The Double and The Gambler
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Narrated by:
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Michael Page
About this listen
The Double, written in Dostoevsky's youth, was a sharp turn away from the realism of his first novel, Poor Folk. The first real expression of his genius, The Double is a surprisingly modern hallucinatory nightmare in which a minor official named Goliadkin becomes aware of a mysterious doppelgänger - a man who has his name and his face and who gradually and relentlessly begins to displace him with his friends and colleagues. In the dilemma of this increasingly paranoid hero, Dostoevsky makes vividly concrete the inner disintegration of consciousness that would become a major theme of his work.
The Gambler was written 20 years later, under the pressure of crushing debt. It is a stunning psychological portrait of a young man's exhilarating and destructive addiction, a compulsion that Dostoevsky - who once gambled away his young wife's wedding ring - knew intimately from his own experience. In the disastrous love affairs and gambling adventures of his character, Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character.
The two strikingly original short novels brought together here - in new translations by award-winning translators - were both literary gambles of a sort for Dostoevsky.
©2005 Richard Pevear and Larissa Volokhonsky (P)2019 TantorListeners also enjoyed...
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In the twilight of the Austro-Hungarian Empire, a young cavalry officer is invited to a dance at the home of a rich landowner. There - with a small act of attempted charity - he commits a simple faux pas. But from this seemingly insignificant blunder comes a tale of catastrophe arising from kindness and of honour poisoned by self-regard. Beware of Pity has all the intensity and the formidable sense of torment and of character of the very best of Zweig's work. Definitive translation by the award-winning Anthea Bell.
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One of my favorite authors
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Dombey and Son
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- Length: 36 hrs and 59 mins
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In this carefully crafted novel, Dickens reveals the complexity of London society in the enterprising 1840s as he takes the listener into the business firm and home of one of its most representative patriarchs, Paul Dombey.
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Perfect pair
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By: Charles Dickens
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The Count of Monte Cristo
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- Narrated by: Bill Homewood
- Length: 52 hrs and 41 mins
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Overall
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On the eve of his marriage to the beautiful Mercedes, having that very day been made captain of his ship, the young sailor Edmond Dantès is arrested on a charge of treason, trumped up by jealous rivals. Incarcerated for many lonely years in the isolated and terrifying Chateau d'If near Marseille, he meticulously plans his brilliant escape and extraordinary revenge.
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This is the one to spend 50 hours listening to!
- By james on 03-05-13
By: Alexandre Dumas
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The Castle
- By: Franz Kafka
- Narrated by: Allan Corduner
- Length: 13 hrs and 4 mins
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A land-surveyor, known only as K., arrives at a small village permanently covered in snow and dominated by a castle to which access seems permanently denied. K.'s attempts to discover why he has been called constantly run up against the peasant villagers, who are in thrall to the absurd bureaucracy that keeps the castle shut, and the rigid hierarchy of power among the self-serving bureaucrats themselves.
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A masculine and coquettish reading
- By Alan on 05-27-12
By: Franz Kafka
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Fathers and Sons
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When Arkady Petrovich comes home from college, his father finds his eager, naive son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticising the landowning way of life and by his outspoken determination to sweep away the traditional values of contemporary Russian society.
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The greatest novel I'll ever read
- By Dan Harlow on 07-07-13
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Anna Karenina
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- Narrated by: David Horovitch
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Anna Karenina seems to have everything - beauty, wealth, popularity and an adored son. But she feels that her life is empty until the moment she encounters the impetuous officer Count Vronsky.
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Beautiful story, amazing narration
- By Marcus Vorwaller on 08-02-08
By: Leo Tolstoy
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Anna Karenina
- By: Leo Tolstoy
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Overall
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Vladimir Nabokov called Leo Tolstoy's Anna Karenina "one of the greatest love stories in world literature." Set in imperial Russia, Anna Karenina is a rich and complex meditation on passionate love and disastrous infidelity. Married to a powerful government minister, Anna Karenina is a beautiful woman who falls deeply in love with a wealthy army officer, the elegant Count Vronsky.
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Not good dramatization but an ok reading
- By Bookoholics Anon on 05-07-11
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The Life and Adventures of Nicholas Nickleby
- By: Charles Dickens
- Narrated by: Simon Vance
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The Life and Adventures of Nicholas Nickleby is closely modelled on the 18h-century novels that Charles Dickens loved as a child, such as Robinson Crusoe, in which the fortunes of a hero shape the plot. The likeable young Nicholas, left penniless on the death of his father, sets off in search of better prospects.
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loved it much more than expected!
- By Blue Ridge Book Lover on 05-29-12
By: Charles Dickens
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The Turmoil
- By: Booth Tarkington
- Narrated by: Harry Shaw
- Length: 9 hrs and 44 mins
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Overall
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Story
Bigger, newer, faster. Demolish and rebuild, then demolish and rebuild again. Smoke, soot, and noise are the badges of prosperity, and growth is for growth's sake.
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Fast and heartwarming
- By dfjord on 08-06-24
By: Booth Tarkington
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Amerika
- The Missing Person: A New Translation by Mark Harman Based on the Restored Text
- By: Franz Kafka
- Narrated by: George Guidall
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Overall
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Performance
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A Brilliant new translation of the great writer's least Kafkaesque novel, based on a German-language text that was produced by a team of international scholars and that is more faithful to Kafka's original manuscript than anything we have had before. With the same expert balance of precision and nuance that marked his translation of Kafka's The Castle, the award-winning translator Mark Harman now restores the humor and particularity of language to Amerika.
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ha ha ha this is terrific
- By tom on 01-29-14
By: Franz Kafka
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Anna of the Five Towns
- By: Arnold Bennett
- Narrated by: Peter Joyce
- Length: 9 hrs and 56 mins
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Set in stifled, industrial Staffordshire in the late 19th century, against a strong evangelical background, Anna of the Five Towns tells of the courting of hard businessman Ephraim Tellright's daughter by prosperous and accomplished Henry Mynors. As her father's fortune grows, so does Anna understanding. She realises her legacy and responsibility for the possible ruination of her father's tenants, Titus Price and his son, Willie, who also loves her.
By: Arnold Bennett
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Le Pere Goriot
- By: Honoré de Balzac
- Narrated by: David McCallion
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Performance
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Honoré de Balzac uses his classic style of detail to describe a most controversial setting in his novel Le Pere Goriot. The story takes place in Paris just after the fall of Napoleon in 1819. The story focuses on three characters, Rastignac, a student who wants to try and make it big in the capital, Vautrin, an interesting and funny character who is also quite mysterious, and the main character, Goriot, that carries a heavy burden that only a loving parent would endure.
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A minor masterpiece
- By Jack Rock on 03-04-18
By: Honoré de Balzac
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The Brothers Karamazov [Naxos AudioBooks Edition]
- By: Constance Garnett - translator, Fyodor Dostoevsky
- Narrated by: Constantine Gregory
- Length: 37 hrs and 4 mins
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Overall
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Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.
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A Spiritual and Philosophical Tour-de-Force
- By Rich on 02-27-16
By: Constance Garnett - translator, and others
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I should've learned my lesson
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Excellent translation and narration
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most accessible dostoevsky book.
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Excellent translation and narration
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Awful hero, great narrator
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Leskov is the master of Russian short stories. Dos
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Amerika
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A Brilliant new translation of the great writer's least Kafkaesque novel, based on a German-language text that was produced by a team of international scholars and that is more faithful to Kafka's original manuscript than anything we have had before. With the same expert balance of precision and nuance that marked his translation of Kafka's The Castle, the award-winning translator Mark Harman now restores the humor and particularity of language to Amerika.
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ha ha ha this is terrific
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Notes from a Dead House
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FYODORange is the New Black
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The Idiot
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Moments of surprise.
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The Brothers Karamazov
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The book probes the possible roles of four brothers in the unresolved murder of their father, Fyodor Karamazov. At the same time, it carefully explores the personalities and inclinations of the brothers themselves. Their psyches together represent the full spectrum of human nature, the continuum of faith and doubt. Ultimately, this novel seeks to understand the real meaning of faith and existence and includes much beneficial philosophical and spiritual discussion that moves the reader towards faith.
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An expert abridgement
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By: Fyodor Dostoevsky, and others
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Poor Folk
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Upon its first publication in 1846, "Poor Folk" was an immediate critical triumph. Composed entirely of an exchange of letters between a middle-aged copy clerk and a young seamstress who live on opposite sides of a Petersburg tenement courtyard, the novel explores the emotional and psychological effects of a threatening urban environment on the psyches of poor people struggling to survive.
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it was kind of depressing yet oddly relatable.
- By Eli on 08-07-24
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The Double
- By: Fyodor Dostoevsky
- Narrated by: Nick Sullivan
- Length: 6 hrs and 40 mins
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First published in 1846, Fyodor Dostoyevsky's novella The Double is a classic doppelganger story and the second major work published by the author. It is the story of Yakov Petrovich Golyadkin, a government clerk who believes that a fellow clerk has taken over his identity and is determined to bring about his ruin. Considered the most Gogolesque of Dostoyevsky's works, the novella brilliantly depicts Golyadkin's descent into madness in a way that is hauntingly poetic. The Double illustrates Dostoyevsky's uncanny ability at capturing the complexity of human emotion.
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Wish I could have read it in the original Russian
- By Darwin8u on 01-07-13
What listeners say about The Double and The Gambler
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Nom de Guerre
- 10-05-24
Actually my favorite Dostoyevsky
I'm a big Dostoyevsky fan and lover of Russian literature in general, and I love Dostoyevsky's longer works (especially Brothers K and Crime and Punishment), but I have to admit that I found these two novellas even more to my liking. the Double is magical and the Gambler is an exquisite examination of the descent of multiple characters into self-destructive monomania. And of course, the translation is fluid and enchanting.
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- Kenneth Meier
- 05-06-23
Excellent.
Truly sister stories of delusion and slavery of spirit. The audible divergences in voice per character is a tour de force in voice acting. Well done
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- S. P. Holman
- 01-21-20
The Gambler is Brilliant
Dostoevsky’s dry sense of humor and biting sarcasm are showcased in The Gambler. Narrator Michael Page gives a spectacular performance bringing the story to life. Definitely worth the price of admission.
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3 people found this helpful
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- Tad Davis
- 02-25-19
Exciting
Michael Page does a wonderful job with these paired novels by Dostoevsky: the dialogue is especially well done, ranging from the supercilious tones of the winners in life to the increasing desperation of its losers.
In The Double, the petty bureaucrat Goliadkin finds himself in an unusual situation: someone who looks exactly like him, and who is also named Goliadkin, has been hired by the same office. Goliadkin at first befriends the newcomer, but soon finds him to be a serious rival. Trying to compete with this rival — in fact, even just trying to understand who or what he is — leads to a long descent into madness.
Or was he mad all along? Like many of Dostoevsky’s heroes, he is morbidly self-conscious, torturing himself (and sometimes the reader) by second-guessing his every move, including his own second-guessing. Some people find Dostoevsky’s characters enlighteningly existential; I find them clinical and claustrophobic.
But there is no denying the power of Dostoevsky's prose. His description of Goliadkin’s thinking overflows all boundaries, giving a totally convincing impression of madness without ever really becoming incoherent. The frantic hysteria in Page’s voice matches this flood of impressions beautifully.
The audiobook leaves Goliadkin behind and plunges immediately into the next novella, The Gambler. (In fact “plunging” is an appropriate description: there is no transition between one story and the next. It goes something like this: “....he [Goliadkin] had long foreseen it, The Gambler, a novel, from a young man’s notes....” This is a common problem. I do wish audiobook producers would take the trouble to build in longer pauses between stories: 3 or 4 seconds at a minimum. Otherwise the impact of closing words is drained by the sudden shift into a new narrative.)
But the bungled transition is over in seconds, and rest of the novel is a masterpiece. The term “totally convincing” applies here as well: in this case, it involves a painful and closely observed portrait of gambling addiction. Apparently it was based on Dostoevsky’s own bitter experience. The narrator tells his own story, and like most of Dostoevsky's main characters, he's a lost man. It just takes him most of the novel to realize it.
Dostoevsky wrote the story in an apartment in Florence. I had the opportunity once to stand in front of the building, which is on a quiet street and marked with a plaque. When I think about it now, I'll be thinking about it with Michael Page’s passionate reading echoing through my head.
LATER UPDATE: memory plays tricks sometimes. The novel Dostoevsky was writing while he was living in Florence was not The Gambler; it was The Idiot. The plaque on the house in Italy leaves no question about this: here Dostoevsky “compí il romanzo L’Idiota,” it says. The Idiot is a good novel too, but it’s not this one.
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