Also known as Demons, The Possessed is a powerful socio-political novel about revolutionary ideas and the radicals behind them. It follows the career of Pyotr Stepanovich Verkhovensky, a political terrorist who leads a group of nihilists on a demonic quest for societal breakdown. They are consumed by their desires and ideals, and have surrendered themselves fully to the darkness of their "demons". This possession leads them to engulf a quiet provincial town and subject it to a storm of violence.

The two strikingly original short novels brought together here - in new translations by award-winning translators - were both literary gambles of a sort for Fyodor Dostoevsky. The first real expression of his genius, The Double is a surprisingly modern hallucinatory nightmare in which a minor official named Goliadkin becomes aware of a mysterious doppelgänger. Written 20 years later under the pressure of crushing debt, The Gambler is a stunning psychological portrait of a young man's exhilarating and destructive addiction.

Upon its first publication in 1846, "Poor Folk" was an immediate critical triumph. Composed entirely of an exchange of letters between a middle-aged copy clerk and a young seamstress who live on opposite sides of a Petersburg tenement courtyard, the novel explores the emotional and psychological effects of a threatening urban environment on the psyches of poor people struggling to survive.

Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.

A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoyevsky's writing towards the more political side.

In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.

The narrator and protagonist of Dostoevsky's novel The Adolescent (first published in English as A Raw Youth) is Arkady Dolgoruky, a naive 19-year-old boy bursting with ambition and opinions. The illegitimate son of a dissipated landowner, he is torn between his desire to expose his father's wrongdoing and the desire to win his love. He travels to St. Petersburg to confront the father he barely knows, inspired by an inchoate dream of communion and armed with a mysterious document that he believes gives him power over others.

When Prince Dmitri Nekhludov is called for jury duty on a murder case, he little knows how the experience will change his life. Faced with the accused, a prostitute, he recognizes Katusha, the young girl he seduced and abandoned many years before, and realizes his responsibility for the life of degradation she has been forced to lead. His determination to make amends leads him into the darkest reaches of the Tsarist prison system, and to the beginning of his spiritual regeneration.

Exiled to four years in Siberia, but hailed by the end of his life as a saint, prophet, and genius, Fyodor Dostoevsky holds an exalted place among the best of the great Russian authors. One of Dostoevsky’s five major novels, Devils follows the travails of a small provincial town beset by a band of modish radicals - and in so doing presents a devastating depiction of life and politics in late 19th-century Imperial Russia.

A groundbreaking new translation of Dostoyevsky's most radical work of fiction. In the depths of a cellar in St. Petersburg, a civil servant spews forth a passionate and furious note on the ills of society. The underground man's manifesto reveals his erratic, self-contradictory, and even sadistic nature. Yet in Dostoyevsky's most extreme and disturbing character, there is the uncomfortable flicker of recognition of the human condition. When the narrator ventures above ground, he attends a dinner with a group of old school friends.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.

From renowned translators Richard Pevear and Lindsay Volokhonsky comes a new translation - certain to become the definitive version - of the first great prison memoir, a fictionalized account of Fyodor Dostoevsky's life-changing penal servitude in Siberia.

The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd.

Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power, and sexual conquest than the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal, and murder follow, testing the wreckage left by human misery to find "man in man."

Gogol's great Russian classic is the Pickwick Papers of Russian literature. It takes a sharp but humorous look at life in all its strata but especially the devious complexities in Russia, with its landowners and serfs. We are introduced to Chichikov, a businessman who, in order to trick the tax authorities, buys up dead 'souls', or serfs, whose names still appear on the government census. Despite being a dealer in phantom crimes and paper ghosts, he is the most beguiling of Gogol's characters.

Grigori Aleksandrovich Pechorin is an enigma: arrogant, cocky, melancholic, brave, cynic, romantic, loner, socialite, soldier, free soul, and yet, victim of the world, he eludes definition and remains a mystery to those who know him. Just who is he? And what does he hope to achieve? Evolving from first person to third person, and then into a diary, A Hero of Our Time takes on a variety of forms to interrogate Pechorin's cryptic character and his unusual philosophy, providing breathtaking descriptions of the Caucasus along the way.

The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd.

From renowned translators Richard Pevear and Lindsay Volokhonsky comes a new translation - certain to become the definitive version - of the first great prison memoir, a fictionalized account of Fyodor Dostoevsky's life-changing penal servitude in Siberia.

Upon its first publication in 1846, "Poor Folk" was an immediate critical triumph. Composed entirely of an exchange of letters between a middle-aged copy clerk and a young seamstress who live on opposite sides of a Petersburg tenement courtyard, the novel explores the emotional and psychological effects of a threatening urban environment on the psyches of poor people struggling to survive.

Gogol's great Russian classic is the Pickwick Papers of Russian literature. It takes a sharp but humorous look at life in all its strata but especially the devious complexities in Russia, with its landowners and serfs. We are introduced to Chichikov, a businessman who, in order to trick the tax authorities, buys up dead 'souls', or serfs, whose names still appear on the government census. Despite being a dealer in phantom crimes and paper ghosts, he is the most beguiling of Gogol's characters.

Inspired by the true story of a political murder that horrified Russians in 1869, Dostoevsky conceived of Demons as a "novel-pamphlet" in which he would say everything about the plague of materialist ideology that he saw infecting his native land. What emerged was a prophetic and ferociously funny masterpiece of ideology and murder in pre-revolutionary Russia.

A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoyevsky's writing towards the more political side.

In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.

First published in 1846, Fyodor Dostoyevsky's novella The Double is a classic doppelganger story and the second major work published by the author. It is the story of Yakov Petrovich Golyadkin, a government clerk who believes that a fellow clerk has taken over his identity and is determined to bring about his ruin. Considered the most Gogolesque of Dostoyevsky's works, the novella brilliantly depicts Golyadkin's descent into madness in a way that is hauntingly poetic. The Double illustrates Dostoyevsky's uncanny ability at capturing the complexity of human emotion.

Exiled to four years in Siberia, but hailed by the end of his life as a saint, prophet, and genius, Fyodor Dostoevsky holds an exalted place among the best of the great Russian authors. One of Dostoevsky’s five major novels, Devils follows the travails of a small provincial town beset by a band of modish radicals - and in so doing presents a devastating depiction of life and politics in late 19th-century Imperial Russia.

Richard Pevear and Larissa Volokhonsky, the highly acclaimed translators of War and Peace, Doctor Zhivago, and Anna Karenina, which was an Oprah Book Club pick and million-copy bestseller, bring their unmatched talents to The Selected Stories of Anton Chekhov, a collection of thirty of Chekhov’s best tales from the major periods of his creative life.

Meeting by chance at a gambling hall in Europe, the separate lives of Daniel Deronda and Gwendolen Harleth are immediately intertwined. Daniel, an Englishman of uncertain parentage, becomes Gwendolyn's redeemer as she finds herself drawn to his spiritual and altruistic nature after a loveless marriage. But Daniel's path was already set when he rescued a young Jewess from suicide.

"I am a sick man...I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

“White Nights” tells the story of a lonely man who wanders the streets of St. Petersburg over the course of four nights, searching for an escape from his isolation.

With the clarity and grace for which she is admired, Edith Hamilton writes of Plato and Aristotle, of Demosthenes and Alexander the Great, of the much-loved playwright Menander, of the Stoics, and finally of Plutarch. She brings these figures vividly to life, not only placing them in relation to their own times but also conveying very poignantly their meaning for our world today.

The narrator and protagonist of Dostoevsky's novel The Adolescent (first published in English as A Raw Youth) is Arkady Dolgoruky, a naive 19-year-old boy bursting with ambition and opinions. The illegitimate son of a dissipated landowner, he is torn between his desire to expose his father's wrongdoing and the desire to win his love. He travels to St. Petersburg to confront the father he barely knows, inspired by an inchoate dream of communion and armed with a mysterious document that he believes gives him power over others.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.