The Heroine with 1001 Faces
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Narrated by:
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Julie McKay
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By:
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Maria Tatar
About this listen
World-renowned folklorist Maria Tatar reveals an astonishing but long buried history of heroines, taking us from Cassandra and Scheherazade to Nancy Drew and Wonder Woman.
How do we explain our newfound cultural investment in empathy and social justice? For decades, Joseph Campbell had defined our cultural aspirations in The Hero with a Thousand Faces, emphasizing the value of seeking glory and earning immortality. His work became the playbook for Hollywood, with its many male-centric quest narratives.
Challenging the models in Campbell's canonical work, Maria Tatar explores how heroines, rarely wielding a sword and deprived of a pen, have flown beneath the radar even as they have been bent on social missions. Using the domestic arts and storytelling skills, they have displayed audacity, curiosity, and care as they struggled to survive and change the reigning culture. Animating figures from Ovid's Philomela, her tongue severed yet still weaving a tale about sexual assault, to Stieg Larsson's Lisbeth Salander, a high-tech wizard seeking justice for victims of a serial killer, The Heroine with 1,001 Faces creates a luminous arc that takes us from ancient times to the present.
©2021 Maria Tatar (P)2021 TantorListeners also enjoyed...
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By: P. D. James
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The Western Canon
- The Books and School of the Ages
- By: Harold Bloom
- Narrated by: James Armstrong
- Length: 22 hrs and 4 mins
- Unabridged
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Harold Bloom explores our Western literary tradition by concentrating on the works of twenty-six authors central to the Canon. He argues against ideology in literary criticism; he laments the loss of intellectual and aesthetic standards; he deplores multiculturalism, Marxism, feminism, neoconservatism, Afrocentrism, and the New Historicism. Insisting instead upon "the autonomy of aesthetic," Bloom places Shakespeare at the center of the Western Canon.....
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A personal and opinionated book on the Canon
- By Steffen on 07-23-12
By: Harold Bloom
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Isak Dinesen
- The Life of a Storyteller
- By: Judith Thurman
- Narrated by: Davina Porter
- Length: 21 hrs and 23 mins
- Unabridged
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Isak Dinesen earned international fame for Seven Gothic Tales and Out of Africa, and other stories that skillfully combine elements of fable, social conflict, and psychological drama. She was twice nominated for the Nobel Prize. Yet the story of her life - her travels, affairs, and friendships - remains the greatest story of all.
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over-written
- By Jacqui Good on 10-19-18
By: Judith Thurman
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The Man Who Invented Fiction
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- By: William Egginton
- Narrated by: Michael Butler Murray
- Length: 8 hrs and 14 mins
- Unabridged
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In the early 17th century, a crippled, graying, almost toothless veteran of Spain's wars against the Ottoman Empire published a novel. It was the story of a poor nobleman, his brain addled from studying too many novels of chivalry, who deludes himself that he is a knight errant and sets off on hilarious adventures. That story, Don Quixote, went on to sell more copies than any other book beside the Bible, making its author, Miguel de Cervantes, the single most-read author in human history.
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Very Interesting and Informative, but Poorly Read
- By LCorSMT on 06-21-23
By: William Egginton
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Wonder Woman Unbound
- The Curious History of the World's Most Famous Heroine
- By: Tim Hanley
- Narrated by: Colby Elliott
- Length: 7 hrs and 12 mins
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This close look at Wonder Woman's history portrays a complicated heroine who is more than just a female Superman with a golden lasso and bullet-deflecting bracelets. The original Wonder Woman was ahead of her time, advocating female superiority and the benefits of matriarchy in the 1940s. At the same time, her creator filled the comics with titillating bondage imagery, and Wonder Woman was tied up as often as she saved the world.
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facts about how Wonder Woman has been portrayed
- By Midwestbonsai on 07-25-16
By: Tim Hanley
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The Art of the Novel
- By: Milan Kundera, Linda Asher - translator
- Narrated by: Graeme Malcolm
- Length: 4 hrs and 31 mins
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Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the postpsychological novel.
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Informative and Inspiring
- By Mo on 11-27-21
By: Milan Kundera, and others
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Wagnerism
- Art and Politics in the Shadow of Music
- By: Alex Ross
- Narrated by: Alex Ross
- Length: 28 hrs and 25 mins
- Unabridged
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Alex Ross, renowned New Yorker music critic and author of the international best seller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics - an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.
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Not Just for Wagner Experts!
- By Rupert Pupkin on 09-26-20
By: Alex Ross
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Sailing the Wine-Dark Sea
- Why the Greeks Matter
- By: Thomas Cahill
- Narrated by: John Lee
- Length: 7 hrs and 35 mins
- Unabridged
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Best selling history writer Thomas Cahill continues his series on the roots of Western civilization with this volume about the contributions of ancient Greece to the development of contemporary culture. Tracing the origin of Greek culture in the migrations of armed Indo-European horsemen into Attica and the Peloponnesian peninsula, he follows their progress into the creation of the Greek city-states, the refinement of their machinery of war, and the flowering of intellectual and artistic culture.
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Super super
- By Richard on 12-28-03
By: Thomas Cahill
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Becoming Faulkner
- The Art and Life of William Faulker
- By: Philip Weinstein
- Narrated by: Edoardo Ballerini
- Length: 12 hrs and 15 mins
- Unabridged
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William Faulkner was the greatest American novelist of the 20th century, yet he lived a life marked by a pervasive sense of failure. Throughout his career, he remained haunted by his inability to master a series of personal and professional challenges: his less-than-heroic military career; the loss of his brother in an airplane crash; a disappointing stint as a Hollywood screenwriter; and a destructive bout with alcoholism.
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Miss.'s BCS-Bundren.Compson.Snopes/Sutpen/Sartoris
- By W Perry Hall on 05-01-14
By: Philip Weinstein
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Men Explain Things to Me
- By: Rebecca Solnit
- Narrated by: Luci Christian Bell
- Length: 2 hrs and 47 mins
- Unabridged
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In Men Explain Things to Me, Rebecca Solnit takes on the conversations between men who wrongly assume they know things and wrongly assume women don't. The ultimate problem, she shows in her comic, scathing essay, is female self-doubt and the silencing of women. Rebecca Solnit is the author of fourteen books about civil society, popular power, uprisings, art, environment, place, pleasure, politics, hope, and memory, most recently The Faraway Nearby, a book on empathy and storytelling.
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Great read - horrible performance
- By Denise Johnson on 03-26-15
By: Rebecca Solnit
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Celebrated author and Jungian psychoanalyst James Hollis explores the deep archetypal themes of our human lives - and offers questions and insights to help us access the greater meaning of our journey. Includes insights on the nature of meaning, shadow work, resilience in times of change, a psychological approach to the Seven Deadly Sins, and more.
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What listeners say about The Heroine with 1001 Faces
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Alena
- 06-11-24
Great content
Easy to listen. Inspiring, and engaging from the first minutes.
Thank you, Maria, for such a beautiful book! Highly recommended!
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- Knightwyng
- 10-04-24
Excellent perspective
I am a fan of Joseph Campbell, and I very much appreciated Maria Tatar’s perspective, which nicely addresses a glaring gap in Campbell’s work. I do wish she had said a little more about modeling the heroine’s journey, but I do understand that is an evolving evaluation.
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- BillionaireManzi
- 10-29-21
Amazing
It's a start to see beneath the veil of prejudice towards women in story
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- pixelslave
- 11-01-21
Men Get Myths, Women Get Fairy Tales
I got this book with the hope that I would be shown the female embodiments of heroism and be given models for creating fictional heroines with character arcs and journeys that were unique and distinct from the male version. Unfortunately the book did not deliver on the promise of its title. The “heroines” in this book were mostly women making the best of their victimization at the hands of the male heroes of stories and myths. The author had to rely heavily on fairy tales and folklore to find examples of female heroism, but even those stories offered few positive role models. It isn’t the author’s fault that history, literature and mythology disproportionately feature men’s heroism and give women bit parts, but I was hoping for a new, more positive perspective.
A glance over Netflix’s thumbnail posters of their offerings makes it abundantly clear that male heroes are the norm in storytelling and the author discussed this imbalance, but without providing a remedy. Hollywood uses the hero’s journey, as detailed by Joseph Campbell, like a form letter. That is unlikely to change unless they get an alternative version for heroines that is just as powerful. I had hoped that Maria Tatar would provide that, or at least put forth a blueprint for creating it, but all she did was catalog the myriad ways women get left behind in history, in popular culture and in life.
Instead of learning about what made and motivated heroines I heard one horrific story after another about how women struggled to be seen and heard, and how they paid for their bravery with the loss of their lives and liberty. Instead of hearing stories of how heroines took charge of their own destinies I heard about how they made the best of their subjugation and victimization. The book was scholarly and well-researched, but it was more of a report on that research than a thesis with ideas and strategies for changing the male-dominated narrative. I found the book informative and thought-provoking, but ultimately discouraging and disappointing.
The narrator had the daunting task of pronouncing long, difficult names in many languages, and overall did a good job. Nevertheless, she undermined the credibility of the book by mispronouncing the surname of Emmeline Pankhurst as “Parkhurst” in a chapter celebrating the suffragist movement. She also mispronounced “bow” (of a ship), giving it a long “o” sound, as in “bow tie”. But overall, her voice was strong, confident and easy to listen to, which is an accomplishment in a book of this length.
In summary, this book was well-researched, well-written and well-narrated, but I found it overly long, repetitive and frustrating. Perhaps that was due to my expectation that I would be given a strong female archetype to match Campbell’s male hero, and a model for the heroine’s journey that would be uniquely female but equal to that of the traditional male hero. Instead I got an extensive chronicle of gender and racial inequality through the ages, with little hope for change any time soon.
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- Lauryl A. Smith
- 11-20-21
Disappointing
Given Tata’s academic status, and her choice of title, I’d hoped for something to rival Campbell’s work in its scope and depth. Honestly, I’d hoped for something even better.
Unfortunately, with very rare exceptions, Tata clings even more to the old Central European tales and myths than Campbell. She may briefly reference some other tradition, but never leaves the trajectory of Proto Indo Europeans. Worse, we never even hear from any extra-colonial sources. Her source texts are all delivered to us by the same group of people - colonial men, whether they come to us from Greece, Germany, Persia or Santa Barbara. There is no interrogation of text itself as a tool of oppression. The closest we come to a legitimate oral source is a discussion of contemporary Disney films.
This is a long, depressing review of the flat features of women in stories translated into texts by white European men. There is not even an ounce of discussion given to ways in which the brothers Grimm, translators of the Arabian nights, or even writers at Disney blanketed much wilder tales with their own moral fears and shame.
I was hoping for a wider world of women’s and femme stories as women and femmes have long told them, and instead got Ovid and Bluebeard and Nancy Drew.
The epilogue alone is somewhat redeeming. Here she finally begins to reveal that other canons exist; that tales and storyways exist that can show us very different kinds of heroes, heroines and tricksters. If the book had just started as it ended, it might have redeemed itself. As it is, sadly, I can’t recommend it.
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