The two strikingly original short novels brought together here - in new translations by award-winning translators - were both literary gambles of a sort for Fyodor Dostoevsky. The first real expression of his genius, The Double is a surprisingly modern hallucinatory nightmare in which a minor official named Goliadkin becomes aware of a mysterious doppelgänger. Written 20 years later under the pressure of crushing debt, The Gambler is a stunning psychological portrait of a young man's exhilarating and destructive addiction.

Moscow, Christmas Eve, 1949. The Soviet secret police intercept a call made to the American embassy by a Russian diplomat who promises to deliver secrets about the nascent Soviet Atomic Bomb program. On that same day, a brilliant mathematician is locked away inside a Moscow prison that houses the country's brightest minds. He and his fellow prisoners are charged with using their abilities to sleuth out the caller's identity, and they must choose whether to aid Joseph Stalin's repressive state - or refuse and accept transfer to the Siberian Gulag camps, and almost certain death.

Murasaki Shikibu, born into the middle ranks of the aristocracy during the Heian period (794-1185 CE), wrote The Tale of Genji, widely considered the world's first novel, during the early years of the 11th century. Expansive, compelling, and sophisticated in its representation of ethical concerns and aesthetic ideals, Murasaki's tale came to occupy a central place in Japan's remarkable history of artistic achievement and is now recognized as a masterpiece of world literature.

Upon its first publication in 1846, "Poor Folk" was an immediate critical triumph. Composed entirely of an exchange of letters between a middle-aged copy clerk and a young seamstress who live on opposite sides of a Petersburg tenement courtyard, the novel explores the emotional and psychological effects of a threatening urban environment on the psyches of poor people struggling to survive.

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

At the beginning of his career, Joseph Campbell developed a lasting fascination with the cultures of the Far East, and explorations of Buddhist and Hindu philosophy later became recurring motifs in his vast body of work. However, Campbell had to wait until middle age to visit the lands that inspired him so deeply. In 1954, he took a sabbatical from his teaching position and embarked on a year-long voyage through India, Thailand, Cambodia, Burma, Hong Kong, Taiwan, and finally Japan.

The Middle East has long been a region of rival religions, ideologies, nationalisms, and ambitions. All of these conflicts are rooted in the region's political inheritance: the arrangements, unities, and divisions imposed by the Allies after the First World War. Author David Fromkin reveals how and why the Allies drew lines on an empty map that remade the geography and politics of the Middle East. Focusing on the formative years of 1914 to 1922, when all seemed possible, he delivers in this sweeping and magisterial book the definitive account of this defining time.

Completed six years after Dostoyevsky's own term as a convict, The House of the Dead is a semi-autobiographical account of life in a Siberian prison camp, and the physical and mental effects it has on those who are sentenced to inhabit it. Alexandr Petrovitch Goryanchikov, a gentleman of the noble class, has been condemned to 10 years of hard labor for murdering his wife.

Exiled to four years in Siberia, but hailed by the end of his life as a saint, prophet, and genius, Fyodor Dostoevsky holds an exalted place among the best of the great Russian authors. One of Dostoevsky’s five major novels, Devils follows the travails of a small provincial town beset by a band of modish radicals - and in so doing presents a devastating depiction of life and politics in late 19th-century Imperial Russia.

In The Idiot, Prince Myshkin possesses a childlike innocence and trusting nature that leave him vulnerable to abuse by those around him. Returning to St. Petersburg to collect an inheritance, Myshkin realizes he is a stranger in a society obsessed with wealth, manipulation and power.

Fyodor Dostoevsky's Crime and Punishment is universally regarded as one of literature's finest achievements, as the great Russian novelist explores the inner workings of a troubled intellectual. Raskolnikov, a nihilistic young man in the midst of a spiritual crisis, makes the fateful decision to murder a cruel pawnbroker, justifying his actions by relying on science and reason, and creating his own morality system. Dehumanized yet sympathetic, exhausted yet hopeful, Raskolnikov represents the best and worst elements of modern intellectualism. The aftermath of his crime and Petrovich's murder investigation result in an utterly compelling, truly unforgettable cat-and-mouse game. This stunning dramatization of Dostoevsky's magnum opus brings the slums of St. Petersburg and the demons of Raskolnikov's tortured mind vividly to life.

From the celebrated, award-winning translators of Anna Karenina and War and Peace: a lavish, masterfully rendered volume of stories by one of the most influential short fiction writers of all time.

From renowned translators Richard Pevear and Lindsay Volokhonsky comes a new translation - certain to become the definitive version - of the first great prison memoir, a fictionalized account of Fyodor Dostoevsky's life-changing penal servitude in Siberia.

Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.

Written over the course of Leskov's career, each story in The Enchanted Wanderer elucidates the very essence of the human condition; themes of love, despair, loneliness, and revenge are explored against the backdrop of 19th-century working-class Russia. Leskov deftly layers social satire and subtle criticism atop myth and fable, resulting in a richly entertaining collection.

A new revised and abridged translation of Dostoevsky's 1872 novel, The Possessed (also known in English as Devils or Demons). Perhaps the most complicated and for non-Russians the most confusing of Dostoevsky’s major novels, as much as the novel reflected its times, it still is relevant today exploring the danger of idealism and liberalism turning increasingly to violence when it lacks spiritual direction. Dostoevsky’s questions and novel are as relevant today as they were almost 150 years ago. This translated edition of The Possessed has been revised and abridged by Thomas Beyer so ...

The two strikingly original short novels brought together here - in new translations by award-winning translators - were both literary gambles of a sort for Fyodor Dostoevsky. The first real expression of his genius, The Double is a surprisingly modern hallucinatory nightmare in which a minor official named Goliadkin becomes aware of a mysterious doppelgänger. Written 20 years later under the pressure of crushing debt, The Gambler is a stunning psychological portrait of a young man's exhilarating and destructive addiction.

The book probes the possible roles of four brothers in the unresolved murder of their father, Fyodor Karamazov. At the same time, it carefully explores the personalities and inclinations of the brothers themselves. Their psyches together represent the full spectrum of human nature, the continuum of faith and doubt. Ultimately, this novel seeks to understand the real meaning of faith and existence and includes much beneficial philosophical and spiritual discussion that moves the reader towards faith.

Fyodor Dostoevsky's Crime and Punishment is universally regarded as one of literature's finest achievements, as the great Russian novelist explores the inner workings of a troubled intellectual. Raskolnikov, a nihilistic young man in the midst of a spiritual crisis, makes the fateful decision to murder a cruel pawnbroker, justifying his actions by relying on science and reason, and creating his own morality system. Dehumanized yet sympathetic, exhausted yet hopeful, Raskolnikov represents the best and worst elements of modern intellectualism. The aftermath of his crime and Petrovich's murder investigation result in an utterly compelling, truly unforgettable cat-and-mouse game. This stunning dramatization of Dostoevsky's magnum opus brings the slums of St. Petersburg and the demons of Raskolnikov's tortured mind vividly to life.

From renowned translators Richard Pevear and Lindsay Volokhonsky comes a new translation - certain to become the definitive version - of the first great prison memoir, a fictionalized account of Fyodor Dostoevsky's life-changing penal servitude in Siberia.

Moscow, Christmas Eve, 1949. The Soviet secret police intercept a call made to the American embassy by a Russian diplomat who promises to deliver secrets about the nascent Soviet Atomic Bomb program. On that same day, a brilliant mathematician is locked away inside a Moscow prison that houses the country's brightest minds. He and his fellow prisoners are charged with using their abilities to sleuth out the caller's identity, and they must choose whether to aid Joseph Stalin's repressive state - or refuse and accept transfer to the Siberian Gulag camps, and almost certain death.

Inspired by the true story of a political murder that horrified Russians in 1869, Dostoevsky conceived of Demons as a "novel-pamphlet" in which he would say everything about the plague of materialist ideology that he saw infecting his native land. What emerged was a prophetic and ferociously funny masterpiece of ideology and murder in pre-revolutionary Russia.

David Fishelson has transformed Dostoyevsky’s The Idiot into a spellbinding drama that illuminates the titanic novel. In The Idiot, meet the kindly, childlike Prince Myshkin, as he returns to the decadent social whirl of 1860s St. Petersburg. The two most beautiful, sought-after women in the town compete for his affections, in a duel that grows increasingly dangerous.

Exiled to four years in Siberia, but hailed by the end of his life as a saint, prophet, and genius, Fyodor Dostoevsky holds an exalted place among the best of the great Russian authors. One of Dostoevsky’s five major novels, Devils follows the travails of a small provincial town beset by a band of modish radicals - and in so doing presents a devastating depiction of life and politics in late 19th-century Imperial Russia.

In the small coastal city of Oran, Algeria, rats begin rising up from the filth, only to die as bloody heaps in the streets. Shortly after, an outbreak of the bubonic plague erupts and envelops the human population. Albert Camus' The Plague is a brilliant and haunting rendering of human perseverance and futility in the face of a relentless terror born of nature.

By one of the most profoundly influential thinkers of our century, The Rebel is a classic essay on revolution. For Albert Camus, the urge to revolt is one of the "essential dimensions" of human nature, manifested in man's timeless Promethean struggle against the conditions of his existence, as well as the popular uprisings against established orders throughout history. And yet, with an eye toward the French Revolution and its regicides and deicides, he reveals how inevitably the course of revolution leads to tyranny.

March 1917 tells the story of the Russian Revolution itself, during which not only does the Imperial government melt in the face of the mob, but the leaders of the opposition prove utterly incapable of controlling the course of events. The absorbing narrative tells the stories of more than fifty characters during the days when the Russian Empire begins to crumble. The anti-Tsarist bourgeois opposition, horrified by the violence, scrambles to declare that it is provisionally taking power, while socialists immediately create a Soviet alternative to undermine it.

The narrator and central character of The Adolescent is Arkady Dolgoruky, a naive 19-year-old boy full of ambition and opinions. The illegitimate son of a dissipated landowner, he is torn between his desire to expose his father’s wrongdoing and the desire to win his love. He travels to St. Petersburg to confront the father he barely knows, inspired by an inchoate dream of communion and armed with a mysterious document that he believes gives him power over others.

The Gambler paints a stark picture of the attractions—and addictions—of gambling. Using skillful characterization, Dostoevsky faithfully depicts life among the gambling set in old Germany. This probing psychological novel explores the tangled love affairs and complicated lives of Alexey Ivanovitch, a young gambler, and Polina Alexandrovna, the woman he loves.

In The First Man, Albert Camus tells the story of Jacques Cormery, a boy who lived a life much like his own. Camus summons up the sights, sounds, and textures of a childhood circumscribed by poverty and a father's death yet redeemed by the austere beauty of Algeria and the boy's attachment to his nearly deaf-mute mother. The result is a moving journey through the lost landscape of youth that also discloses the wellsprings of Camus's aesthetic powers and moral vision.