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The Idiot [Tantor]
- Narrated by: Norman Dietz
- Length: 26 hrs and 41 mins
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Publisher's summary
Just two years after completing Crime and Punishment, which explored the mind of a murderer, Fyodor Dostoevsky produced another masterpiece: The Idiot. This time the author portrays a truly beautiful soul and one of Dostoevsky's greatest characters---Prince Muishkin, a saintly, Christ-like, yet deeply human figure. The story begins when Muishkin arrives on Russian soil after a stay in a Swiss sanatorium. Scorned by St. Petersburg society as an idiot for his generosity and innocence, the prince finds himself at the center of a struggle between a rich, kept woman and a beautiful, virtuous girl, who both hope to win his affection. Unfortunately, Muishkin's very goodness seems to bring disaster to everyone he meets. The shocking denouement tragically reveals how, in a world obsessed with money, power, and sexual conquest, a sanatorium is the only place for a saint. This version of The Idiot is the translation by Eva Martin.
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Story
As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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The Strange Case
- By: Derek Kolstad, Mitali Jahagirdar, Laurie Kirwan-Ashman, and others
- Narrated by: Vanessa Kirby, David Oyelowo, Sofie Gråbøl, and others
- Length: 4 hrs and 9 mins
- Original Recording
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Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.
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Love the Originals !!
- By r2coder on 08-04-24
By: Derek Kolstad, and others
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
- Original Recording
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
What listeners say about The Idiot [Tantor]
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Parrish
- 07-24-17
Narrator
I got about halfway through the book until I gave up on it. The narrator is what ruined the story for me due to his delivery and the specific voices he gives to characters. All of the women's voices were performed as if they were airheads with the voice of Snow White, and the protagonist is performed with an annoyingly infantile and unconfident demeanor that is exaggerated more than it should be. I realize the protagonist is characterized as an idiot but the narrator takes too much liberty and goes too far.
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- Darwin8u
- 11-01-15
A Beautiful and Yet -- Ultimately a Flawed Novel
At once 'The Idiot' is a complicated, beautiful and yet ultimately a somewhat flawed novel. Written shortly after 'Crime and Punishment', it seems like Dostoevsky wanted to invert Raskolnikov. Instead of a mad killer, Prince Myshkin the 'Idiot' is an innocent saint, a positive, a beautiful soul and holy fool motivated by helping those around him. He is a Christ in an un-Christian world, a tortured Don Quixote.
Dostoevsky is able to use Prince Myshkin's spiritual intelligence and Rogozhin's passion to illuminate the main problems and idocyncrasies of Russian society. But the story still falls a bit short of perfection. It literally falls between 'Crime and Punishment' and 'Brothers Karamazov'; failing to achieve the simple greatness of 'Crime and Punishment' and the complex greatness of 'Brothers Karamazov'. Like Myshkin himself, the novel's intent is nearly perfect, but the execution is just a little off, a little unstable. That doesnt mean I didn't love it. As a novel I adored it. I was both taken by and frustrated with Prince Myshkin.
Perhaps my favorite parts of this novel fall into the scenes where Dostoevsky is focused on a painting or an execution. He isn't content with a superficial look at the world. He examines things for depth and poignance that actually left me shaking. He studies Holbein's grotesque 'The Body of the Dead Christ in the Tomb' with a patient, detailed eye that at once appears to capture the whole life and death of Christ. He describes the beheading of John the Baptist; looking for details of his face in that still and eternal second before his execution. In this Dostoevesky is recreating his own near execution and the horror and magnificence that death (or a near death in Dostoevsky's case) brings to a person's fragile, beautiful and flawed life.
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9 people found this helpful
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- Karen L.
- 02-26-16
Characters lacking identity and creativity--that's the point!
Dostoevsky's characters are confused and confusing, because they have no national identity to relate to. They aren't even hypocrites, because they haven't the motivation to be. Yet they contradict themselves from one moment to the next, even to the extent that they love one minute and hate the same person the next. Politically, morally, and socially, they "try on for size" any idea that they whiff in the breeze. When a problem needs solving, they grapple at ineffectual, fanciful, childish solutions, much like some of Chekhov's ineffectual characters. In The Idiot, characterization isn't simply a matter of good-versus-evil, a theme Dostoevsky is famous for mastering, but it is a matter of depicting a crisis in the Russian mind or education. Many characters in this novel make Mrs. Bennett in Pride and Prejudice seem like a superb intellect.
Approaching the novel with this orientation certainly helps readers to appreciate the masterful characterization. Norman Dietz's narration is great. The moment I began to listen to him, I knew this was a good choice.
Now that i reflect on the story, I am reminded that the Prince has been educated outside of Russia, as are many characters in all of Russian literature. In fact, English, French, and German universities were favorite choices for the sons of Russians with money, a fact that tied their experiences to other European cultures--and confused their own with a smattering of foreign words and ideas. Think of it! What use had a Russian for the ramblings of Rousseau? Voltaire? Madame Pompadour? Yet Dostoevsky's characters are fond of quoting "Apres moi me deluge," a fatalistic expectation--if they get the sense of it. Dostoevsky did.
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1 person found this helpful
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- michael a. Bolan
- 09-10-18
enjoyed this Russian classic
all i want to say is that i really enjoyed this book very much to say the least thanks for your time and consideration
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- Donna
- 04-24-11
Not a light novel, but certainly worthwhile
Doetoevsky's writing is heavy on long conversational pieces which he uses to flesh out his characters' beliefs. This method of using long -pages long, in fact , half expository, half debate, quotations seems to be fairly common in novels from the nineteenth century and, if you like that style, then this book should please you. This type of writing can certainly be boring to a more action oriented person but, if you can look at these screeds as little windows into the characters and into Dostoevky's Russia, you will find many worthwhile gems in this book. The interplay between the characters is interesting from a psychological and a religious perspective. I found myself rooting for the Prince, for example, because he is such a sweet character, yet it is this same sweetness that causes him much needless trouble and pain. The similarities between Myshkin and Jesus are obvious and have been commented on by better analysts than myself. However, I believe that the theme of how a truly good person would fare in the "modern" world is an interesting question that the novel explores. Doestoevsky's answer and the climax of "The Idiot" is not the most personally satisfying one for me because I like the main character, but it is certainly logical and believable and gives the story depth and believability. It is certainly a commentary on what we say is good and right in others, verses what we act on, and believe, is good for ourselves
Also, the narrator is outstanding. I am looking for more of his work and will likely purchase at least one more book simply to listen to him voice the characters. I truly think he is one of the greatest readers I have ever heard.
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1 person found this helpful
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- Johnny Neutron
- 09-29-15
classic
terrifying and sad at the end, this is classic dostoyevsky and one of his great novels.
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1 person found this helpful
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- Bobby
- 01-29-17
Awesome book horribly read
What could have made this a 4 or 5-star listening experience for you?
Norman Deitz ruined this great book for me. He attempts to change his voice depending on who's speaking, with miserable results. Dostoevsky doesn't even require voice acting to be incredible. I couldn't get into this version at all (which I've read myself in the past and loved--hence the 5 stars for "Story"), couldn't last more than 15 minutes in fact, all because of the narrator. I wish I could get my money back or get another version of the same title.
What didn’t you like about Norman Dietz’s performance?
See above.
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3 people found this helpful
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- Aubrey Lively
- 01-27-17
it's a Russian soap opera. how has it survived?
I finished it as a test of endurance. A kind of workout for my attention span. It is plotless meandering peppered with occasional interesting passages. Dostoevsky's characters violate my suspension of disbelief to the extent
that I wonder if he ever met an actual human being. It's as though he is guessing what drives people to do things and how they will react to situations based on a two week study of humanity. And how the man drones on and on and on. Shut. Up. Already.
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- Carol Brinkley
- 02-28-11
BORING, BORING, BORING
This is the first review I have written. I have been a member since 2006 and this is the first book I just could not finish listening to. It was long and drawn out with no direction. I'm not even sure what the story is about, it seemed like just high tale gossip. It was much to boring for me.
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