The Handmaid's Tale
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Narrated by:
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Claire Danes
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By:
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Margaret Atwood
About this listen
Audie Award, Fiction, 2013
Margaret Atwood's popular dystopian novel The Handmaid's Tale explores a broad range of issues relating to power, gender, and religious politics. Multiple Golden Globe award-winner Claire Danes (Romeo and Juliet, The Hours) gives a stirring performance of this classic in speculative fiction, one of the most powerful and widely read novels of our time.
After a staged terrorist attack kills the President and most of Congress, the government is deposed and taken over by the oppressive and all-controlling Republic of Gilead. Offred, now a Handmaid serving in the household of the enigmatic Commander and his bitter wife, can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name. Despite the danger, Offred learns to navigate the intimate secrets of those who control her every move, risking her life in breaking the rules in hopes of ending this oppression.
Cover Art by Fred Marcellino. Used with permission of Pippin Properties, Inc.
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- By L. Berlyne on 01-12-09
By: John Updike
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Fruit of the Drunken Tree
- A Novel
- By: Ingrid Rojas Contreras
- Narrated by: Marisol Ramirez, Almarie Guerra, Ingrid Rojas Contreras
- Length: 12 hrs and 26 mins
- Unabridged
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Seven-year-old Chula and her older sister, Cassandra, enjoy carefree lives thanks to their gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation. When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways.
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Maybe better to read this book than listen???
- By Amazon Customer on 12-12-18
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Future Home of the Living God
- A Novel
- By: Louise Erdrich
- Narrated by: Louise Erdrich
- Length: 10 hrs and 44 mins
- Unabridged
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The world as we know it is ending. Evolution has reversed itself, affecting every living creature on earth. Science cannot stop the world from running backward, as woman after woman gives birth to infants that appear to be primitive species of humans. Thirty-two-year-old Cedar Hawk Songmaker, adopted daughter of a pair of big-hearted, open-minded Minneapolis liberals, is as disturbed and uncertain as the rest of America around her. But for Cedar, this change is profound and deeply personal. She is four months pregnant.
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“Nolite te bastardes carborundorum”
- By Mel on 11-27-17
By: Louise Erdrich
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The Muse
- A Novel
- By: Jessie Burton
- Narrated by: Bahni Turpin, Maria Elena Infantino
- Length: 13 hrs and 21 mins
- Unabridged
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England, 1967. Odelle Bastien is a Caribbean émigré trying to make her way in London. When she starts working at the prestigious Skelton Institute of Art, she discovers a painting rumored to be the work of Isaac Robles, a young artist of immense talent and vision whose mysterious death has confounded the art world for decades. The excitement over the painting is matched by the intrigue around the conflicting stories of its discovery.
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Mixed narration
- By Amy Fleury on 08-05-16
By: Jessie Burton
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The Red Address Book
- By: Sofia Lundberg, Alice Menzies - translator
- Narrated by: Xe Sands
- Length: 8 hrs and 33 mins
- Unabridged
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The global fiction sensation - published in 32 countries around the world: Meet Doris, a 96-year-old woman living alone in her Stockholm apartment. She has few visitors, but her weekly Skype calls with Jenny - her American grandniece, and her only relative - give her great joy and remind her of her own youth. In writing down the stories of her colorful past - working as a maid in Sweden, modelling in Paris during the '30s, fleeing to Manhattan at the dawn of the Second World War - she may help Jenny, haunted by a difficult childhood, unlock the secrets of their family....
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narrator was overwrought
- By Janet L. Hamilton on 02-22-19
By: Sofia Lundberg, and others
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Sula
- By: Toni Morrison
- Narrated by: Toni Morrison
- Length: 5 hrs and 46 mins
- Unabridged
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Nel and Sula's devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal—or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life.
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Good against evil and a riotous story to boot
- By Karen on 04-11-11
By: Toni Morrison
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The Lost Family
- A Novel
- By: Jenna Blum
- Narrated by: Will Damron
- Length: 14 hrs and 17 mins
- Unabridged
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In 1965 Manhattan, patrons flock to Masha’s to savor its brisket bourguignon and impeccable service and to admire its dashing owner and head chef Peter Rashkin, the most eligible bachelor in town. But Peter does not care for the parade of eligible women who come to the restaurant hoping to catch his eye. Running Masha’s consumes him, as does his terrible guilt over surviving the horrors of the Nazi death camp while his wife, Masha - the restaurant’s namesake - and two young daughters perished. Then exquisitely beautiful June Bouquet, an up-and-coming young model, appears at the restaurant, piercing Peter’s guard.
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STIMULATES THE HEART, MIND AND IMAGINATION
- By Miss Manners on 07-01-18
By: Jenna Blum
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Trading Dreams at Midnight
- By: Diane McKinney-Whetstone
- Narrated by: Shari Peele
- Length: 10 hrs and 54 mins
- Unabridged
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Diane McKinney-Whetstone, the award-winning and best-selling author of Tumbling, presents Trading Dreams at Midnight - - an Essence Book Club Recommended Read. Back in 1984, 15-year-old Neena's mother left and never came back. And now Neena is following in her footsteps.
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Hard to follow
- By Nevada on 08-13-10
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London Fields
- By: Martin Amis
- Narrated by: Steven Pacey
- Length: 21 hrs and 47 mins
- Unabridged
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The murderee is Nicola Six, a "black hole" of sex and self-loathing who is intent on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts; or the rich, honorable, and dimly romantic Guy Clinch. As Nicola leads her suitors towards the precipice, London--and, indeed, the whole world--seems to shamble after them in a corrosively funny novel of complexity and morality.
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Big chewy novel, excellent narration
- By Sand on 08-21-14
By: Martin Amis
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Wonder Boys
- By: Michael Chabon
- Narrated by: David Colacci
- Length: 11 hrs and 29 mins
- Unabridged
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A wildly successful first novel made Grady Tripp a young star, and seven years later he still hasn't grown up. He's now a writing professor in Pittsburgh, plummeting through middle age, stuck with an unfinishable manuscript, an estranged wife, a pregnant girlfriend, and a talented but deeply disturbed student named James Leer.
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A strong, early Chabon (sounds like grading wine)
- By Darwin8u on 03-09-14
By: Michael Chabon
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A Golden Age
- A Novel
- By: Tahmima Anam
- Narrated by: Madhur Jaffrey
- Length: 9 hrs and 9 mins
- Unabridged
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As young widow Rehana Haque awakes one March morning, she might be forgiven for feeling happy. Today she will throw a party for her son and daughter. In the garden of the house she has built, her roses are blooming, her children are almost grown, and beyond their doorstep, the city is buzzing with excitement after recent elections. Change is in the air.
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sad, poignant, thought-provoking, beautiful
- By Rio Delta Wild on 06-04-08
By: Tahmima Anam
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December is the time of the annual Ceremony at which each twelve-year-old receives a life assignment determined by the Elders. Jonas watches his friend Fiona named Caretaker of the Old and his cheerful pal Asher labeled the Assistant Director of Recreation. But Jonas has been chosen for something special. When his selection leads him to an unnamed man, the man called only the Giver, he begins to sense the dark secrets that underlie the fragile perfection of his world.
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This guy's mouth makes some serious noises...
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Animal Farm
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George Orwell's classic satire of the Russian Revolution is an intimate part of our contemporary culture, quoted so often that we tend to forget who wrote the original words! This must-read is also a must-listen!
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If you hate spoilers, save the intro for last.
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By: George Orwell
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The Blind Assassin
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For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.
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Good book, TERRIBLE audio!
- By Whitney on 04-27-09
By: Margaret Atwood
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Beloved
- By: Toni Morrison
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Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. Sethe has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.
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Author-read Books
- By John R Williford on 07-14-06
By: Toni Morrison
What listeners say about The Handmaid's Tale
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- David
- 02-17-13
The most ground-breaking dystopia since "1984"
The chilling thing about The Handmaid's Tale is not the oppressive misogynistic regime of the Republic of Gilead, but how effective it is as a police state and how plausible its operation if not its genesis is. All the small ways in which Gilead dehumanizes and isolates, turns women (men too, but especially women) into empty vessels, tools, nameless, faceless units of biological function. This is a dystopia that is actually scary and horrible because unlike Panem or, for that matter, certain other feminist dystopias written by authors named Sheri S. Tepper or Suzette Haden Elgin, this one requires minimal suspension of disbelief. Gilead is not a lot more extreme than certain Islamic regimes, the FLDS, or North Korea. Could the United States literally turn into the Republic of Gilead? Atwood proposes a massacre of the Executive Branch and Congress as the incitement for the takeover of the government by right-wing theocrats. Things get worse bit by bit, in backstory narrated by the Handmaid of the tale, until we arrive at the police state in which the nameless protagonist finds herself trapped.
Offred ("Of-Fred") never tells us her real name. She remembers the time before Gilead, when life was "normal." She had a husband. a daughter, a job. Now she is a Handmaid, a forced surrogate who, because she is one of the few women in the country who still has viable ovaries (Atwood never really explains what caused this widespread sterility, though it's implied that it's a result of pollution and radiation), is obligated to attempt to become pregnant by one of Gilead's Commanders. This obliges her to live in the Commander's house in a sort of veiled purdah, suffering the resentment of the Commander's wife, who has to participate in the humiliating procreation "ceremony." The way in which the Wives, supposedly free women of much higher status than the Handmaids or the Aunts or the "Marthas," are little better than chattel themselves despite their privileges, is something Atwood draws our attention to without spelling it out or hitting us over the head, but it's how we come to feel sympathy for the Commander's wife, Serena-Joy, former evangelical singer and advocate for a "Godly" society who is now angry, resentful, and bitter now that she's gotten what she supposedly wanted. Serena-Joy is just as oppressed and constrained as the Handmaids, she just has a prettier cage that lets her see sunlight through the bars.
Atwood has taken some flack for claiming at one point that she didn't write science fiction. Although she later backed off from that a bit, after reading The Handmaid's Tale, I can kind of see her point. The Handmaid's Tale is a lot like 1984, a speculative look at how very badly wrong things could go in our society, given a few flips of the historical dial, and the point is not the "alternate history" it creates but what this look at a dystopian society that maybe could be tells us. Is 1984 science fiction? Kind of — Orwell creates a new society, a new language, and mentions a few bits of technology that were futuristic at the time he wrote it. But it would be fair to say that it's not a conventional sci-fi story, at least, and that's also true of The Handmaid's Tale. Atwood isn't making up this fictional off-the-rails version of a future U.S. to do worldbuilding or as a vehicle for a tale about rebellion or resistance. The small bits of resistance in this book consist of a thought, a whispered conversation, a glimpse of a banned magazine, and like 1984, we never know if the supposed resistance is for real. Offred is no rebel; she pines for the old days, she hates her "reduced circumstances" and the reeducation she undergoes at the Rachel and Leah Center, but she is mostly a passive chronicler of her age, a vessel, a Handmaid. Things are done to her; she doesn't do things, though she occasionally fantasizes about doing them.
Atwood writes in descriptive literary prose; Offred's thoughts are poignant, heavy, mournful, occasionally smart-alecky, but mostly you just feel the oppressive claustrophobia, the daily dehumanization and erasure, and how readily a modern 20th century woman with a brash feminist mother can find herself submitting to such wholesale, brutal oppression as the new normal, clinging to memories of her old life while slowly forgetting who she used to be. Her oppression is a hundred small humiliations every day, none really cruel or violent, just things reminding her of her status, all the things she is no longer allowed to do (read, write, show her face to men, use hand lotion, talk to anyone about non-trivial matters). In this environment, the smallest conversation, a meeting of eyes, can become an act of rebellion, and Atwood shows us that repeatedly, how defiant and rebellious can be the simple act of asserting, "I am here, I exist, I am a person."
This was a chilling book precisely because there are no action scenes, there is no grand escape, there is no uprising, and you keep wanting Offred to have some way out, to see some way out for any of the people of Gilead, but there is no cavalry coming to bring down the tyrants, no Katniss Everdeens or District 13 here. It ends, arguably, on a more hopeful note than Orwell's book does, but then we've been told repeatedly by Offred herself that she is an unreliable narrator.
It was much less of a feminist polemic than I expected it to be. Yes, the points about right-wing Christians and their various fetishes were made, and Gilead is definitely a nightmare product of the very worst woman-hating religious extremists, but Atwood shows them slaughtering Catholics and Baptists as zealously as they kill abortionists and homosexuals, and there is relatively little soapboxing on the part of the author. The story says a lot of things about what happens when you take certain ideologies seriously, but it does not serve as a vehicle just to knock down those ideologies and push the author's own dubious ideas like certain other authors who tread the same ground broken by The Handmaid's Tale (I am looking at you, Sheri S. Tepper).
So, this book really does deserve to be read. I didn't even read it as a "cautionary tale," per se - it stands on its own as a work of fiction. The characters stand out as living human beings who talk and think like real human beings, because they are so ordinary, in their extraordinary "reduced circumstances." Is this science fiction? Kinda not really. But it is a very dark Bible-thumping dystopia, by a literary author who writes better dystopias than all those trying-too-hard SF authors.
Claire Danes gives a great performance as Offred, making her sad, introspective, and occasionally hysterical as the mood demands it, though something about her voice occasionally annoyed me in the way it drew me out of the writing and made me focus on the narrator.
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35 people found this helpful
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- E. L. Kravchuck
- 02-27-17
Well written but..
I thought this book was very well-written and I thought the idea was plausible as well as very realistic in a world where even flawed ideology can take over a society rapidly. The reason I only gave it three stars was I thought the story was not very well developed, especially in the end where she just disappeared and then fast forward to the future people are trying to figure out what happened to her and where her family xcetera was. I realize that a lot of books leave things to the imagination but I just thought it could have done a better job of showing us how this woman really was a heroine and worked her way to a better place. In the other words, I wanted a happy ending and instead I got a question mark. Many of you reading this review probably think that is a silly notion for someone to want a happy ending but even if it didn't give us a happy ending it could have given us at least an ending where we understood what really happened and there was some finality to her long and treacherous journey.
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6 people found this helpful
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- toromei
- 02-27-14
Surreal yet familiar
Incredibly well written, but I am not sure I would have enjoyed this book as much without the fantastic narration.
With the feel of "The Road" meets "1984" meets "Children of Men" (all of which I enjoyed), this was more a journal than it was a story with a beginning, middle, and end.
I'm not sure I would read this again, but I am glad that I did. Well worth my time.
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- Megan
- 01-07-19
Haunting story, phenomenal narration
Claire Danes' narration took this book to a completely new level for me. She was an excellent choice to bring the right emotion to this story. The tale is chilling and extremely interesting. It's incredibly easy to lose yourself in the world and feel overwhelmed by Offred's situation. I thoroughly enjoyed the ending and listened to it 3 times in a row. I think this is a story that deserves multiple listens.
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- Emerson M.
- 04-29-13
Amazing
This book is even more relevant now than it was when first written.
Claire Daines is an excellent narrator.
Highly recommend this if it's been over twenty years since you last read it (like me).
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- David Kirby
- 02-12-17
Danes is brilliant
I had read this book before and had thought it a classic then. Given the current political situation, I thought it would be a good book to revisit. Listening to Claire Dane's narration elevated the experience well beyond expectations.
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- Julie Lambert
- 02-28-17
Powerful
This was a very powerful book. It was also pretty scary to listen to in regards to everything that's going on in the US today and not to far off from what could become a reality.
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- Tori
- 04-26-17
Poignant and Timely
Claire Danes brings you into a dystopian world where social status is clearly defined, families are products of careful planning, and no one is truly free. In the beginning you can feel a little bit lost, but clarity comes bit by bit as the horror of the narrator’s tale is slowly revealed. The Handmaid’s Tale makes you really think about what it would be like to be in the narrator’s place, and how far you might be willing to go to salvage your life – a life that might be too far gone.
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- Kimberlee67
- 01-24-19
Disappointed
Had so looked forward to this, but was very disappointed. I couldn't get past the narrator. Just, no. (And, yes, I listened to the whole thing!)
I waited to watch the show, since the book is (almost) always better. Am hoping the show is great.
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- Michaela J. O'Connor
- 08-20-20
Lived up to the hype
Very captivating. Would sit in the car listening long after I had arrived at my destination. I do feel like Margaret Atwood's delicious language might have been greater appreciated when read from a book. Claire Dane's delivery is strong but her voice is so soft the volume must be turned up, but so sibilant that its painful to the ears when you do.
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