through a chorus of unique voices, each struggling to tell their own kind of truth, a single authentic tale unfolds. The Spinning Heart speaks for contemporary Ireland like no other novel. Wry, vulnerable, all-too human, it captures the language and spirit of rural Ireland and with uncanny perception articulates the words and thoughts of a generation.

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

A landslide has closed the Korowai Pass on New Zealand’s South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster presents an opportunity for Birnam Wood, an undeclared, unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. To occupy the farm at Thorndike would mean a shot at solvency at last. But the enigmatic American billionaire Robert Lemoine also has an interest in the place.

Percival Everett's The Trees is a must-listen that opens with a series of brutal murders in the rural town of Money, Mississippi. When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man, faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery that forces him to confront both his past and the complicit silences of a town controlled by the church.

It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end.

Amid daily reports of violence, Cushla lives a quiet life with her mother in a small town near Belfast. By day she teaches at a parochial school; at night she fills in at her family’s pub. There she meets Michael Agnew, a barrister who’s made a name for himself defending IRA members. Against her better judgment—Michael is not only Protestant but older and married—Cushla lets herself get drawn in by him and his sophisticated world, and an affair ignites.

Stoneybridge is a small town on the west coast of Ireland where all the families know one another. When Chicky Starr decides to take an old, decaying mansion set high on the cliffs overlooking the windswept Atlantic Ocean and turn it into a restful place for a holiday by the sea, everyone thinks she is crazy. Helped by Rigger (a bad boy turned good who is handy around the house) and Orla, her niece (a whiz at business), Chicky is finally ready to welcome the first guests to Stone House’s big warm kitchen, log fires, and understated elegant bedrooms.

In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessey is trying to stay one step ahead of the bill collectors. Mary Pat has lived her entire life in the projects of “Southie,” the Irish American enclave that stubbornly adheres to tradition and stands proudly apart. One night Mary Pat’s teenage daughter Jules stays out late and doesn’t come home. That same evening, a young Black man is found dead, struck by a subway train under mysterious circumstances. Mary Pat, propelled by a desperate search for her daughter, begins turning over stones best left untouched.

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely 15-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from - a place to which she vowed she'd never return.

Iceland, 1956. Fourteen-year-old Lára decides to spend the summer working for a couple on the small island of Videy, just off the coast of Reykjavík. In early August, the girl disappears without a trace. Time passes, and the mystery becomes Iceland‘s most infamous unsolved case. What happened to the young girl? Is she still alive? Did she leave the island, or did something happen to her there? Thirty years later, as the city of Reykjavík celebrates its 200th anniversary, journalist Valur Robertsson begins his own investigation into Lára's case.

Alex Dale is lost. Destructive habits have cost her a marriage and a journalism career. All she has left is her routine: a morning run until her body aches, then a few hours of forgettable work before the past grabs hold and drags her down. Every day is treading water, every night is drowning. Until Alex discovers Amy Stevenson. Amy Stevenson, who was just another girl from a nearby town until the day she was found unconscious after a merciless assault. Amy Stevenson, who has been in a coma for fifteen years, forgotten by the world.

Isma is free. After years of watching out for her younger siblings in the wake of their mother's death, she's accepted an invitation from a mentor in America that allows her to resume a dream long deferred. But she can't stop worrying about Aneeka, her beautiful, headstrong sister back in London, or their brother, Parvaiz, who's disappeared in pursuit of his own dream, to prove himself to the dark legacy of the jihadist father he never knew. When he resurfaces half a globe away, Isma's worst fears are confirmed.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

On a fateful summer morning in 1986, two 11-year-old girls meet for the first time. By the end of the day, they will both be charged with murder. Twenty-five years later, journalist Kirsty Lindsay is reporting on a series of sickening attacks on young female tourists in a seaside vacation town when her investigation leads her to interview carnival cleaner Amber Gordon. For Kirsty and Amber, it's the first time they've seen each other since that dark day so many years ago.

Meet Detective Chief Inspector John Luther. He’s a murder detective with an extraordinary case clearance rate. He’s obsessive, instinctive, and intense. Nobody who ever stood at his side has a bad word to say about him. And yet there are rumors that Luther is bad - not corrupt, not on the take, but tormented. He seethes with a hidden fury that at times he can barely control. Sometimes it sends him to the brink of madness, making him do things he shouldn’t - things well beyond the limits of the law.

Everyone who lives at 23 Beulah Grove has a secret. If they didn't, they wouldn't be renting rooms in a dodgy old building for cash - no credit check, no lease. It's the kind of place you end up when you you've run out of other options.The six residents mostly keep to themselves, but one unbearably hot summer night, a terrible accident pushes them into an uneasy alliance. What they don't know is that one of them is a killer. He's already chosen his next victim, and he'll do anything to protect his secret.

The murderee is Nicola Six, a "black hole" of sex and self-loathing who is intent on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts; or the rich, honorable, and dimly romantic Guy Clinch. As Nicola leads her suitors towards the precipice, London--and, indeed, the whole world--seems to shamble after them in a corrosively funny novel of complexity and morality.

Dear Elizabeth, I've been watching you. I hope to see you...soon. Liz Cafferky is on the up. Rescued from her dark past by the owner of a drop-in centre for older men, Liz soon finds herself as the charity's face - and the unwilling darling of the Dublin media. Amidst her claustrophobic fame, Liz barely notices a letter from a new fan. But then one of the centre's clients is brutally murdered, and Elizabeth receives another, more sinister note. Running from her own ghosts, Liz is too scared to go to the police.

Taking us inside one of the 20th century's most ambitious assassination attempts - "making history personal", as one character puts it - High Dive moves between the luxurious hospitality of a British tourist town and the troubled city of Belfast, Northern Ireland, at the height of the armed struggle between the Irish Republican Army and those loyal to the UK government.

We Are All Made of Stars is an unforgettable story about second chances, the power of words, and the resilience of the heart.

Fegan has been a "hard man" - an IRA killer in Northern Ireland. Now that peace has come, he is being haunted day and night by 12 ghosts: a mother and infant, a schoolboy, a butcher, an RUC constable, and seven other of his innocent victims. In order to appease them, he's going to have to kill the men who gave him orders. As he's working his way down the list, he encounters a woman who may offer him redemption; she has borne a child to an RUC officer and is an outsider too.

Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious "Anti-Social Behaviour Order"), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice (always carry a knife, for example) and is determined they should share the joys of pit bulls (fed with lots of Tabasco sauce), Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love .

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

On a quiet summer morning, 17-year-old American exchange student Quinn Perkins stumbles out of the woods near the small French town of St. Roch. She is barefoot, bloodied, and unable to say what has happened to her; Quinn's appearance creates quite a stir, especially since the Blavettes - the French family with whom she's been staying - have mysteriously disappeared. Now the media, and everyone in the idyllic village, are wondering if the American girl had anything to do with her host family's disappearance.

Carrie Wells is nothing but trouble. She's wild and difficult. Not worth anyone's time. Carrie Wells is a beautiful little brat. She's also a vulnerable young adult on my case list.... I'm breaking every rule of friendship by holing her up in my best friend Jack's house while he's away on business. I thought life was difficult enough when I fell for the girl, but it gets a whole lot harder when Jack comes home early and finds a beautiful stranger causing chaos in his house.

Josie Banks is a girl without a past. After being found unconscious with no memory, she was shuffled in and out of foster homes where she suffered years of abuse - an experience that left her broken, damaged, and clinging to drugs and meaningless hook-ups to numb her pain. When Josie disappeared years ago, she took a piece of Tristan with her. She’s the girl he thought he lost forever - the one he’s never been able to forget. Now a twist of fate has brought them back together, and he never wants to let her out of his inked arms again.

Successful journalist Erin Kelly has electrified readers and critics alike with her debut novel The Poison Tree. In this scintillating work, Karen and her daughter Alice have established a safe, happy life free from the madness of Karen’s past. But when Karen’s former lover Rex is released from prison, her old associations intrude upon the present - and threaten everything she holds dear.

Imagine that you live on a picturesque communal garden square, an oasis in urban London where your children run free, in and out of other people's houses. You've known your neighbors for years and you trust them. Implicitly. You think your children are safe. But are they really? On a midsummer night, as a festive neighborhood party is taking place, preteen Pip discovers her 13-year-old sister Grace lying unconscious and bloody in a hidden corner of a lush rose garden. What really happened to her?