The Mars Room
A Novel
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Narrated by:
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Rachel Kushner
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By:
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Rachel Kushner
About this listen
Featuring original music by Sonic Youth’s Kim Gordon!
From twice National Book Award-nominated Rachel Kushner, whose Flamethrowers was called "the best, most brazen, most interesting book of the year" (Kathryn Schulz, New York magazine), comes a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America.
It's 2003 and Romy Hall is at the start of two consecutive life sentences at Stanville Women's Correctional Facility, deep in California's Central Valley. Outside is the world from which she has been severed: the San Francisco of her youth and her young son, Jackson. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, which Kushner evokes with great humor and precision.
Stunning and unsentimental, The Mars Room demonstrates new levels of mastery and depth in Kushner's work. It is audacious and tragic, propulsive and yet beautifully refined. As James Wood said in The New Yorker, her fiction "succeeds because it is so full of vibrantly different stories and histories, all of them particular, all of them brilliantly alive."
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- Unabridged
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Overall
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Performance
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Story
Jennifer Thompson was raped at knifepoint by a man who broke into her apartment while she slept. She was able to escape and eventually identified Ronald Cotton as her attacker. Ronald insisted that she was mistaken - but Jennifer's positive identification was the compelling evidence that put him behind bars. After 11 years, Ronald was allowed to take a DNA test that proved his innocence. He was released after serving more than a decade in prison for a crime he never committed.
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Listen for the story not the writing
- By Professor Sombrero on 06-13-09
By: Jennifer Thompson-Cannino, and others
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The Upside
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- By: Abdel Sellou
- Narrated by: Ray Chase
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- Unabridged
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Overall
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Performance
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Story
In 1992, Count Phillippe Pozzo di Borgo, on the heels of his wife's diagnosis with a terminal illness, suffered a paragliding accident that left him a quadriplegic. Forty-two years old, trapped inside his luxurious Paris town house, he was an outcast for the first time in his life. Abdel, an unemployed Algerian immigrant who had been an outcast for his entire existence, would become Phillipe's unlikely caretaker. Quick-thinking, unsentimental, and more than a little wild, Abdel surprises both himself and his employer.
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loved it
- By RockyDog on 01-31-19
By: Abdel Sellou
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Lost Memory of Skin
- By: Russell Banks
- Narrated by: Scott Shepherd
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Overall
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Story
Suspended in a strangely modern-day version of limbo, the young man at the center of Russell Banks’s uncompromising and morally complex new novel must create a life for himself in the wake of incarceration. Known in his new identity only as the Kid, and on probation after doing time for a liaison with an underage girl, he is shackled to a GPS monitoring device and forbidden to live within 2,500 feet of anywhere children might gather. With nowhere else to go, the Kid takes up residence under a south Florida causeway, in a makeshift encampment with other convicted sex offenders.
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Amazing "Must Read" Tale of (In)Justice in America
- By Ellen H. Anderson on 10-15-11
By: Russell Banks
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All Souls
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- By: Michael Patrick MacDonald
- Narrated by: Michael Patrick MacDonald
- Length: 8 hrs and 32 mins
- Unabridged
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Overall
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Performance
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Story
The anti-busing riots of 1974 forever changed Southie, Boston's working-class Irish community, branding it as a violent, racist enclave. Michael Patrick MacDonald grew up in Southie's Old Colony housing project. He describes the way this world within a world felt to the troubled yet keenly gifted observer he was even as a child. But the threats - poverty, drugs, a shadowy gangster world - were real. All Souls is heartbreaking testimony to lives lost too early, and the story of how a place so filled with pain could still be "the best place in the world".
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this book broke me in the best way
- By anon on 02-14-23
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How to Find Your Way in the Dark
- The Sheldon Horowitz Series, Book 1
- By: Derek B. Miller
- Narrated by: Michael Crouch
- Length: 12 hrs and 23 mins
- Unabridged
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Overall
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Performance
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Story
Twelve-year old Sheldon Horowitz is still recovering from the tragic loss of his mother only a year ago when a suspicious traffic accident steals the life of his father near their home in rural Massachusetts. It is 1938, and Sheldon, who was in the truck, emerges from the crash an orphan hell-bent on revenge. He takes that fire with him to Hartford, where he embarks on a new life under the roof of his buttoned-up Uncle Nate.
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Absolutely wonderful story.
- By George Thomas on 12-11-21
By: Derek B. Miller
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The Boy Kings of Texas
- A Memoir
- By: Domingo Martinez
- Narrated by: Emilio Delgado
- Length: 13 hrs and 30 mins
- Unabridged
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Overall
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A lyrical and authentic book that recounts the story of a border-town family in Brownsville, Texas in the 1980s, as each member of the family desperately tries to assimilate and escape life on the border to become "real" Americans, even at the expense of their shared family history. This is really un-mined territory in the memoir genre that gives in-depth insight into a previously unexplored corner of America.
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It was Okay
- By DebKoo on 05-17-13
By: Domingo Martinez
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I'll Be There
- By: Holly Goldberg Sloan
- Narrated by: Laura Jennings
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Overall
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Emily Bell believes in destiny. To her, being forced to sing a solo in the church choir - despite her average voice - is fate: because it's while she's singing that she first sees Sam. At first sight they are connected. Sam Border wishes he could escape, but there's nowhere for him to run. He and his little brother, Riddle, have spent their entire lives constantly uprooted by their unstable father. As Sam and Riddle are welcomed into the Bells' lives, they witness the warmth and protection of a family for the first time.
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Needs to be a film!
- By TreasureHunter on 06-25-16
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Out of Orange
- A Memoir
- By: Cleary Wolters
- Narrated by: Barbara Rosenblat
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The real-life Alex Vause from the critically acclaimed, top-rated Netflix show Orange Is the New Black tells her story in her own words for the first time - a powerful, surprising memoir about crime and punishment, friendship and marriage, and a life caught in the ruinous drug trade and beyond.
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Must read for OITNB fans
- By D. T. Douglas on 06-21-15
By: Cleary Wolters
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Digging Up Mother
- A Love Story
- By: Johnny Depp - foreword, Doug Stanhope
- Narrated by: Doug Stanhope and Friends
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Overall
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Performance
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Story
Doug Stanhope is one of the most critically acclaimed and stridently unrepentant comedians of his generation. What will surprise some is that he owes so much of his dark and sometimes uncomfortably honest sense of humor to his mother, Bonnie.
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Not my thing.
- By J. Harral on 01-27-18
By: Johnny Depp - foreword, and others
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After Perfect
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- By: Christina McDowell
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Overall
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Performance
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Story
In the tradition of New York Times best sellers What Remains by Carole Radziwill and Oh the Glory of It All by Sean Wilsey, Christina McDowell's unflinching memoir is a brutally honest, cautionary tale about one family's destruction in the wake of the Wall Street implosion.
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Mixed reaction
- By Margaret on 07-09-15
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American Rust
- By: Philipp Meyer
- Narrated by: Tom Stechschulte
- Length: 12 hrs and 48 mins
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Overall
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Performance
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Story
Set in a beautiful but economically devastated Pennsylvania steel town, American Rust is a novel of the lost American dream and the desperation-as well as the acts of friendship, loyalty, and love-that arise from its loss. From local bars to train yards to prison, it is the story of two young men, bound to the town by family, responsibility, inertia, and the beauty around them, who dream of a future beyond the factories and abandoned homes.
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A Web of Despair and Desperation
- By Darwin8u on 07-16-12
By: Philipp Meyer
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The Death of Cool
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- By: Gavin McInnes
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Overall
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Performance
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Story
This is his story, or, rather, stories - lots of them, and all gut-punchingly hilarious, from that first far reach into a girl's tight jeans to turning forty with a cataclysmic party. In between you’ll hear about acid trips, threesomes, Nazi skinheads, his band Anal Chinook (Inuit for “warm wind”), Martians in northern Canada, throwing pedophiles in jail, dinner with the Clash, what happens when you crash Bill Maher's show wasted, and the true story of Vice magazine.
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if you don't buy this book, the terrorists win
- By Kelsey Gholi on 04-03-17
By: Gavin McInnes
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Chelsea Girls
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In this breathtakingly inventive autobiographical novel, Eileen Myles transforms life into a work of art. Told in her audacious voice, made vivid and immediate in her lyrical language, Chelsea Girls cobbles together memories of Myles's 1960s Catholic upbringing with an alcoholic father, her volatile adolescence, her unabashed "lesbianity," and her riotous pursuit of survival as a poet in 1970s New York.
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fascinatingly skanky
- By Megon J. Walker on 07-15-16
By: Eileen Myles
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What listeners say about The Mars Room
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- ibillinsly@gmail
- 06-13-18
4.31 stars......a bleak tale
The Mars Room is a tale of hopelessness and despair. It is said that Kushner researched the California women's prison system for years while writing this novel, and her efforts are evident in the grim details of this tale of despair. The story provides a look into the lives of those who start out at a disadvantage from birth. It is a story about bad choices, about not having the mental capacity to avoid bad choices, and, ultimately, the result of bad choices. The Mars Room is well written and narrated by the author herself, and Kushner's style and voice is perfect for our doomed female stripper/prisoner/protagonist. This was my first read/listen from the Booker Long List this year.
Overall rating 4.31 stars
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- Joe Kraus
- 03-10-19
An Unblinking, Postmodern Take on Loneliness
There are a lot of ways into this powerful novel, but, as I got toward the end, it occurred to me that it’s most insistently about the nature of loneliness.
That’s a bigger claim than it seems, since this novel is so clearly about other things as well. For one, it’s about the way women suffer in the penal system, how the poor and unfortunate can lose everything because they don’t know how to defend themselves. Here, for instance, Romy might not have gone to jail at all, or might have gone for something dramatically less than two life sentences-plus, if she’d had an attorney able to demonstrate that she’d been the victim of sustained and disturbing sexual stalking.
It also reflects one kind of post-modernist school. A quick search tells me she understands herself as inspired by Don DeLillo (a fine inspiration to select, I’d say) and there’s evidence here of someone who acknowledges the difficulty (impossibility?) of rendering characters in all their dimensionality yet who attempts it all the same. This is a novel of ideas, but it’s simultaneously a story of characters, above all Romy, who recognize the extent to which their denied the full experience of life. One reflection of that is the impressive way Kushner de-eroticizes the business of sex. There are graphic parts here – Romy is a stripper, after all – but we get them as transactional experiences.
And this is also a powerfully feminist novel, one where the experience of women matters in and for itself, independent of men or even masculinity. Yes, most of this is set in a women’s prison, but it’s deeper than that. Romy defines herself on her own terms, on the basis of her own desires and choices. She’s not concerned with what others think or even what they might think. She is entirely of herself, and she shows a refreshing self-awareness throughout.
But I’m struck by the nature of loneliness here because I think part of what Kushner is expressing – depressingly – is that the human condition makes true connection much harder than we can imagine. In what may be my favorite quote in a novel full of rich language and insight, Romy describes her first time shooting up heroin as, “an experience exactly the way a young girl dreams love can be.” The idea is all there in that moment. Romy falls “in love,” but it isn’t with anyone. It’s self-absorbed and detached.
We see this at the level of the story itself. I hope it isn’t much of a [SPOILER] to report that Romy loses everyone she cares even remotely about. The novel opens with her stuck on a bus taking her to the maximum-security prison where she’ll spend the rest of her life, and it follows her through life inside, the eventual death of her mother, the loss of her son as he’s adopted away from her, and through to her brief pointless escape. No one gets in. No one matters. The man she’s killed thinks of her by her stage name as he stalks her; she thinks of him as “Creep” Kennedy. Each casts the other as a character in a private experience, transparently so.
We see it as well at a macro level. I’ve been struck by a species of contemporary novel, informed by postmodernism, that I describe as the “rhizomatic” novel. I think of Colum McCann in particular, but it includes Jennifer Egan’s A Visit from the Goon Squad and Joan Silber’s Fools among others. The striking feature of those novels is that we see a fragmented story that, from a novelist’s eye view if none of the characters’, connects disparate characters in an interconnected web.
In this case, though, Kushner does the opposite. For all that her characters overlap in their encounters, they affect each other only incidentally and without enduring influence. The close of the novel, for instance, brings her heartbreaking realization that, with her recapture, she’ll never get to know her son’s experience. “He is on his path as I am on mine,” she says, and that truth extends in other directions. She learns only very late that her best friend, Eva, has died, and she learns that from Eva’s father who confesses to having been so estranged from his daughter that he didn’t know of the death for years himself. Our second most significant character, Gordon, a would-be English professor who teaches in the prison for a time, agrees to mail a letter from a woman he thinks is crazy; he never knows that it results in the near murder of another character, and he never has cause to reflect on what he might have learned from his throw-away favor for someone. And the Unabomber makes an appearance, writing his manifesto against technology – and against the possibility of human connection – at the same time but isolated and removed from everyone else.
That is, there is something that might look like a vast web connection these characters, but it tears the moment we put any weight on it. None of these characters ultimately influence the others. They’re in dark situations that overlap, but even darker is the sense that we can never come to know them since they can never get beyond the narrow limits of their own experience. It’s a grim picture of a lonely world.
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10 people found this helpful
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- seshormerow
- 04-22-19
Grit and truth.
This book hits on all cylinders. Turbo charged. A gut punch. It could have gone on and on and on for me. WOW.
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- ckal36
- 06-21-23
It was ok
It held my interest at most times. It was an ok listen. I wish I had saved the credit for something a bit more interesting.
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- Nathan Duin
- 05-23-18
I can't think of any way this book could have been
As a great admirer of Kushner's previous novels I was expecting to love this and I did. Unflinching, unvarnished - like being inside the characters heads. A superb achievement. She did a wonderful job with the narration as well.
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- Martin Verni
- 08-11-18
Captivating characters propel a solid story
Tough to listen to at times as the story pulls no punches in describing the life of a prisoner, both inside and out. Difficult to stop listening to as the character's stories completely captivate.
Author's performance is perfect and adds wonderful nuance.
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- Book Reader
- 02-14-23
Read this book! Fantastic,
Thankyou Rachel Kushner for yet another great book. I read as I listen to you narrate. So excellent when the author narrates.
Thank you!
Barbara NYC 2/2023 ☮️❤️😊🗽
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- L.O.
- 07-25-18
Should have read the book instead..
I think I know the effect the author was going for here, reading in a droning dead pan voice, but my god it was hard to listen to. The writing however is superb, making this is one of those rare occasions where I would have enjoyed the paper version more than the audio.
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- Cara
- 07-23-18
Loved it, even with little girl narrator
This is an excellent story. Depressing, yes, but real. The narrator sounds very young but I think that works great for this story. The wasted innocence and actual youth of this woman is jarring and realistic.
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- Justin Neuman
- 05-15-19
One badass book!
What a wonderful journey. This novel is Hard hitting and intense... Thanks for reading, Rachel!
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