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The Happy Man
- A Tale of Horror
- Narrated by: Matt Godfrey
- Length: 5 hrs and 20 mins
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Publisher's summary
Charles Ripley has a good job as an engineer, a pretty wife, and an expensive house in a fashionable San Diego suburb. But it isn't until Ruskin Marsh moves in next door that Ripley realizes how passionless his life really is. Marsh, a connoisseur of the arts, high-powered lawyer, model husband and father, and effortless seducer of women, is so supremely alive that Ripley finds himself irresistibly drawn to him.
But after Marsh's arrival, local girls begin to vanish, marriages end violently, nights are split with endless, desperate screams, and horribly mutilated corpses are found. Soon, Ripley becomes caught up in an accelerating maelstrom of sex, drugs, violence, and ghastly, unimaginable rites...and begins to see the beauty of life.
From its profoundly unsettling first pages, Eric C. Higgs's The Happy Man (1985) reveals the nightmare underside of the American dream and brilliantly echoes the Gothic horror tradition of Edgar Allan Poe and Roald Dahl.
"The Happy Man is an essential '80s horror read: smart, sharp, unforgiving, unlike anything else in the genre." - Too Much Horror Fiction
"[A] grisly shocker, understated for the most part but carrying the impact of a fist to the stomach...a most promising debut." - San Diego Union
"A thoroughly engrossing Gothic horror story." - South Bend Tribune
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When the Damaretion, the prized Greek coin from Archibald Havistock's collection, disappears and appraiser Mary Lou "Dunk" Bateson comes under suspicion, Bateson, a cop, and an insurance investigator set out to solve the crime.
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It was a nice listen
- By John on 10-01-12
By: Lawrence Sanders
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Good People
- By: Marcus Sakey
- Narrated by: Joyce Bean, Dan John Miller
- Length: 8 hrs and 27 mins
- Unabridged
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The $400,000 would take care of the mortgage payments that are starting to back up on Tom and Anna Reed. It would cover the credit-card debt they can't get out from under. It would help them find a way to have the child they desperately want but can't seem to conceive. It is more money than either of them has ever seen in one place. But they have no idea what it's doing in their house.
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What were the producers thinking?
- By cristina on 08-04-13
By: Marcus Sakey
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Crimes by Moonlight
- Mysteries from the Dark Side
- By: Charlaine Harris - author/editor
- Narrated by: Natalie Ross
- Length: 12 hrs and 55 mins
- Unabridged
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In number-one New York Times best-selling author Charlaine Harris’s "Dahlia Underground,” venerable vampire Dahlia Lynley-Chivers survives an attack by an anti-vampire terrorist group, only to show them they tried to blow up the wrong bloodsucker. Bailey Ruth Raeburn, a ghost assigned to assist humans in trouble, steps into the middle of a marital dispute with surprising twists in Carolyn Hart’s “Riding High”....
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Pleasantly surprised
- By Bonnie on 08-06-11
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Mannheim Rex
- By: Robert Pobi
- Narrated by: Peter Berkrot
- Length: 14 hrs and 46 mins
- Unabridged
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Recently widowered and grieving, Gavin flees New York City for the quiet of the country. His new home on Lake Caldasac has surprisingly few visitors, and the author soon learns why: a suspiciously high number of people have gone missing in the small town. The deaths have all been ruled accidents, but Finn Horn, a handicapped boy obsessed with fishing, knows the truth. There’s a monster in the lake. And it wants to feed.
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Interesting and fun
- By Bob on 01-14-13
By: Robert Pobi
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The Blue Hour
- Merci Rayborn, Book 1
- By: T. Jefferson Parker
- Narrated by: Tavia Gilbert
- Length: 12 hrs and 11 mins
- Unabridged
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Tim Hess is a semiretired veteran cop staring at a death sentence - his own. Detective Merci Rayborn, young enough to be his daughter, is brash, impatient, and not someone from whom Hess wants to be taking orders. He certainly isn't planning on falling in love with her. Together, they must track down a psychopathic killer who's been abducting beautiful young women from the malls of Orange County.
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Outstanding book, exceptional reader
- By Jan on 03-24-10
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Talk Talk
- By: T. C. Boyle
- Narrated by: T.C. Boyle
- Length: 11 hrs and 14 mins
- Unabridged
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The first time Bridger saw Dana she was dancing barefoot, her hair aflame in the red glow of the club, her body throbbing with rhythms and cross-rhythms that only she could hear. He was mesmerized. That night they were both deaf, mouthing to each other over the booming bass. And it was not until their first date, after he had agonized over what CD to play in the car, that Bridger learned that her deafness was profound and permanent. By then, he was falling in love.
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Too Much Talk
- By Pamela Harvey on 07-20-06
By: T. C. Boyle
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Koko
- Blue Rose Trilogy, Book 1
- By: Peter Straub
- Narrated by: Patrick Lawlor
- Length: 22 hrs and 56 mins
- Unabridged
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KOKO. Only four men knew what it meant. Now they must stop it. They are Vietnam vets — a doctor, a lawyer, a working stiff, and a writer. Very different from each other, they are nonetheless linked by a shared history and a single shattering secret. Now, they have been reunited and are about to embark on a quest that will take them from Washington, D.C., to the graveyards and fleshpots of the Far East to the human jungle of New York.
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7 hours in and I am done
- By bionichands on 01-26-12
By: Peter Straub
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Cold City
- Repairman Jack: Early Years Trilogy, Book 1
- By: F. Paul Wilson
- Narrated by: Alexander Cendese
- Length: 11 hrs and 16 mins
- Unabridged
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If you've never read a Repairman Jack novel, this is the place to begin. It's 1990. A twenty-one-year-old named Jack has dropped out of college, leaving his old life behind to build a new one in New York City. Manhattan's rough edges are jagged enough to shred any unwary newcomer, but perhaps not one who is determined to stay off the grid, at any cost, in the busiest metropolis on earth. And to do so, he'll have to take jobs of a less than legal nature.
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Fun, as long you don't think too much
- By Andrew Pollack on 01-17-14
By: F. Paul Wilson
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Wonder Boys
- By: Michael Chabon
- Narrated by: David Colacci
- Length: 11 hrs and 29 mins
- Unabridged
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A wildly successful first novel made Grady Tripp a young star, and seven years later he still hasn't grown up. He's now a writing professor in Pittsburgh, plummeting through middle age, stuck with an unfinishable manuscript, an estranged wife, a pregnant girlfriend, and a talented but deeply disturbed student named James Leer.
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A strong, early Chabon (sounds like grading wine)
- By Darwin8u on 03-09-14
By: Michael Chabon
What listeners say about The Happy Man
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- JenniferLOVESThrillers
- 04-15-18
A NICE HAPPY TALE OF HORROR
This story has a great narrator, which really made the story enjoyable. It's an interesting tale and not at all what I expected. It had a couple of twists that really surprised me and that does not happen often for me. The book is relatively short yet I felt satisfied. I recommend this novel to anyone that enjoys horror, and a good story with great narration.
I was given this free review copy audiobook at my request and have voluntarily left this review.
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- Cthulhu Neal
- 04-21-18
The Happy Man: A Tale of Terror - review N Smead
First things first..
[I have been given a free copy of this audio book in return for an unbiased review finished in a set time. I am in no way affiliated with the author/narrator/publisher]
Now that we are done with the legalese...
I requested this book solely on the fact that, the book's cover consists of nothing but a fork speared eyeball. Really, what more do you need to know?
So you can imagine my surprise when I hear the melodic tones of Matt Godfrey speaking through my headset. This book (like his others so far) does not disappoint in keeping the listener entertained both in the creative writing of Eric C. Higgs as well as through the narration of Matt Godfrey.
From the very beginning, you are brought into the macabre world of Ruskin Marsh via Charles Ripley. Ripley is an average mild mannered suburbanite. Good job, good home, good neighbor, good marriage. Then comes Ruskin Marsh.
Akin to other anti-heros such as Dexter (Dexter) and Patrick Bateman(American psycho). Marsh invades the normalcy and every day life of Charles Ripley very slowly, and deliberately. Right away you find that the aesthetics of the Marsh marriage are just that; for appearances only.
By the fourth chapter the true dark nature laying within Marsh is revealed. However, it is written in such a way that instead of casting shadows on these acts, Higgs gives us his amazing insight in his interpretation of: ambivalence, raw passion, disgust, and pure bliss all at once; Godfrey does his damndest to make all of these feelings come to life during his narration.
The Marquis de Sade even makes an appearance in the form of a rare leather bound tome offered to Ripley from Marsh as a form of "bait" to start luring this naive engineer down a dark rabbit hole. Cudoes to Mr. Higgs for that particular name drop.
All in all I will give this a 3/5
I enjoyed the story, but it just seems like this kind of story is everywhere right now, and it is just lost in the middle of the pack somewhere. Matt Godfrey does a rather good job in keeping the listener entertained, and as always brings a solid performance. I would recommend this to anyone who loves: gore, brutality, introspection of a psychotic psychi, dark horror/mental manipulation themes. It is worth the credit to listen, but for me there isn't much replay value.
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2 people found this helpful
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- TU
- 04-13-18
Great but not for the prudish
I was given this free review copy audio book at my request and have voluntarily
left this review.
I'm not sure how to quantify my feelings on this book. I love the 80's setting, as I'm a child of the 80's. I also love the old pre-2000's horror movies. That being said, this has a definite sexual overtones and content, which kind of surprised me. Mostly because I didn't expect the amount of sexual depravity in the book. It's just not my cup of tea. That being said, the book has a great building of tension as the book progresses. The narrator does a great job on the book.
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- man's ruin
- 05-06-20
phenomenal
holds up well for its retro 80s vibe. original take on the Apt Pupil scenario. worth a listen for fans of mindful horror
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- Midwestbonsai
- 04-15-18
a neighborhood friend telling you a crazy story
In the opening moments of Eric C. Higgs's The Happy Man: A Tale of Horror, we learn of a murder - the Marsh family has been shot dead next door. We're told this by Charles Ripley, whose first-person account gives us insight into the San Diego neighborhood he inhabits. The victims next door are not the only murders this neighborhood has seen recently, and Ripley recounts the events leading up to this penultimate act of violence. In fact, strange things have been brewing ever since the Marshes moved in...
Outside of his marriage, Ripley doesn't have a lot of friends and few men he can connect with. He quickly bonds with the newly arrived Ruskin Marsh, and their wives form a fast friendship. As Ripley and Marsh become better acquainted with each other, Charles is introduced to a very rare work of writing from the sexual libertine Marquis de Sade. Entranced by Marsh's own sexual exploits and lack of inhibitions, Ripley soon finds his own constraints diminishing and begins straying into extramarital affairs and, soon enough, darker exploits encouraged in de Sade's writings.
Narrated by Matt Godfrey, The Happy Man is a slow-burn work of suburban horror that finely balances placidity with hair-raising, horrifying drama. This is a well-crafted work of psychosexual drama, and Godfrey's reading of the material captures the feel of a neighborhood friend telling you a crazy story. At only a bit over 5 hours long, Godfrey keeps the narrative moving along nicely. Higgs, meanwhile, keeps the work grounded, and the moments of horror are never implausible or outlandish. Higgs earns each of his twists and turns by giving us believable characters and a pot-boiler narrative that slowly builds toward the inevitable.
Written in 1985, and recently reissued by Valancourt Books, The Happy Man taps into the anxiety of The Other with its themes of sexual promiscuity, casual drug use, fear of immigrants, and the rise of the Christian Right and their idea of what constitutes family values. While this latter is never overtly mentioned, given the period Higgs was writing in I can't help but feel like much of this book is a response to the political climate surrounding it. Marsh is very much a hedonistic figure, the kind of guy Nancy Reagan would encourage you to Just Say No! to, and his arrival to this suburban neighborhood threatens to destroy everything his fellow yuppies hold dear, upsetting the balance of their perfectly coiffed all-American lifestyles. With its themes of racism and the sexual objectification of women, The Happy Man is very much a product of the 1980s, yet much of horrors its reacting to, and certainly expounding upon, still feel topical today. Higgs takes all the fears of 80s Evangelicalism and runs with them toward their worst-case finale - the destruction of families at the hands of an outsider. It's telling, though, that while Mexican immigrants are often blamed for some of the seedier aspects of this white collar, upper-crust San Diego subdivision, the root cause of their problems lie much, much closer to home. Perhaps, in between the moments of eroticism and shocking violence, Higgs was trying to tell us something after all.
Audiobook was provided for review by the narrator.
Please find this complete review and many others at my review blog.
[If this review helped, please press YES. Thanks!]
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6 people found this helpful
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- Simone
- 03-24-18
Moderately Good
I wanted to like this book so badly. From the description to the narrator to the cover, it sounded right up my alley. I had the hardest time getting into this one. It seemed to get interesting in bursts to me but never really grabbed me. Perhaps it just wasn't for me! Matt Godfrey literally always does fantastic work, so it may be worth the listen just for him. I wouldn't recommend this book to anyone only because it didn't strike a chord with me.
I was voluntarily provided this free review copy audiobook by the author, narrator, or publisher.
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4 people found this helpful
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- Paul Freund
- 03-15-18
Moderate descriptive horror
Would you recommend this audiobook to a friend? If so, why?
I would recommend the book only if the reader is into horror novels
What aspect of Matt Godfrey’s performance would you have changed?
I felt there could have been a bit more emotion since the author intended that in the story.
Any additional comments?
I received this book free for an honest review.
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- Michael Hicks
- 04-11-18
1980s Horror That Still Resonates Today
In the opening moments of Eric C. Higgs’s The Happy Man: A Tale of Horror, we learn of a murder – the Marsh family has been shot dead next door. We’re told this by Charles Ripley, whose first-person account gives us insight into the San Diego neighborhood he inhabits. The victims next door are not the only murders this neighborhood has seen recently, and Ripley recounts the events leading up to this penultimate act of violence. In fact, strange things have been brewing ever since the Marshes moved in…
Outside of his marriage, Ripley doesn’t have a lot of friends and few men he can connect with. He quickly bonds with the newly arrived Ruskin Marsh, and their wives form a fast friendship. As Ripley and Marsh become better acquainted with each other, Charles is introduced to a very rare work of writing from the sexual libertine Marquis de Sade. Entranced by Marsh’s own sexual exploits and lack of inhibitions, Ripley soon finds his own constraints diminishing and begins straying into extramarital affairs and, soon enough, darker exploits encouraged in de Sade’s writings.
Narrated by Matt Godfrey, The Happy Man is a slow-burn work of suburban horror that finely balances placidity with hair-raising, horrifying drama. This is a well-crafted work of psychosexual drama, and Godfrey’s reading of the material captures the feel of a neighborhood friend telling you a crazy story. At only a bit over 5 hours long, Godfrey keeps the narrative moving along nicely. Higgs, meanwhile, keeps the work grounded, and the moments of horror are never implausible or outlandish. Higgs earns each of his twists and turns by giving us believable characters and a pot-boiler narrative that slowly builds toward the inevitable.
Written in 1985, and recently reissued by Valancourt Books, The Happy Man taps into the anxiety of The Other with its themes of sexual promiscuity, casual drug use, fear of immigrants, and the rise of the Christian Right and their idea of what constitutes family values. While this latter is never overtly mentioned, given the period Higgs was writing in I can’t help but feel like much of this book is a response to the political climate surrounding it. Marsh is very much a hedonistic figure, the kind of guy Nancy Reagan would encourage you to Just Say No! to, and his arrival to this suburban neighborhood threatens to destroy everything his fellow yuppies hold dear, upsetting the balance of their perfectly coiffed all-American lifestyles. With its themes of racism and the sexual objectification of women, The Happy Man is very much a product of the 1980s, yet much of horrors its reacting to, and certainly expounding upon, still feel topical today. Higgs takes all the fears of 80s Evangelicalism and runs with them toward their worst-case finale – the destruction of families at the hands of an outsider. It’s telling, though, that while Mexican immigrants are often blamed for some of the seedier aspects of this white collar, upper-crust San Diego subdivision, the root cause of their problems lie much, much closer to home. Perhaps, in between the moments of eroticism and shocking violence, Higgs was trying to tell us something after all.
[Note: the review was originally published at audiobookreviewer dot com]
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- MP
- 05-23-18
De Sade meets '80s yuppie culture
This is a quick listen, so as you can imagine it doesn't waste any time. Within the first few minutes, we find out that an entire family has been killed, and our narrator murders another person within minutes of this happening. The rest of the book explains how we got there.
Charles is living a perfectly normal southern Californian suburban life, in a town that is only a few miles away from the Mexican border (this is important later in the book). He has a successful career and a well-paying job, and lives around people who are similarly successful. His wife lost a baby a few years prior, but they have moved on and live a seemingly happy life. Enter Ruskin Marsh and his family, a new neighbor that seems to be the same type of person as everyone else in this neighborhood, but it quickly becomes apparent that he has a wild side that is very contagious. At first he may remind you of that one crazy friend we all have, where the simple act of going out to dinner with them results in a million crazy adventures.
Pretty soon he's dragging Charles out to bars to pick up women, who they see die in a flaming car crash during an intoxicated drive to their place, and it doesn't even seem weird the next morning. Within weeks of the Marshes moving to the neighborhood, we're seeing crazy swinging parties where everyone gets wasted and naked, and some people have nervous breakdowns after Ruskin has a conversation with them about their failing company. He gives Charles a rare private press copy of the Marquis de Sade's Juliette, and then we really start to see the sinister side to Ruskin's free spirited life. You can probably guess where this goes by looking at the cover.
Charles is a great example of a normal guy whose life gets completely turned upside down, until it gets so crazy that there just isn't any going back. His usage of terms like "marijuana cigarette" to emphasize his squareness was a stroke of genius on the part of Higgs, a writer who I know very little about. This one works both as a satire of the 1980s yuppie lifestyle, and also as an enthralling horror tale of the "sinister suburban life" genre (is that a thing?). I see that one of the only other things Higgs has published was a screenplay for a proposed film version of this, and I must say that this would make a pretty sweet indie horror film. In case you can't tell by the rating, this audiobook is fantastic and gets a huge recommendation from me.
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- James
- 05-01-18
Happy - not happy
Very strange and twisted neighbors destroy the nice couple next door and the neighborhood. The plot started out really strong, but fizzled just toward the end, however, this was a really good listen.
“I was voluntarily provided this free review copy audiobook by the author, narrator, or publisher.”
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