From the outside, Harold is an average seven-year-old third grader growing up in the 1960s. Bored by school. Crushing on a girl. Likes movies and baseball—especially the hometown Boston Red Sox. Enjoys spending time with his grandfather. But inside Harold’s mind, things are a lot more complex and unusual. His thoughts come to him as birds flying through a small rectangle in the middle of his brain. He visits an outdoor cafe on the moon and is invited aboard a spaceship by famed astronomer Carl Sagan.

Maria Bamford is a comedian’s comedian (an outsider among outsiders) and has forever fought to find a place to belong. From struggling with an eating disorder as a child of the 1980s, to navigating a career in the arts (and medical debt and psychiatric institutionalization), she has tried just about every method possible to not only be a part of the world, but to want to be a part of it. In Bamford’s “trademark blend of disarming intimacy and dark whimsy” (Publishers Weekly), Sure, I’ll Join Your Cult brings us on a quest to participate in something.

I have always been a soldier. I have known no other life. So begins Alexander’s extraordinary confession on the eve of his greatest crisis of leadership. By turns heroic and calculating, compassionate and utterly merciless, Alexander recounts with a warrior’s unflinching eye for detail the blood, the terror, and the tactics of his greatest battlefield victories.

When horror writer Nick Steen gets sucked into a cursed typewriter by the terrifying Type-Face, Dark Lord of the Prolix, the hellish visions inside his head are unleashed for real. Forced to fight his escaping imagination - now leaking out of his own brain - Nick must defend the town of Stalkford from his own fictional horrors, including avascular-necrosis-obsessed serial killer Nelson Strain and Nick's dreaded throppleganger, the Dark Third.

Bob Odenkirk’s career is inexplicable. And yet he will try like hell to explicate it for you. Charting a “Homeric” decades-long “odyssey” from his origins in the seedy comedy clubs of Chicago to a dramatic career full of award nominations - with a side trip into the action-man world that is baffling to all who know him - it’s almost like there are many Bob Odenkirks! But there is just one and one is plenty. Featuring humorous tangents, wild characters, and Bob’s trademark unflinching drive, Comedy Comedy Comedy Drama is a classic tale told by a determined idiot.

Hollywood Said No! reveals the full-length, never-before-seen scripts for many would-be films, including Bob and David Make a Movie (fleshed out with brand-new storyboards by acclaimed artist Mike Mitchell) and Hooray For America! (a satirical power-house indictment of all that you hold dear).

Jam-packed with misinformation, outright lies, and probable slander, The Incredibly Inaccurate Biography of Andy Richter is totally - and tonally - wrong. A “lie-ography,” if you will, manufactured by some of America’s funniest and most ignorant writers, each working independently of the others, all following one guiding principle: a mutual disregard for the truth. And a mutual disdain for Andy.

When Norm Macdonald, one of the greatest stand-up comics of all time, was approached to write a celebrity memoir, he flatly refused, calling the genre “one step below instruction manuals.” Norm then promptly took a two-year hiatus from stand-up comedy to live on a farm in northern Canada. When he emerged he had under his arm a manuscript, a genre-smashing book about comedy, tragedy, love, loss, war, and redemption. When asked if this was the celebrity memoir, Norm replied, “Call it anything you damn like.”

At 95, the legendary Mel Brooks continues to set the standard for comedy across television, film, and the stage. Now, for the first time, this EGOT (Emmy, Grammy, Oscar, Tony) winner shares his story in his own words.

A panoramic experience that tells the story of Beastie Boys, a book as unique as the band itself - by band members ADROCK and Mike D, with contributions from Amy Poehler, Colson Whitehead, Wes Anderson, Luc Sante, and more.

One of the few indisputable geniuses of pop music, Sly Stone is a trailblazer and a legend. He created a new kind of music, mixing Black and white, male and female, funk and rock. As a songwriter, he penned some of the most iconic anthems of the 1960s and ’70s, from “Everyday People” to “Family Affair.” As a performer, he electrified audiences with a persona and stage presence that set a lasting standard for pop-culture performance.

In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans—and all movie lovers—could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining.

Welcome to the inside-out world of Mitchell and Webb, a strange and surreal place populated by misfits, eccentrics, talking animals and a few stray Radio 4 arts programme presenters. Included here are all five series of their fantastically skewed comedy show, packed with offbeat sketches and peculiar characters. Meet seedy snooker commentators Ted and Peter; poorly matched crime-fighting duo Angel Summoner and BMX Bandit; a cop who doesn't get results but, by God, he does things by the book; and some nervous Nazis who've just noticed their caps have skulls on them.

Hi! I’m Seth! I was asked to describe my audiobook, Yearbook for websites and shit like that, so...here it goes!!! Yearbook is a collection of true stories that I desperately hope are just funny at worst, and life-changingly amazing at best. (I understand that it’s likely the former, which is a fancy “book” way of saying “the first one.”) I talk about my grandparents, doing stand-up comedy as a teenager, bar mitzvahs, and Jewish summer camp, and tell way more stories about doing drugs than my mother would like.

In the mid-70s, Steve Martin exploded onto the comedy scene. By 1978 he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. Born Standing Up is, in his own words, the story of "why I did stand-up and why I walked away".